Carolyn Lazard
Corpus
September 13 – October 18, 2025
[The image depicts a gallery space with white walls and a contrasting dark wooden floor. Along the walls, rows of colorful pens, markers, or small tools are carefully arranged to create a vibrant, patterned display. In the background, the gallery entrance is framed by large windows that flood the space with natural light, giving it a bright and airy atmosphere. On the floor, a set of illuminated panels is displayed, with intricate details visible beneath the glass.]
[The image depicts a gallery space with white walls and a contrasting dark wooden floor. Along the walls, rows of colorful pens, markers, or small tools are carefully arranged to create a vibrant, patterned display. In the background, a large window floods the space with natural light, giving it a bright and airy atmosphere. On the floor, a set of illuminated panels is displayed, with intricate details visible beneath the glass.]
[The image depicts a gallery space with white walls and a contrasting dark wooden floor. On the white wall, rows of colorful pens, markers, or small tools are carefully arranged to create a vibrant, patterned display. On the left, a large window floods the space with natural light, giving it a bright and airy atmosphere. On the floor, a set of illuminated panels is displayed, with intricate details visible beneath the glass.]
[The gallery space features white walls, a dark wooden floor, and a ceiling lined with neon lights. At the center of the room, a rectangular installation of six illuminated panels is set on the floor, displaying natural imagery, of the sky and trees. To the left, a table with slender legs holds a row of colorful binders, neatly arranged upright. On the right wall, two grid-like arrangements of small, multicolored pens are precisely aligned. At the far end of the room, an open doorway glowing vivid green provides a striking contrast to the environment.]
Carolyn Lazard
Into the Wild Blue Yonder, 2025
LED panels with recessed ceiling frames
12 × 192 × 127 cm| 4 3/4 × 75 5/8 × 50 in
[The image shows a floor installation composed of six square panels arranged in a 2x3 grid. Together, the panels form a single image, with each panel presenting a detailed fragment of the whole. The image resembles a view of the sky, where clouds drift across and green tree branches extend inward from the edges. Illuminated from below, the panels gain depth. Set against a dark wooden floor, the glowing panels stand out in sharp contrast. The overall effect evokes the sensation of gazing upward at the sky, even though the viewer is, in fact, looking down.]
[The gallery space features white walls, a dark wooden floor, and a ceiling lined with neon lights. At the center of the room, a rectangular installation of six illuminated panels is set on the floor, displaying natural imagery, of the sky and trees. In the back, between two columns, a table with slender legs holds a row of colorful binders, neatly arranged upright. At the far end of the room, an open doorway glowing vivid green provides a striking contrast to the environment.]
Carolyn Lazard
Research-Based Practice, 2025
binders
105 × 230 × 105 cm | 41 3/8 × 90 1/2 × 41 3/8 in
[A plain table stands in a white room with a dark wooden floor. Several ring binders, in colors such as blue, black, gray, orange, and white, are arranged upright in a row on the table. Three additional binders lie open, their pages spread flat across the surface. The setting is minimal and uncluttered, with no decoration, directing full attention to the binders themselves. They appear to hold documents, records, or organized information, yet their presentation transforms them into the focal point of an installation rather than an ordinary office scene.]
[The image shows multiple binders lined up on a table. The binders are arranged in a row, each labeled with different titles, and appear to be of various colors, including blue, orange, purple, and black. The binders are filled with documents. In the foreground, there are three binders lying open on a white table. On the left is a green binder, which is open but contains blank pages. In the middle, there’s an orange binder, which is open to a page with printed tables and text. On the right is a dark blue binder, which is also open to blank pages with colorful tabs sticking out from the top.]
[This image shows a close-up of several binders and folders standing upright in a row, as if placed on a shelf or tabletop. The binders vary in color, including white, green, blue, black, and a thin orange folder. Some labels are legible: two white binders with green and dark blue edges are marked “HERPES RESEARCH #155-960”; a white binder with a black spine label reads “DNR FORMS”; and a binder on the far right carries a “Battle Creek Savings & Loan” label marked “BOAT LOANS.” The binders appear worn from use, suggesting they contain extensive records, documents, or research notes.]
[The image shows an open binder with a set of white blank pages inside. The binder is on a light gray background. At the top of the pages, there are several colorful tabs sticking out. These tabs are in different bright colors: red, blue, green, yellow, and pink. The tabs are arranged neatly, indicating that the binder may be used for organizing or separating sections. The binder itself is dark blue with a clear plastic cover that allows the edges of the tabs to be visible. There are no markings or writing visible on the blank pages.]
[This image shows a gallery space with white walls and a dark wooden floor. The focal point is a long white table positioned on the right, where several colorful binders are neatly arranged. Three of the binders are open, revealing either blank pages or printed material. In the background, a white wall provides a clean backdrop, while on the left side an orderly display of colorful pens is mounted in rows. Overhead lights from the high ceiling illuminate the space.]
Carolyn Lazard
Portrait III, 2025
promotional pharmaceutical pens
160 × 200 cm | 63 × 78 3/4 in
[At the center of the wall is an arrangement of numerous pens, placed side by side in eight straight horizontal rows. The pens vary in color, style, and design, some are simple and monochrome, while others feature bright patterns, logos, or company branding. They are evenly spaced and precisely aligned. The blank white background makes the pens stand out vividly, turning them into colorful points of detail. The overall effect is both orderly and playful, emphasizing the variety and character of an ordinary everyday object.]
[Horizontal rows of pens are attached to a white wall with white zip ties. Each pen is different, varying in shape, color, and design. Some are plain, others colorful displaying logos or printed text, resembling promotional giveaways from companies.]
[Two horizontal rows of pens are attached to a white wall with white zip ties. Each pen is different, varying in shape, color, and design. Some are plain, others colorful displaying logos or printed text, resembling promotional giveaways from companies.]
[Two arrangements of pens are on the wall. The pens in the arrangement on the left are placed in three straight horizontal rows, side by side. The arrangement on the right has ten rows. The pens vary in color, style, and design. Some are simple and monochrome, while others feature bright patterns, logos, or company branding. The pens are evenly spaced and precisely aligned. Against the blank white background, the pens stand out vividly, turning them into colorful details. The overall effect is orderly yet playful, emphasizing the variety and character of an ordinary, everyday object.]
Carolyn Lazard
Portrait IV, 2025
promotional pharmaceutical pens
55 × 200 cm | 21 5/8 × 78 3/4 in
[At the center of the wall is an arrangement of numerous pens, placed side by side in three straight horizontal rows. The pens vary in color, style, and design, some are simple and monochrome, while others feature bright patterns, logos, or company branding. They are evenly spaced and precisely aligned. The blank white background makes the pens stand out vividly, turning them into colorful points of detail. The overall effect is both orderly and playful, emphasizing the variety and character of an ordinary everyday object.]
[Two horizontal rows of pens are attached to a white wall with white zip ties. Each pen is different, varying in shape, color, and design. Some are plain, others colorful displaying logos or printed text, resembling promotional giveaways from companies.]
Carolyn Lazard
Portrait V, 2025
promotional pharmaceutical pens
195 × 200 cm | 76 3/4 × 78 3/4 in
[At the center of the wall is an arrangement of numerous pens, placed side by side in ten straight horizontal rows. The pens vary in color, style, and design, some are simple and monochrome, while others feature bright patterns, logos, or company branding. They are evenly spaced and precisely aligned. The blank white background makes the pens stand out vividly, turning them into colorful points of detail. The overall effect is both orderly and playful, emphasizing the variety and character of an ordinary everyday object.]
[Two horizontal rows of pens are attached to a white wall with white zip ties. Each pen is different, varying in shape, color, and design. Some are plain, others colorful displaying logos or printed text, resembling promotional giveaways from companies.]
[The room is bright, with white walls, high ceilings, and large windows that allow natural light to pour in. The dark wooden floor creates a striking contrast against the white walls and ceiling. At the center of the space, six rectangular panels are laid flat on the floor in a grid formation—two rows of three. Each panel depicts an image of the sky, with clouds and tree branches edging into view, as if one were gazing upward. On the far wall, two horizontal arrangements of small, colorful objects are displayed. They resemble pens, neatly organized in rows like a visual catalog. The arrangement on the left is larger, consisting of three rows, while the one on the right is smaller, with a single horizontal row.]
Carolyn Lazard
Portrait I, 2025
promotional pharmaceutical pens
55 × 200 cm | 21 5/8 × 78 3/4 in
[At the center of the wall is an arrangement of numerous pens, placed side by side in three straight horizontal rows. The pens vary in color, style, and design, some are simple and monochrome, while others feature bright patterns, logos, or company branding. They are evenly spaced and precisely aligned. The blank white background makes the pens stand out vividly, turning them into colorful points of detail. The overall effect is both orderly and playful, emphasizing the variety and character of an ordinary everyday object.]
Carolyn Lazard
Portrait II, 2025
promotional pharmaceutical pens
15 × 45 cm | 5 7/8 × 17 3/4 in
[At the center of the wall is an arrangement of nine pens, placed side by side in a straight horizontal row. The pens vary in color, style, and design, some are simple and monochrome, while others feature bright patterns, logos, or company branding. They are evenly spaced and precisely aligned. The blank white background makes the pens stand out vividly, turning them into colorful points of detail.]
[A horizontal row of pens are attached to a white wall with white zip ties. Each pen is different, varying in shape, color, and design. Some are plain, others colorful displaying logos or printed text, resembling promotional giveaways from companies.]
[This image shows a gallery space with white walls and a dark wooden floor. Bright fluorescent neon lights run along the ceiling, illuminating the room. At the center, a long white table holds a row of upright binders and folders in various colors. In front of them, three folders lie open, revealing their pages. On the far wall, an open doorway glows with an intense green light, sharply contrasting with the otherwise neutral tones of the room; beyond the glow, objects are faintly visible but indistinct. On the walls to the right, two large grids of small, colorful pens are displayed in rows.]
[The image shows a corner of a gallery space with white walls and a dark wooden floor. On the right part of the wall, a arranged grid of colorful pens is displayed in three horizontal rows. To the left, a large doorway opens into a room bathed in vivid green light. Inside this space, text on the wall reads “fine print.” A cable or wire lies on the floor, hinting at the presence of installation equipment. In front of the text, a white box emits the green light, illuminating the room.]
Carolyn Lazard
After Image, 2025
cleanroom green LED troffers, hand painted red lettering in Tannenberg Fraktur and Renner Antiqua typefaces
33 × 263 × 107 cm | 13 × 103 1/2 × 42 1/8 in
[The gallery room is filled with an intense green light that dominates the space. On the back wall, two phrases reading “fine print” are displayed side by side, rendered in contrasting typefaces: the left in a bold Gothic font, the right in a modern Roman font. In front of the wall, two low, rectangular white boxes sit side by side on the dark floor, which reflects the green light onto the text. The illumination appears to emanate from these white boxes, enhancing a vibrant glow.]
[The gallery room is filled with an intense green light that dominates the space. On the right wall, two phrases reading “fine print” are displayed side by side, rendered in contrasting typefaces: the left in a bold Gothic font, the right in a modern Roman font. In front of the wall, two low, rectangular white boxes sit side by side on the dark floor, which reflects the green light onto the text. The illumination appears to emanate from these white boxes, enhancing a vibrant glow.]
[An office space features on the left a large white bookshelf filled with a variety of books. In front of the bookshelf, there is a black table with the backrest of a wooden chair visible. To the right of the bookshelf, there is a plain white wall with a white door. Mounted on the wall next to the door is a bright orange box, which resembling a first-aid kit.]
Carolyn Lazard
Triage, 2025
first aid kit, mirror-polished stainless steel
28 × 20 × 12 cm | 11 × 7 7/8 × 4 3/4 in
[The image shows an orange first aid kit mounted on a white wall. The kit is labeled 'Erste Hilfe' in bold white letters, which is German for 'First Aid'. The kit has a simple, rectangular shape with a cross symbol on the front, typically associated with medical or emergency items. To the left, there is a bookshelf with several books on it, most of which are bound in a variety of colors. The background also features a door handle and a white door next to the first-aid kit.]
[The image shows an orange plastic case, resembling a first-aid kit, mounted on a white wall. The case is open, revealing two mirrored interiors facing each other.]