John Miller

John Miller

Cavalcade of Brown

November 9, 2024 – January 11, 2025

John Miller

The Ruin of Exchange

Kunsthaus Glarus, Glarus, Switzerland

July 14 – November 24, 2024

John Miller

John Miller - An Elixir of Immortality

Schinkel Pavillon, Berlin, Germany

June 6 – December 13, 2020

John Miller

Other Subjectivities

September 7 – October 12, 2019

John Miller

Comedy of Manners

Museum im Bellpark, Kriens, Switzerland

December 1 – 10, 2018

John Miller

The Insanity of Place

June 25 – August 5, 2017

John Miller

John Miller: I Stand, I Fall

ICA Miami, Miami, USA

February 18 – June 12, 2016

John Miller

The Totality of All Things as They Actually Exist

Zimmerstrasse 88–89, 10117 Berlin

May 1 – June 5, 2010

John Miller, artist, represented by Trautwein Herleth

John Miller

Kunsthalle Zürich, Zurich, Switzerland

August 29 – November 15, 2009

John Miller

The Middle of the Day

Zimmerstrasse 88–89, 10117 Berlin

July 2 – August 20, 2005

John Miller, artist, represented by Trautwein Herleth

John Miller

Double Date

Zimmerstrasse 88–91, 10117 Berlin

June 30 – August 11, 2001

John Miller, artist, represented by Trautwein Herleth

John Miller

Pillars of Salt

Potsdamer Strasse 93, 1000 Berlin 30

July 3 – August 14, 1999

John Miller, artist, represented by Trautwein Herleth

John Miller

Hommage an Karl May

Potsdamer Strasse 93, 10785 Berlin

August 24 – September 21, 1996

John Miller, artist, represented by Trautwein Herleth

Publications:

CV

Solo exhibitions

  • 2024

  • 2023

    • Last Words (with Richard Hoeck), Magazin 4, Bregenz, Austria
    • New Horizon, Meliksetian Briggs Gallery, Dallas, Texas, USA
    • Imaginary Interventions, Various Small Fires, Seoul, Korea
  • 2022

  • 2021

  • 2020

  • 2019

    • Other Subjectivities, Galerie Barbara Weiss in cooperation with Meyer Riegger, Berlin, Germany
    • Nina Beier & John Miller: A True Mirror, Hunt Kastner, Prague, Czech Republic
  • 2018

    • Comedy of Manners, Museum im Bellpark, Kriens, Switzerland
    • Wintry Mix, (with Nina Beier), 80WSE, New York, USA
    • Plus One, (with Megan Plunkett), Shoot the Lobster, New York, USA
    • Social Portraits, Einstein Forum, Potsdam, Germany
    • The End of History, Meliksetian Briggs, Los Angeles, USA
    • Early Drawings, The National Exemplar, New York, USA
    • Aura Rosenberg & John Miller: Almost There, Teen Party, New York, USA
    • Living with Contradictions, (with Marcia Schvartz), The National Exemplar, New York, USA
    • Mark Dion & John Miller, Galerie Nagel Draxler, Berlin, Germa
  • 2017

    • Walking in the City, Praz Delavallade, Paris, France
    • The Insanity of Place, Galerie Barbara Weiss, Berlin, Germany
  • 2016

    • Mannequin Death (with Richard Hoeck), Meliksetian Briggs, Los Angeles, USA
    • The Dark Ages, Studio for Propositional Cinema, Dusseldorf, Germany
    • Paintings from the early 80’s to the present, Meyer Riegger, Karlsruhe, Germany
    • Mannequin Death (with Richard Hoeck), Metro Pictures, New York, USA
    • Hard Hat / Soft Hard Hat & Mannequin Death, Galerie Marc Jancou, Geneva, Switzerland
    • John Miller: I Stand, I Fall, ICA Miami, Miami, USA
    • Sex Appeal of the Inorganic, Galerie Johann Widauer, Innsbruck, Austria
    • Relations in Public, Richard Telles Fine Art, Los Angeles, USA
  • 2015

    • John Miller und Dominik Sittig, Galerie Nagel Draxler, Köln, Germany
    • Counterpublics, Campoli Presti, London, United Kingdom
    • Mannequin Death (with Richard Hoeck), Offsite Rossinière and Galerie Marc Jancou, Geneva, Switzerland
    • Open to All Ages and Ethnicities (with Takuji Kogo),Neuer Berliner Kunstverein, Berlin, Germany
    • Here in the Real World, Mary Boone Gallery, New York, USA
    • Here in the Real World, Metro Pictures, New York, USA
  • 2014

    • Do it again!, Meliksetian | Briggs, Los Angeles, USA
    • A Moveable Feast – Part XIII, Campoli Presti, Paris, France
    • Our Shadowless Universe (with Anna Rosen), Malraux's Place, New York, USA
  • 2013

    • The Angel of History (with Aura Rosenberg), 3A Gallery, New York, USA and Meyer Riegger, Karlsruhe, Germany
    • John Miller. Social Portraits, Galerie Meyer Riegger, Karlsruhe, Germany
    • Subjective Monuments, Marc Jancou Contemporary, Geneva, Switzerland
    • The Middle of the Day, Shoot The Lobster, New York, USA
  • 2012

    • The Petrified Forest, Praz-Delavallade, Paris, France
    • New Realities, Patrick Painter Inc., East Gallery, Santa Monica, USA
    • John Miller – Suburban Past Time, Metro Pictures, New York, USA
  • 2011

    • John Miller. Wolfgang-Hahn-Preis 2011, Museum Ludwig, Cologne, Germany
  • 2010

    • The Totality of All Things as They Actually Exist, Galerie Barbara Weiss, Berlin, Germany
    • Dan Graham. John Miller, Galerie Christine Mayer, München, Germany
    • Richard Hoeck. John Miller – Grotesque, Galerie Johann Widauer, Innsbruck, Austria
    • John Miller, A Holiday in Other People’s Mistery, Galerie Christian Nagel, Cologne, Germany
  • 2009

    • John Miller, Kunsthalle Zürich, Zurich, Switzerland
    • John Miller, Patrick Painter Gallery, Los Angeles, USA
  • 2008

    • John Miller, Sutton Lane, London, Untited Kingdom
    • John Miller, Meyer Riegger, Karlsruhe, Germany
    • 11 Sessions, (with Karin Schneider und Matt Keegan), Orchard 47, New York, USA
  • 2007

    • Back to the Garden, Galerie Praz-Delavallade, Paris, France
    • The New Honeymooners, Metro Pictures, New York und Friedrich Petzel Gallery, New York, USA
    • The Middle of The Day, (online), Jeffrey Charles/Henry Peacock
    • The Office Party and the Communist Party, Schuermann Berlin, Berlin, Germany
    • John Miller, Michael Hall Contemporary Art, Vienna, Austria
  • 2006

    • Something for Everyone, (with Richard Hoeck), Jeffrey Charles/Henry Peacock, London, United Kingdom
    • Total Transperancy, Metro Pictures, New York, USA
  • 2005

    • The Middle of the Day, Galerie Barbara Weiss, Berlin, Germany
    • John Miller, Mai-Thu Perret, Galerie Praz-Delavallade, Paris, France
    • Something for Everyone, (with Richard Hoeck), Engholm Engelhorn Galerie, Vienna, Galerie Hans Widauer, Innsbruck; (CAC TV), Contemporary Art Center, Vilnius, Lithuania
    • Plakat , (poster project with Richard Hoeck), Kunstraum Innsbruck, Innsbruck, Austria
  • 2004

    • Everything is painted brown, Metro Pictures, New York, USA
    • Total Transparency, Richard Telles Fine Art, Los Angeles, USA
    • 493 KB from the Administered World, Jeffrey Charles Gallery, London, United Kingdom
    • Le milieu du jour, 1994–2004, Cabinet des Estampes du Musée d’art et d'histoire, Geneva, Switzerland
  • 2003

    • Ich (36/175/74), Meyer Riegger Galerie, Karlsruhe, Germany
    • Everything Is You, Galerie Praz-Delavallade, Paris, France
    • A Mutually Beneficial Encounter, Galerie Christian Nagel, Cologne, Germany
  • 2002

    • Screen Memories, Einstein Forum, Potsdam, Germany
    • Topographie für ein Museum (Ohne Wände), Johann Widauer, Innsbruck, Austria
  • 2001

    • Double Date, Galerie Barbara Weiss, Berlin, Germany
    • Deliveries in Rear, Tiroler Sparkasse, Innsbruck, Austria
  • 2000

    • Consolation Prize, (with Mike Kelley), The Belkin Gallery; University of British Columbia, Vancouver, Canada
    • Pilot, Richard Telles Fine Arts, Los Angeles, USA
    • Middle Of The Day, Galerie Art & Public, Geneva, Switzerland
  • 1999

    • Pillars of Salt, Galerie Barbara Weiss, Berlin, Germany
    • Parallel Economies, Magasin, Centre National d’Art Contemporain de Grenoble, Grenoble, France; Kunstverein Hamburg, Hamburg, Germany
    • Hard Hat, (with Richard Hoeck), Kunst-Werke, Berlin, Germany
    • No Place to Hang Your Hat , (with Richard Hoeck), Kunstraum Hans Widauer, Innsbruck, Austria; Turin Biennale, Turin, Italy
    • The Lugubrious Game, Meyer Riegger Galerie, Karlsruhe, Germany
    • Opposite Day, Metro Pictures, New York, USA
  • 1998

    • For the Good Times, Richard Telles Fine Arts, Los Angeles, USA
    • Low Noon, (with Richard Hoeck), Galerie & Edition Artelier, Graz, Austria
    • Kunst ohne Unikat, Steirischer Herbst, Neue Galerie Graz; Foundation Calouste Gulbenkian, Lisbon, Portugal
    • White Studies, Kunsthalle Wien (with Richard Hoeck); Vorarlberger Kunstverein, Bregenz, Austria
    • Alive with Pleasure, (digital projections), Candy Factory, Yokohama, Japan
    • Paintings and Sculptures, P.S.1, Long Island City, New York, USA
  • 1997

    • John Miller, Metro Pictures, New York, USA
    • A Trail of Ambiguous Picture Postcards, CCA Kitakyushu Project Gallery, Kitakyushu, Japan
  • 1996

    • Hommage an Karl May, Galerie Barbara Weiss, Berlin, Germany
    • The Middle of the Day, Richard Telles Fine Arts, Le Consortium, Dijon, France; Kunstbüro, Museum für Literatur am Oberhrein, Karlsruhe, Germany
    • Field Manual for a Tautology, Galerie Thomas Riegger, Karlsruhe, Germany
  • 1995

    • The Middle of the Day, Galerie Barbara Weiss, Berlin, Germany
  • 1994

    • Wind from the East, Richard Telles Fine Art, Los Angeles, USA
  • 1993

    • The Long March, the Narrow Road, Metro Pictures, New York, USA
    • John Miller, Art & Public, Geneva, Switzerland
    • John Miller, (together with Michael Jenkins), Galerie Rizzo, Paris, France
    • John Miller, Museum Robert Walser, Hotel Krone, Gais, Switzerland
  • 1992

    • Rock Sucks/Disko Sucks, DAAD Galerie, Berlin, Germany
    • John Miller, Bruno Brunnet Fine Arts, Berlin, Germany
    • John Miller, Laboratorium Gallery, Center for Contemporary Art, Ujazdowski Castle, Warsaw, Poland
    • John Miller, Roy Boyd Gallery, Los Angeles, USA
  • 1991

    • John Miller, Roy Boyd Gallery, Los Angeles, USA
    • John Miller, Andrea Rosen Gallery, New York, USA
  • 1990

    • John Miller, Galerie Isabella Kacprzak, Cologne, Germany
    • John Miller, Standard Graphik, Cologne, Germany
    • …But the Flesh Is Week, Metro Pictures, New York, USA
  • 1988

    • John Miller, Metro Pictures, New York, USA
    • John Miller, (together with Jennifer Bolande), Galerie Sophia Ungers, Cologne, Germany
  • 1987

    • John Miller, American Fine Arts Co., New York, USA
  • 1986

    • John Miller, Metro Pictures, New York, USA
  • 1985

    • John Miller, (together with Mike Kelley), Metro Pictures, New York, USA
    • John Miller, Rosamund Felsen, Los Angeles, USA
  • 1984

    • John Miller, Metro Pictures, New York, USA
    • John Miller, Rosamund Felsen, Los Angeles, USA
  • 1983

    • Recent Work, The Kitchen, New York, USA
  • 1982

    • John Miller, White Columns, New York, USA

Group exhibitions

  • 2024

  • 2023

    • City Scenes: Video Art from the Collections of n.b.k. and EAI, Goethe Institut New York, New York City, USA
    • Am Seegarten, Kirchmöser, Germany
    • In Prima Persona Plurale, MACRO – Museum of Contemporary Art of Rome, Rome, Italy
    • The Metropol Drama, Smart Museum of Art, University of Chicago, Chicago, USA
    • Pictures & After, MAMCO – Musée d'art Moderne et Contemporain, Geneva, Switzerland
    • Future Shock, Lisson Gallery, New York, USA
    • Toxic, Tiroler Landesmuseum Ferdinandeum, Innsbruck, Austria 
    • The John Waters Collection, Baltimore Museum of Art, Baltimore, USA
    • How to Move and Respond, Haus am Waldsee, Berlin, Germany
    • Candy Factory Presents 2023, Overground, Fukuoka, Japan
    • Galerie Johann Widauer, Innsbruck, Austria
    • TEASER II: Mises en scène, FMAC - Fonds Municipal d'Art Contemporain, Geneva, Switzerland
    • Ridiculously Yours, Art, Awkwardness and Enthusiasm, Halle für Kunst, Steiermark, Graz, Austria
    • Singular Views: 25 Artists, Rubell Museum DC, Washington, D.C., USA
  • 2022

  • 2021

    • Stars Down to Earth, Galerie Barbara Weiss, Berlin, Germany
    • Inventaire, MAMCO, Geneva, Switzerland
    • Autohaus St. Marx, Neuer Kunstverein Wien, Vienna, Austria
    • Paint It Black, Galerie Meyer Riegger, Berlin, Germany
    • Paradis, Maison R&C, Marseilles, France
    • Collectivity, Aye Aye, Copenhagen, Denmark
    • Glitter 2: posters by and for artist-bands and artists, who work with sound and music, Fluc, Vienna
  • 2020

    • The Practice of Everyday Life, Meliksetian | Briggs, Los Angeles, USA
    • Fermée – Milléniales. Peintures 2000 – 2020, Frac Nouvelle-Aquitaine MÉCA, Bordeaux, France
    • Collection Highlights, Rubell Museum, Miami, USA
    • Window Shopping, Gabriele Senn Gallery, Vienna, Austria
    • Ride off like a cowboy into the sunset, Aguirre, Mexico City, Mexico
    • Means to an End, Meyer Riegger Galerie, Berlin, Germany
  • 2019

    • Wo Kunst geschehen kann - Die frühen Jahre des CalArts, Kestnergesellschaft, Hannover, Germany
    • Come together, Meyer Riegger, Berlin, Germany
    • Absolute Thresholds, Galerie Francesca Pia, Zurich, Switzerland
    • Affective Affinities - 33rd Bienal de São Paulo, Palacio Anchieta, Vitoria, Brazil; SESC, São José do Rio Preto, Brazil;Fundação Iberê Camargo, Porto Alegre, Brazil
    • Mercury, Tallinn Art Hall, Tallinn, Estonia
    • 25 Years Galerie der Stadt Schwaz, Galerie der Stadt Schwaz, Schwaz, Austria
    • Terms and Conditions: A Sonata for Two Women, Prosjektrom Normanns, Stavanger, Norway
    • Inaugural Exhibition, Rubell Museum, Miami, USA
    • Le Magasin, Unit 5, Galerie Praz-Delavallade, Los Angeles, USA
    • A True Mirror, Galerie Hunt Kastner, Prague, Czech Republic
    • Artists Use Photography, Galerie Praz-Delavallade, Los Angeles, USA
  • 2018

    • (K)ein zweites Ich. Freundschaft zwischen geschäftlichem Kalkül und innigem Gefühl, Einstein Forum, Potsdam, Germany
    • Everything Is Connected: Art and Conspiracy, Met Breuer, Metropolitan Museum, New York, USA
    • Elevations, Galerie Emanuel Layr, Vienna, Austria
    • Affective Affinities: To Our Parents, 33rd Bienal de São Paulo, São Paulo, Brazil
    • John Miller, Judith Hopf, Trevor Paglen, Nina Beier, Halsey McKay Gallery, East Hampton, New York, USA
    • The Conditions of Being Art: Pat Hearn Gallery & American Fine Arts, Co. (1983-2004), CCS Bard Hessel Museum of Art, Annandale-on-Hudson, New York, USA
    • At Loose Ends of the Loss, Galerie Nagel Draxler, Berlin, Germany
    • Von fremden Ländern in eigenen Städten, Markus Ambach Projekte, Dusseldorf, Germany
    • UNKLARHEIT IST DIE NEUE GEWISSHEIT, UNENTSCHIEDENHEIT DAS NEUE URTEIL (with Richard Hoeck), Spike, Berlin, Germany
    • Kein Schmerz, kein Gedanke!, Galerie Christine Mayer, Munich, Germany
    • Every Day Is a Good Day, Magazin 4, Bregenz, Austria
    • Ein Brunner Lienz – Alto Adige, Büro Weltausstellung, Vienna Art Foundation, Vienna, Austria
    • Unforgettable Meeting, Victoria Art Gallery, Samara, Russia
    • Matthew Barney, Steve Di Benedetto, John Miller – Chhunks, The National Exemplar Gallery, New York, USA
  • 2017

    • And Then There Were None, Meyer Riegger, Karlsruhe, Germany
    • Strange Attractors (with Richard Heck), Redling Fine Art, Los Angeles, USA
    • In Relation to to a Spectator, Kestner Gesellschaft, Hannover, Germany
    • EXO EMO, Greene Naftali, New York, USA
    • After the Fact, Propaganda in the 21st Century, Lenbachhaus, Munich, Germany
    • Cyborg Dreams (with Takuji Kogo), 83 Pitt Street, New York, USA
    • Zeitgeist, MAMCO, Geneva, Switzerland
  • 2016

    • Montage, Off Vendome, New York, USA
    • The Power and the Glory, Charles Riva Collection, Brussels, Belgium
    • Cause the Grass Don’t Grow and the Sky Ain’t Blue, Galerie Praz-Delavallade, Paris, France
    • Co-thinkers, Garage Museum of Contemporary Art, Moscow, Russia
    • Golden Eggs, Team Gallery, New York, USA
    • Painting 2.0: Expression in the Information Age, Mumok, Vienna, Austria
    • Pièces-Meublées, Galerie Patrick Seguin, Paris, France
    • KKK Nr. 7, Paraphrase, Galerie Konzett, Vienna, Austria
    • Hermann tritt schüchtern herein, Meyer Riegger, Berlin, Germany
    • TransArt Triennial Berlin: Processed Being: an Exploration of Intersubjectivity Authorship and Geography, Berlin, Germany
  • 2015

    • Painting 2.0: Expression in the Information Age,Museum Brandhorst, Munich, Germany
    • Sylvia Bataille, JOAN, Los Angeles, USA
    • John Miller und Dominik Sittig, Galerie Nagel Draxler, Cologne, Germany
    • Gjon Mili International Photography Exhibition, National Gallery of Kosovo, Pristina, Kosovo
    • Open to All Ages and Ethnicities - John Miller and Takuji Kogo, Neuer Berliner Kunstverein, Berlin, Germany
    • 1989, Galerie Barbara Weiss, Berlin, Germany
  • 2014

    • John Miller and Anna Rosen: Our Shadowless Universe, Malraux's Place, New York, USA
    • Frank Lutz, John Miller, Aura Rosenberg - Lost Monuments, Studio for Propositional Cinema, Dusseldorf, Germany
    • GOLD, Bass Museum of Art, Miami, USA
    • "B1|A40 Die Schönheit der großen Straße" Ein Ausstellungspojekt entlang der A40 von Duisburg bis Dortmund, Urbane Künste Ruhr und MAP Markus Ambach Projekte, Bochum/Dusseldorf, Germany
    • The Human Factor, Hayward Gallery, London, United Kingdom
    • „John Miller, Olaf Breuning, Tony Matelli“, Gary Tatintsian Gallery, Moscow, Russia
    • Take it or Leave it: Institution, Image, Ideology, Hammer Museum, Los Angeles, USA
    • No Games Inside the Labyrinth, Galerie Barbara Weiss, Berlin, Germany
  • 2013

    • A drawing that illustrates my last show at Meyer Riegger Karlsruhe, Meyer Riegger, Karlsruhe, Germany
    • The Angel of History. Aura Rosenberg and John Miller, 3A Gallery, New York, USA
    • Painting forever, KW Institute for Contemporary Art, Berlin, Germany
    • EXPO 1: New York, MoMA PS1, Long Island City, New York, USA
    • Road Atlas. Straßenfotografie aus der DZ BANK Kunstsammlung, Art Foyer DZ Bank Kunstsammlung, Frankfurt am Main, Germany
    • Empire State,Palazzo della Esposizioni, Rome, Italy
    • NYC 1993: Experimental Jet Set, Trash and No Star, New Museum, New York, USA
    • White Petals Surround Your Yellow Heart, Institute of Contemporary Art, University of Pennsylvania Philadelphia, USA
  • 2012

    • Candy Factory Projects: Kitakyushu Biennial World Tour 1, The Private Museum, Singapore, Singapore
    • Sound Quality, Grey Area, New York, USA
    • Panegyric, Forde Gallerie, Geneva, Switzerland
    • Standard Operating Procedure, Blum & Poe, Los Angeles, USA
    • Drawing show, Galerie Micheline Szwajcer, Antwerp, Netherlands
    • Creature from the Blue Lagoon, Martos Gallery (summer location), Bridgehampton, New York, USA
    • KEINE ZEIT, 
Erschöpftes Selbst/Entgrenztes Können, Österreichische Galerie Belvedere, 21er Haus, Vienna, Austria
    • These Transitional Spaces, Franklin Street Works, Stamford, Connecticut, USA
    • Screening, Real Fine Arts, Brooklyn, New York, USA
    • Imaginez l’Imaginaire, Palais de Tokyo, Paris, France
    • The Mirror of Narcissus: From Mythological Demigod to Mass Phenomenon, Galerie im Taxispalais, Innsbruck, Austria
    • Shake ’N’ Bake, Praz-Delavallade, Paris, France
    • Road Atlas. Straßenfotografie aus der DZ BANK Kunstsammlung, Kunstmuseum Cottbus, Cottbus, Germany
    • Fliegen/Flying, Showroom of the Künstlerhaus Bethanien, Berlin, Germany
  • 2011

    • process time, Galerie Meyer Riegger, Berlin, Germany
    • Kitakyushu Biennal 2011, Klatkyushu, Japan
    • Inside/Outside: Dressing the Monument, Inside/Outside: Dressing the Monument, Lynden Sculpture Garden, Milwaukee, Illinois, USA
    • Road Atlas. Straßenfotografie aus der DZ BANK Kunstsammlung, Stiftung Opelvillen, Rüsselsheim, Germany
    • Über die Metapher des Wachstums,Frankfurter Kunstverein, Frankfurt am Main, Germany
    • Dystopia, CAPC, Museum of Contemporary Art Bordeaux, Bordeaux, France
  • 2010

    • Gwangju Biennale 2010, Gwangju, South Korea
    • Portugal Arte 10, Lisbon, Portugal
    • Mixed Use, Manhattan: Photography and Related Practices 1970s to the present, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain
    • Nachleben, Goethe Institut, New York, USA
    • Filmschönheit Art & Film, Galerie Mezzanin, Vienna, Galerie Gisela Capitain, Cologne, Germany
    • Middle Man, Dan Graham/Nic Guagnini/John Miller, Three’s Company, New York; Max Hans Daniel, Berlin, Germany
    • SENT BY MAIL, Galerie Barbara Weiss, Berlin, Germany
  • 2009

    • Zeigen. Eine Audiotour durch Berlin von Karin Sander, Temporäre Kunsthalle Berlin, Berlin, Germany
    • Top Ten, Berlin, Germany
    • Allegories, Galerie Francesca Pia, Zurich, Switzerland
    • Drawings, Praz-Delavallade, Paris, France
    • Cave Painting, PSM Gallery, Berlin, Germany
    • Sonic Youth etc. Sensational Fix, Kunsthalle Düsseldorf, Düsseldorf, Germany; Centro de Arte Dos de Mayo, Madrid, Spain; Museion, Bozen, Italy; Malmö Konsthall, Malmö, Sweden
    • Every Revolution is a Roll of the Dice, Paula Cooper Gallery, New York, USA
    • Regift, curated by John Miller, Swiss Institute, New York, USA
  • 2008

    • Group Show, Sassa Trülzsch, Berlin, Germany
    • The Forces of Nature Will Rise Up to Defeat the Madman, Monya Rowe Gallery, New York, USA
    • Sculpture Trail, Grieder Contemporary, Küsnacht bei Zurich, Switzerland
    • Go West, Kunsthalle Krems, Krems, Austria
    • The Skat Players, Vilma Gold Gallery, London, United Kingdom
    • Bad Planet, Gary Tatintsian Gallery, Moscow, Russia
  • 2007

    • The Dating Show, 3rd Ward Gallery, Brooklyn, New York, USA
    • Zwischen zwei Toden, ZKM, Zentrum für Kunst und Medientechnologies, Karlsruhe, Germany
    • The Happiness of Objects, The Sculpture Center, Long Island City, New York, USA
    • Kitakyushu Biennial, Moji, Japan
    • Forrest Dump, Shark (ex-fuel), Geneva, Switzerland
    • Neointegrity!, Derek Eller Gallery, New York, USA
    • Body PoliticX, Witte de With, Rotterdam, Netherlands
    • Every Revolution is A Roll of the Dice, Ballroom Marfa, Marfa, Texas, USA
    • Q&A, video screening, Elizabeth Dee Gallery, New York, USA
    • Wolfgang von Kempelen. Mensch-[in der]-Maschine, ZKM, Zentrum für Kunst und Medientechnologies, Karlsruhe, Germany
    • Abbondanza, Salvatore Ferragamo Gallery, New York, USA
    • Black Noise: Every Day is Saturday, Cumberto Space, Tblisi, Georgia, USA; MAMCO, Geneva; CNEAI (Centre National de L’Estampe et de l’Imprimé), Chatou, France
    • Radio Danièle, GAM/Bologna, Italy; Kunsthalle Zurich, Zurich, Switzerland
    • Paul Thek: Werkschau im Kontext Zeitgenössischer Kunst, ZKM/Museum für Neue Kunst; Collection Falckenberg, Hamburg, Germany
    • In Pursuit: Art on Dating, Ise Cultural Foundation, New York, USA
  • 2006

    • Into Me/Out of Me, P.S.1 Contemporary Art Center, New York, USA; KW Institute of Contemporary Art, Berlin, Germany
    • The Gold Standart, P.S.1, MoMA, New York, USA
    • Periferic 7 – Focussing Iasi, Iasi, Rumania
    • Dark Places, Santa Monica Museum of Art, Santa Monica, USA
    • Hyperlinks for Global Dead Links, Hiroshima City Museum of Contemporary Art, Hiroshima, Japan
    • Tomorrowland: CalArts in Moving Pictures, Museum of Modern Art, New York, USA
    • Something for Everyone, Babylon Kino, Berlin, Germany
    • Vincule a. Politicas de la Afectividad, Estiticas del Biopoder, Medialab Madrid, Madrid, Spain
    • Real vs. Unreal, Ganga International Galerie, Bogotá, Columbia
    • The Bong Show: or This Is Not a Pipe, Leslie Tonkonow Artworks + Projects, New York, New York, USA
  • 2005

    • When Humor Becomes Painful, Migros Museum für Gegenwartskunst, Zurich, Switzerland
    • Go Between, Magazin 4, Vorarlberger Kunstverein, Bregenz, Austria
    • Living and working in Vienna, Kunsthalle Wien, Austrian Cultural Forum, New York, USA
    • Private View 1980–2000 Collection Pierre Huber, Musée cantonal des Beaux-Arts, Lausanne, Switzerland
    • Kunst in Schokolade/Chocolate Art, Museum Ludwig, Cologne, Germany
    • Talk to the Land, Andrew Kreps Gallery, New York, USA
    • Synthesis and Distribution: Experiments in Collaboration, Pace University Galleries, New York, USA
    • Superstars, Kunsthalle Wien, Vienna, Austria
    • Automobilisé, Galerie Ilka Bree, Bordeaux, France
    • Das Neue Europa. Kultur des Vermischens und Politik der Repräsentation, Generali Foundation, Vienna, Austria
    • After All That Can Be Said, Gary Stephan, John Miller, Klaus Merkel, Galerie Kienzle & Gmeiner, Berlin, Germany
    • Expérience de la durée, Biennale d’árt contemporain de Lyon 2005, Lyon, France
    • Minimalist Kitsch & Visionäre Sammlung Vol. 1, Haus Konstruktiv, Zurich, Switzerland
  • 2004

    • Writing, Images, Ideas: Walter Benjamin and the Art of Present Day, Haus am Waldsee, Berlin, Germany
    • 15 Jahre Deichtorhallen, Deichtorhallen, Hamburg, Germany
    • Rien ne presse 7, Mamco, Geneva, Switzerland
    • The Big Nothing, ICA Philadelphia, Philadelphia, USA
    • Scream, IASPIS, Stockholm, Sweden
    • Made in Berlin, Art Forum, Berlin, Germany
    • Body display. Performative Installation #4, Secession, Vienna, Austria
    • Before the end, Le Consortium, Dijon, France
  • 2003

    • Sandwiched, Public Art Fund, The Wrong Gallery, New York, USA
    • Boogie-Woogie Wonderland, Candy Factory Projects, Akiyoshidai International Art Village, Akiyoshidai, Japan
    • Gibt’s mich wirklich/Blinde wehrt Euch, Kunstsammlung im Ständehaus, Dusseldorf, Germany
    • Drawings, Metro Pictures Gallery, New York, USA
    • There is no Land but the Land, Meyer Riegger Galerie, Karlsruhe, Germany
  • 2002

    • From the Observatory, Paula Cooper Gallery, New York, USA
    • The Empire Strikes Back, ATM Gallery, New York, Schuermann Sammlung, K21, Dusseldorf, Germany
    • 40 Jahre: Fluxus und die Folgen, Kunstsommer Wiesbaden, Kulturamt der Landeshauptstadt Wiesbaden, Wiesbaden, Germany
    • In portraiture irrelevance is ugliness, Galerie Reinhard Hauff, Stuttgart and the Museum Schloß Hardenberg, Velbert, Germany
    • A Country Lane, Kerstin Engholm Galerie, Vienna, Austria
  • 2001

    • Tele(visions), Kunsthalle Vienna, Austria
    • Homes For The Soul: Micro-architecture in Medieval and Contemporary Art, Gallery 4, Henry Moore Institute, Leeds, United Kingdom
    • Trade. Waren, Wege und Werte im Welthandel Heute, Fotomuseum Winterthur; Netherlands Foto Institut, Rotterdam, Netherlands
    • Superman in Bed, Museum am Ostwall, Dortmund, Germany
    • Ziviler Ungehorsam: Sammlung Falckenberg, Kestner Gesellschaft, Hannover, Germany
    • Drawings, Galerie Biedermann, Munich, Germany
    • John Miller, Pae White, Fred Wilson, Metro Pictures, New York, USA
  • 2000

    • WIDER BILD GEGEN WART, Raum Aktueller Kunst Martin Janda, Vienna, Austria; Nieuw Internationaal Cultureel Centrum, Antwerpen, Netherlands
    • Essensbilder/Bilder zum Essen, Restaurant Manzini Mitte, Berlin, Germany
    • All you can eat, Galerie für Zeitgenössische Kunst, Leipzig, Germany
    • American Art Today: Fantasies & Curiosities, The Art Museum at Florida International University, Miami, USA
    • Group Show, Kunstraum Hans Widauer, Innsbruck, Austria
  • 1999

    • Playtimes, Magasin-L’Ecole, Centre National d’Art Contemporain de Grenoble, Grenoble, France
    • Wir leben zwischen Wänden, Kunstamt Kreuzberg / Bethanien, Berlin, Metro Pictures, New York, USA
    • Bad Bad: That’s a Good Excuse, Staatliche Kunsthalle Baden-Baden, Baden-Baden, Germany
    • Transmute, Museum of Contemporary Art, Chicago, USA
    • Art in the Age of the Consumer: Works from the collection of The Museum of Contemporary Art, Feldman Gallery, Pacific Design Center, Los Angeles, USA; Galerie Asbaek, Copenhagen
    • Le Capital (Inscriptions, Tableaux, Diagrammes & Bureaux d’Ètudes), Contemporary Art Center, Sete, France
    • Stadtluft. Der urbane Raum als Medium von Macht, Kunstverein in Hamburg, Hamburg, Germany
    • No Place To Hang Your Hat, Galerie Johann Widauer, Innsbruck, Austria
    • Malerei 05.09.–31.10.99, INIT Kunst-Halle, Berlin, Germany
  • 1998

    • 100 Years Secession, Secession, Vienna, Austria
    • Tell me a Story: Narration in Contemporary Paintings and Photography, Magasin, Centre National d’Art Contemporain, Grenoble, France
    • Group Show, Raum Aktueller Kunst Martin Janda, Vienna, Austria
    • Figurative Sculptures, Patrick Painter Gallery, Los Angeles, USA
    • Group Show, Galerie Rizzo, Paris, France
    • Fast Forward: Trademarks , Kunstverein in Hamburg, Hamburg, Germany
    • Painting, Now and Forever, Pat Hearn Gallery, New York, USA
    • Entropie zu Hause, Suermont Ludwig Museum, Aachen, Germany
    • Songs from a Room, Meyer Riegger Galerie, Karlsruhe, Germany
  • 1997

    • Display, The Charlottenborg Exhibition Hall, Copenhagen, Denmark
    • Someone else with my fingerprints, David Zwirner Gallery, New York; Galerie Hauser & Wirth, Zurich, Switzerland; August Sander Archiv/SK Stiftung Kultur, Cologne, Germany; Kunstverein Munich, Munich, Germany; Kunsthaus Hamburg, Hamburg, Germany
    • Now on View, Metro Pictures, New York, USA
    • Laying Low, Kunsternes Hus, Oslo, Norway
    • Eight from Ohio: In and Out of Bounds, Lancaster Festival, The Hammond Galleries, Lancaster, Ohio, USA
    • 79/97, Visual Arts Gallery, School of Visual Arts, New York, USA
    • At the Threshod of the Visible, Independent Curators Association, Johnson Museum of Art, Cornell, USA; University, New Jersey, USA; Meyerhoff Galleries, Maryland Institute of Art, Baltimore, USA Maryland; Art Gallery of Ontario, Toronto, Ontario, Canada; Art Gallery of Windsor, Windsor, Ontario, Canada; Santa Monica Museum of Art, Santa Monica, California, USA; Edmonton Art Gallery, Edmonton, Alberta, Canada
    • Jeopardy, Forde Galleries, Geneva, Switzerland
    • Revision des Abstrakten Expressionismus: Malerei zwischen Erhabenheit und Vulgarität, Kunstverein Gütersloh, Gütersloh, Germany
  • 1996

    • Screen, Friedrich Petzel Gallery, New York, USA
    • DO IT (Home Version), Museum in Progress, Vienna, Austria
    • Österreichische Triennale Fotografie, Graz, Austria
    • Group Show, Metro Pictures, New York, USA
    • Group Show, Sandra Gehring Gallery, New York, USA
    • Comic Depictions of Sex in American Art, Galerie Andreas Binder, Munich, Germany
    • Faustrecht der Freiheit, Kunstsammlung Gera; Neues Museum Weserburg, Bremen, Germany
    • Intervention: Tendenzen im Schatten der Stadtplanung, Stiftung Starke, Berlin; Cabinet des Estampes, Geneva, Switzerland
    • Radikale Bilder, 2. Österreichische Triennale zur Photographie 1996, Neue Galerie am Landesmuseum Joanneum, Graz, Austria
    • a/ drift: Scenes from the Penetrable Culture, Center for Curatorial Studies, Bard College, New York, USA
    • Group Show, Ecole Nationale Supérieure des Beaux-Arts (ENSB-A), Paris, France
  • 1995

    • Altered State: American Art in the 90s, Forum for Contemporary Art, St. Louis Museum of Art, St. Louis, USA
    • The Mutated Painting, Galerie Martina Detterer, Frankfurt am Main, Germany
    • (Landschaft) mit dem Blick der 90er Jahre, Mittelrheinmuseum, Koblenz, Germany; Schloss Burg, Saale, Germany; Haus am Waldsee, Berlin, Germany
    • Land Schaf(f)t, Stiftung Weimarer Klassik, Weimar, Germany
    • Pittura/Immedia: Malerei in den 90er Jahren, Neue Galerie, Graz; Mucscarnoc, Palace of Art, Budapest, Hungary
    • Art in Suburbia, Jeffrey Deitch Art Advisory Services, New York, USA
    • The Joy of Painting, Here, New York, USA
    • Pieces-Meubles, Galerie Jousse Seguin, Paris, France
    • Bettenausstellung, Hotel-Pension Nürnberger Eck, Berlin, Germany
    • Smells Like Vinyl, Roger Merians Gallery, New York, USA
    • L’object, Villa du Parc, Annemasse, France
    • Club Berlin, XLVI Biennale di Venezia, Venice, Italy
  • 1994

    • Don’t Look Now, Thread Waxing Space, New York, USA
    • The Use of Pleasure, Terrain, San Francisco, USA
    • Jet Lag, Galerie Martina Detterer, Frankfurt am Main, Germany
    • Suture-Phantasmen der Vollkommenheit, Salzburger Kunstverein, Salzburg, Austria
    • Who chooses Who, Charity Exhibition, New Museum of Contemporary Art, New York, USA
    • Sammlung Volkmann, Berlin, Germany
    • Wind from the East, Künstlerhaus Bethanien, Berlin, Germany
    • Up the Establishment, Sonnabend Gallery, New York, USA
    • Economies Parralleles, Residence Secondaire, Paris, France
    • The John Show, Galerie Sophia Ungers, Cologne, Germany
    • Mapping, Museum of Modern Art, New York, USA
    • Notational Photographs, Metro Pictures/Petzel Borgmann, New York, USA
    • Cloaca Maxima, Museum der Stadtentwässerung, Zurich, Switzerland
    • John Miller – Christina Frey, Kunsthalle Palazzo, Liestal, Switzerland
    • Critical Mass, Yale University School of Art, New Haven, USA
    • Temporary Translation(s): Sammlung Schürmann, Deichtorhallen Hamburg, Hamburg, Germany
    • Das Jahrhundert des Multiple, Deichtorhallen Hamburg, Hamburg, Germany
    • Frontiere, Galerie Bob von Oursow, Zurich, Switzerland
  • 1993

    • Here’s Looking At Me. Autoportraits Contemporains, ELAC, Lyon, France
    • The Young Americans, Galerie Sophia Ungers, Cologne, Germany
    • The Uncanny, Sonsbeek '93, Geementmuseum, Arnheim, Netherlands
    • Money, Nancy Drysdale Gallery, Washington D.C., USA
    • The Nightshade Family, Museum Fridericianum, Kassel, Germany
    • Le Bon, La Brute et la Truand…, Galerie Jousse-Seguin, Paris, France
    • The Naming of Colors, White Columns, New York, USA
    • Object Art: Repulsion and Desire in American Art, Whitney Museum of American Art, New York, USA
    • The Rag Trade: Right off the Rack, The Inter Art Center, New York, Metro Pictures, New York, USA
  • 1992

    • Dirty Data, Schürmann Sammlung, Ludwig Forum für Internationale Kunst, Aachen, Germany
    • The Other Side, Tony Shafrazi Gallery, New York, USA
    • Re: Framing Cartoons, Wexner Art Center, Ohio State University, Columbus, USA
    • Group Show, Bruno Brunnet Fine Arts, Berlin, Germany
    • Massverhältnisse/Standards, Galerie Sophia Ungers, Cologne, Germany
    • Sommerausstellung, Schloss Plön, Schleswig-Holstein, Germany
    • Live in Your Head, Heligen Kreuserhof, Akademie für angewandte Künste, Vienna, Austria
    • Walter Benjamin: Grenzfall und Erwartung, (Installation in Zusammenarbeit mit dem Institut für Heuristik) Galerie Mulackstraße 22, Berlin, Germany; Oberrheinisches Dichtermuseum, Karlsruhe, Germany
    • 1968, Le Consortium, Dijon, France
    • Art Meets Ads, Städtische Kunsthalle Dusseldorf, Germany
    • Spielhölle, Städelschule, Frankfurt; Grazer Kunstverein, Graz; Galerie Sylvana Lorenz, Paris, France
  • 1991

    • Group Show, Galerie Isabella Kapcrzak, Cologne, Germany
    • Currents, The Institute of Contemporary Art, Boston, USA
    • Biennial Exhibition, Whitney Museum of American Art, New York, USA
    • Anni Novanta, Museo communale d’arte contemporanea, Bologna, Italy
    • Lost Illusions, Vancouver Art Gallery, Vancouver, USA
    • The Lick of the Eye, Shoshanna Wayne Gallery, Los Angeles, USA
    • Gulliver’s Reisen, Galerie Sophia Ungers, Cologne, Germany
    • Hybrid Abstract, Ufdam Gallery, Bennington College, Bennington, USA
    • Currents, Institute of Contemporary Art, Boston, USA
  • 1990

    • Drawings, Metro Pictures, New York, USA
    • The Köln Show, Galerie Sophia Ungers und Tanja Grunert, Cologne, Germany
    • Re: Framing Cartoons, Loughelton Gallery, New York, USA
    • Art Supplies und Utopia, Ralph Wernicke, Stuttgart, Germany
    • Just Pathetic, Rosamund Felsen Gallery, Los Angeles, USA
    • In the Beginning, Cleveland Center for Contemporary Art, Cleveland, USA
    • Viewpoints towards the 90’s: three Artists from Metro Pictures, Part II, Seibu Galleries, Tokio, Japan
  • 1989

    • A climate of site, Galerie Barbara Farber, Amsterdam, Netherlands
    • Avant 1989, Villa Gillet-Frac Rhone-Alpes, Lyon, France
    • A Good Read: The Book as Metaphor, Barbara Toll Gallery, New York, USA
    • Group Show, Metro Pictures, New York, USA
    • Bruges La Morte, , Bruges, Belgium
    • John Miller, Gary Mirabelle, Lawrence Weiner, American Fine Arts Co., New York, USA
    • Disappearences, Nathan Contemporary Arts, New York, USA
    • Information, Terrain Gallery, San Francisco, USA
    • Self Evidence, Los Angeles Contemporary Exhibitions, Los Angeles, USA
  • 1988

    • syn – SERVICE, Robbin Lockett Gallery, Chicago, USA
    • A 'Drawing' Show, Cable Gallery, New York, USA
    • Tableux: Vivant/Morte, Installation, San Diego, Metro Pictures, New York, USA
    • A Distanced Romance (Absence Makes the Heart Grow Fonder), A Distanced Romance (Absence Makes the Heart Grow Fonder), Jeffrey Neale Gallery, New York, USA
  • 1987

    • of Ever-Ever Land i speak, STUX, New York, USA
    • Art Against Aids, Metro Pictures, New York, USA
    • CalArts: Skeptical Beliefs, Renaissance Society an der University of Chicago, USA; Newport Harbor Art Museum, Newport Beach, USA
    • Group Show, Metro Pictures, New York, USA
  • 1986

    • Signs of Painting, Metro Pictures, New York; Donald Young Gallery, Chicago, USA
    • The Gallery Show, Exit Art, New York, USA
    • Abstract Appropriation, Grey Art Gallery, New York University, New York, USA
    • A New Abstraction, New City, Venice, Kalifornien, USA
  • 1985

    • Americana, Group Material installation, Whitney Museum, New York, USA
    • Group Show, Metro Pictures, New York, US
    • Auto/Genetic/Photopsia, Christminster, New York, USA
    • New York Art Now: Correspondences, La Foret Museum, Tokio; Tochigi Prefectural Museum of Fine Arts, Tochigi; Tazaki Hall; Espace media, Kobe, Japan
    • Smart Art, Carpenter Center for the Visual Arts, Harvard University, Cambridge, United Kingdom
  • 1984

    • Urban Confrontations, Ben Shahn Gallery, Paterson College, Wayne, New Jersey, USA
    • Landscape Revisited: 12 New York Artists, West Beach Cafe, Venice, California, USA
    • Group Show, Metro Pictures, New York, USA
    • Drawings!, Barbara Toll Fine Arts, New York, USA
  • 1983

    • Group Show, A & M Artworks, New York, USA
    • Group Show, Hallwalls, Buffalo, New York, USA
    • Art on Paper, Weatherspoon Art Gallery, University of North Carolina at Greensboro, Greensboro, USA
    • Artist’s Books/Booked Art, Ysted Konstmuseum, Ysted, Sweden; Kristianstad Konstmuseum, Kristianstad, Sweden; Norrköpings Konstmuseum, Norrköpings, Sweden
  • 1982

    • London/New York, Lisson Gallery, London, United Kingdom
    • Selections, Artist Space, New York, USA
    • Drawing Show, Los Angeles Contemporary Exhibitions, Los Angeles, USA
    • Real Life Magazine Presents, White Columns, New York, USA
    • Audio Art Sho, Zona, Florence, Italy and New York, USA
  • 1981

    • Mudd Video 4, Mudd Club, New York, USA
    • Artists Book Show, Zone, Springfield, Massachusetts, USA
    • Artists Book Show, Metronom, Barcelona, Spain
    • Noise Festival, White Columns, New York, USA
    • Beware of the Dog!, Mudd Club, New York, USA
    • Video, Anthology Film Archives, New York, USA
  • 1979

    • 10 Künstlervideos, Los Angeles Institute of Contemporary Art, Los Angeles, USA
    • Manifesto Show, 5 Bleecker Street, New York, USA
  • 1978

    • Short Videotapes, Anthology Film Archives, New York, USA
    • Artwords and Bookworks, Los Angeles Institute of Contemporary Art, Los Angeles, USA
  • 1977

    • Fylkingen Video Arts Festival, Stockholm, Sweden
    • Athens International Film Festival, Athens, Ohio, USA