Carolyn Lazard
A Conspiracy, 2017
Installation view
Walker Art Center, Minneapolis, USA
![[The entrance hall features a white ceiling with jagged, horizontal edges, and three rows of sixteen Dohm noise machines are installed along it. To the right, there is a wall made of a mix of red and gray bricks, with a doorway in the center. Above the doorway, an LED exit sign glows with green light. At the end of the corridor, there is a windowed door.]](/media/images/ex2022cl_ins_014.width-1600.jpg)
[The entrance hall features a white ceiling with jagged, horizontal edges, and three rows of sixteen Dohm noise machines are installed along it. To the right, there is a wall made of a mix of red and gray bricks, with a doorway in the center. Above the doorway, an LED exit sign glows with green light. At the end of the corridor, there is a windowed door.]
![[The entrance hall features a white ceiling with jagged, horizontal edges, and three rows of sixteen Dohm noise machines are installed along it. To the right, there is a wall made of a mix of red and gray bricks, with a doorway in the center. Above the doorway, an LED exit sign glows with green light. On the left side of the corridor, a white wall is lined with brightly lit display panels, each showcasing vibrant, colorful museum posters. At the end of the hallway, glass double doors provide a view to the outside, letting in natural light.]](/media/images/ex2022cl_ins_015.width-1600.jpg)
[The entrance hall features a white ceiling with jagged, horizontal edges, and three rows of sixteen Dohm noise machines are installed along it. To the right, there is a wall made of a mix of red and gray bricks, with a doorway in the center. Above the doorway, an LED exit sign glows with green light. On the left side of the corridor, a white wall is lined with brightly lit display panels, each showcasing vibrant, colorful museum posters. At the end of the hallway, glass double doors provide a view to the outside, letting in natural light.]