Harun Farocki

Harun Farocki

Gegen Krieg (Against War)

Curated by Antje Ehmann

November 18, 2022 – January 28, 2023

Harun Farocki

Who is in charge?

Instituto Moreira Salles, Sao Paulo, Brazil

September 17, 2019 – January 5, 2020

Harun Farocki

Harun Farocki: What ought To Be Done? Work & Life

National Museum of Modern and Contemporary Art Seoul, Seoul, South Korea

October 27, 2018 – April 7, 2019

Harun Farocki

Harun Farocki – Counter Music

Haus der Kunst, Munich, Germany

March 10 – May 28, 2017

Harun Farocki

Harun Farocki und die Musik

September 16 – December 21, 2017

Harun Farocki

Kohlfurter Strasse 41/43, 10999 Berlin

November 17 – December 21, 2012

Harun Farocki

Gegen-Musik - Aufstellung - Zur Bauweise des Films bei Griffith

Zimmerstrasse 88–89, 10117 Berlin

March 3 – April 18, 2009


Publications:

Harun Farocki

Diagrams

Verlag der Buchhandlung Walther König, Köln

2014

ISBN: 978-3-86335-459-6

CV

Solo exhibitions

  • 2026

    • Parallel I–IV, Trautwein Herleth, Berlin, Germany
  • 2025

    • Harun Farocki. Parallel I–IV, Goethe Institut Bangkok, Bangkok, Thailand
  • 2024

    • Harun Farocki. Inextinguishable Fire, Greene Naftali Gallery, New York, USA
    • Harun Farocki: In Comparison, Tate Liverpool + RIBA North, Liverpool, UK
  • 2023

    • Harun Farocki. Consider Labour, Cooper Gallery, University of Dundee, Dundee, UK
  • 2022

  • 2021

    • Harun Farocki, Mildred Lane Kemper Art Museum, St. Louis, USA
    • Harun Farocki: Shaping of our Present, A Promise of Kneropy, Bratislava, Slovakia
  • 2020

    • Reality Would Have To Begin, Art Encounters Foundation, Timișoara, Romania
    • Harun Farocki & Hito Steyerl. Life Captured Still, Galerie Thaddaeus Ropac, London, UK
  • 2019

  • 2018

  • 2017

  • 2016

    • Harun Farocki. Parallel I-IV, Fondazione Sandretto Re Rebaudengo, Torino, Italy
    • Harun Farocki: Something else becomes Visible, Zarya. Zentrum für zeitgenössische Kunst, Nowisibirsk, Russia
    • Harun Farocki, Antje Ehmann Arbeitsverhältnisse, aut. architektur und tirol, Innsbruck, Austria
    • Harun Farocki – Empathy, Fundacío Antoni Tapìes, Barcelona, Spain
    • Harun Farocki. Programming the Visible, Paco Das Artes, São Paulo, Brazil
    • Harun Farocki. What's at stake, IVAM. Institut Valencia d'Art Modern, Valencia, Spain
  • 2015

    • Metaphor and Politics – The Tehran Retrospective of Harun Farocki, Ag Galerie, Sazmanab Gallery, Tehran, Iran
    • Harun Farocki. Videoarbeiten, Kunstverein Schwäbisch Hall e.V., Galerie am Markt, Germany
    • Harun Farocki. (1944-2014), Neue Sächsische Gallerie Chemnitz, Germany
    • Harun Farocki – Zbynek Baladrán, Center for Contemporary Art FUTURA, Prague, Czech Republic
    • Labour in a Single Shot, Haus der Kulturen der Welt, Berlin, Germany
  • 2014

    • Harun Farocki – Politics and Second Nature, Instituto Ling, Porto Alegre, Brazil
    • Harun Farocki. 4 films from 1967 - 1997. An Homage, àngels barcelona, Spain
    • Harun Farocki, Verein für zeitgenössische Kunst, Leipzig, Germany
    • Harun Farocki – Serious Games I-IV, Ryerson Image Centre, Toronto, Canada
    • Parallel, Greene Naftali Gallery, New York, USA
    • HARUN FAROCKI: Cinema that Expands, Cine Cultura, Cine UFG – Samambaia Campus, Marietta Telles Cultural Centre MIS - Exposition Room, Goiania, Brazil
    • Harun Farocki, Kunstverein Schwäbisch Hall, Schwäbisch Hall, Germany
    • Harun Farocki, ángels, Barcelona, Spain
    • Before Your Eyes: Filme von Harun Farocki im Kunstraum, Kunstraum, Munich, Germany
    • Harun Farocki – Vision/Production/Opression., Museo Universitario Arte Contemporáneo, Centro de Cultura Digital, Mexico City, Mexico
    • Harun Farocki – Ernste Spiele, Nationalgalerie im Hamburger Bahnhof – Museum für Gegenwart, Berlin, Germany
    • Harun Farocki – Parallele, Galerie Thaddaeus Ropac, Paris, France
  • 2013

    • Harun Farocki. Against What? Against Whom?, Ergostasio Fine Arts School, Athens, Greece
    • Harun Farocki – Side by Side,Argos – Centre for Art and Media, Brussels, Belgium
    • Spielregeln, Edith-Ruß-Haus für Medienkunst, Oldenburg, Germany
    • Harun Farocki – Workers Leaving the Factory, Malmö Konstmuseum, Malmö, Sweden
    • Instalaciones y filmes, Fundación PROA, Buenos Aires, Argentina
    • Harun Farocki – Imagination At Work, Tel Aviv Museum of Art, Tel Aviv, Israel
    • Labor in One Shot – Harun Farocki, Museum of Art, Tel Aviv, Israel
    • Blown Up – Gaming and War,Gallery 101, Ottawa, Canada
  • 2012

    • 7 days – Harun Farocki, Point Center fort he Arts, Nicosia and Kunstnernes Hus, Oslo, Norway
    • On the desperate and long-neglected need for small events, Lanchester Gallery Projects, Coventry, UK
    • Harun Farocki, Galerie Barbara Weiss, Berlin, Germany
    • HARUN FAROCKI BETWEEN EYE AND HAND, Samos Young Artist Festival, Pythagorion, Samos, Greece
    • Harun Farocki – Ein neues Produkt, Haus der Photographie/Deichtorhallen, Hamburg, Germany
    • Harun Farocki first time in Warsaw, Centre for Contemporary Art, Warsaw, Poland
  • 2011

    • Harun Farocki – A Cruz e a Prata, Lumiar Cité, Lisbon, Portugal
    • Harun Farocki – Tres Duplas Projeccoes, Galeria Palàcio Galveias, Lisbon, Portugal
    • War at a Distance, Gertrude Contemporary, Melbourne, Australia
    • Harun Farocki: Soft Montages, The Model, Sligo, Ireland
    • Harun Farocki – Images of War (at a Distance), The Museum of Modern Art, New York, USA
    • Harun Farocki, TR 1 Gallery, Tampere, Finland
    • Harun Farocki – Comparison via a Third, Center for Contemporary Arts Glasgow, Glasgow, UK
    • Harun Farocki – Image Works, Beirut Art Center, Beirut, Lebanon
    • Harun Farocki – What at a distance, Galerie Thaddaeus Ropac, Salzburg, Austria
  • 2010

    • Harun Farocki – Weiche Montagen/Soft Montages, Kunsthaus Bregenz, Bregenz, Austria
    • Harun Farocki. Workers Leaving the Factory in Eleven Decades, Contact Gallery, Toronto, Canada
    • Harun Farocki. Deep Play, Johannesburg Art Gallery, Johannesburg, South Africa
    • Harun Farocki. Re-Pouring, Seven Screens, Osram Art Projects, Munich, Germany
  • 2009

    • Harun Farocki. Against What? Against Whom?, Raven Row, London, UK
    • Harun Farocki – Ausstellung und Filmprogramm, Museum Ludwig, Cologne, Germany
    • Counter Music & On Construction of Griffith’s films, Galerie Thaddaeus Ropac, Paris, France
    • Harun Farocki, Tranzit, Prague, Czech Republic
    • Harun Farocki, STUK Kunstencentrum, Leuven, Belgium
    • H.F./ R.G. Harun Farocki/ Rodney Graham, Jeu de Paume, Paris, France
    • Harun Farocki. Nicht Ohne Risiko, Sprengel Museum, Blue Box, Hannover, Germany
    • Gegen-Musik – Aufstellung – Zur Bauweise des Films bei Griffith, Galerie Barbara Weiss, Berlin, Germany
    • Three Early Films, Cubitt Gallery, London, UK
  • 2008

    • One image does not take the place of the previous one, Agnes Etherington Art Centre, Kingston, Canada
    • Harun Farocki. Deep Play, Fußballfilmfestival 11mm Babylon, Berlin, Germany
    • Harun Farocki: Deep Play, Northern Gallery for Contemporary Art, Sunderland, UK
    • Harun Farocki: Deep Play, Greene Naftali Gallery, New York, USA
  • 2007

    • On construction of Griffith’s Films – Counter-Music, àngels barcelona, Barcelona, Spain
    • Harun Farocki. "One Image doesn't take the place of the previous one", Leonard & Bina Ellen Art Gallery, Montréal, Canada
    • Fußball: Football. Harun Farocki, The Museum of Contemporary Art / Museet for samtidskunst, Oslo, Norwey
    • Harun Farocki, Galerie Thaddaeus Ropac, Salzburg, Austria
    • Nebeneinander, MUMOK. Museum Moderner Kunst, Vienna, Austria
  • 2006

    • Counter Music, Greene Naftali Gallery, New York, USA
  • 2005

    • Harun Farocki, Index. The Swedish Contemporary Art Foundation, Stockholm, Sweden
  • 2004

    • Harun Farocki. "Auge/Maschine I - III", Städtische Galerie Karlsruhe, ZKM, Karlsruhe, Germany
  • 2003

    • Harun Farocki – Retrospective and Installations, Centre pour l'image contemporaraine Sant-Gervais, Genève, Switzerland
    • Harun Farocki - Eye / Machine, ICA. Institute of Contemporary Arts, London, UK
    • Présence actuelle: Harun Farocki, AGO. Art Gallery of Ontario, Toronto, Canada
  • 2002

    • Harun Farocki. Eye / Machine, Greene Naftali Gallery, New York, USA
    • Harun Farocki. Vernissage de l'installation vidéo, Goethe Institut Paris, Paris, France
    • Erkennen und Verfolgen. Filme, Videos and Installations von Harun Farocki, Oktagon Dresden, Dresden, Germany
  • 2001

    • New Heimat, Frankfurter Kunstverein, Frankfurt, Germany
    • Spuren der Inszenierung – Nicht löschbares Feuer, Künstlerhaus Stuttgart, Stuttgart, Germany
    • Harun Farocki – Filme, Videos, Installationen, Filmclub Münster und Westfälischer Kunstverein, Münster, Germany
    • Harun Farocki – Ich glaubte Gefangene zu sehen, SMAK. Stedelijk Museum voor Actuele Kunst, Gent, Belgium

Group exhibitions

  • 2025

    • News from the New Future, Fondazione Sandretto Re Rebaudengo, Turin, Italy
    • 8 hours of work, Wattis Institut for Contemporary Art, San Francisco, USA
    • The 8th Intermedia Festival, TANK, Shanghai, China
    • Work in Progress, Dom Museum Vienna, Vienna, Austria
    • Sarah Schumann. Gemälde und Collagen aus den Jahren 1954 bis 1982, Meyer Riegger, Berlin, Germany
    • Open Storage. A Prologue, Garage Museum of Contemporary Art, Moscow, Russia
    • For Children. Art Stories since 1968, Haus der Kunst, Munich, Germany
    • The Stammering Circle, Jam Factory Art Center, Lviv, Ukraine
    • En El Aire Conmovido, CCCB, Centre de Cultural Contemporània de Barcelona, Spain
    • Somos todos Capitães - 50 anos em Liberdade, Braga 25 Portuguese Capital of Culture, Braga, Portugal
    • The World through IA, Jeu de Paume, Paris, France
    • Holding Pattern, HMKV Hardware Medien KunstVerein e.V., Dortmund, Germany
    • Shelf Life, Trautwein Herleth, Berlin, Germany
  • 2024

    • draw love build // sauerbruch hutton tracing modernities, Akademie der Künste, Berlin, Germany
    • On Television, Carriage Trade, New York, USA
    • Ins Dunkle Schwimmen - Abgründe des kreativen Imperativs, Kunstsammlung der Universität für angewandte Kunst, Vienna, Austria
    • Offener Prozess, Kunsthaus Dresden, Dresden, Germany
    • Brickwork, Tate Liverpool, Liverpool, UK
    • Histories of a Common Thread, Skanstull Metro Station, Stockholm, Sweden
    • Far Beyond the Walls, Nevada State Prison, Carson City, USA
    • Die Schönheit der Dinge. Stilleben von 1900 bis heute, Kunsthalle Emden, Emden, Germany
    • Ways of Seeing, Medienbiennale Düsseldorf photo+, Düsseldorf, Germany
    • "24/7", Kunsthaus Graz, Graz, Austria
    • Spielen heißt verändern! Die Sammlungen, Museum der Moderne, Salzburg, Austria
    • Images at Work, Casino Luxemburg, Luxemburg City, Luxemburg
  • 2023

    • Tropical. Stories from Southeast Asia and Latin America, National Gallery of Singapore, Singapore
    • Was anderes machen (The home and the movie), Silent Green Culture Quartier, Berlin, Germany
    • Remember Europe / Borders and Barriers - Tresholds and Distances, Salonul de Projecte / Goethe Institut, Bucharest, Romania
    • Potosi Principle Archive, Institut for Studies on Latin American Art, New York, USA
    • History Tales. Fact and Fiction in History Painting, Akademie der Bildenden Künste, Vienna, Austria
    • Ways of Unseeing, Lundskonsthall, Lund, Sweden
    • Are you Working Now?, National Taiwan Museum of Fine Arts, Taichung, Taiwan
    • Rompecabezas, BIENAL SUR. MUNTREF. Centre of Contemporary Art, Buenos Aires, Argentina
    • Worldbuilding. Jeu vidéo et Art à l'ère digitale, Centre Pompidou-Metz, Metz, France
    • Who we Are. Reflexions on the Country of Immigration, Bundeskunsthalle, Bonn, Germany
    • The New Survivors, Three Shadows Photography Art Center, Beijing, China
    • Planned City, Simian, Copenhagen, Denmark
    • Game Society, National Museum of Modern Art, Seoul, South Korea
    • Borders and Barriers - Thresholds and Separations, Gabés Cinema Fen, "El Kazma", Gabés, Tunisia
    • Workwear: How to wear Utopia, Het Nieuwe Instituut, Rotterdam, The Netherlands
    • Bitter Sweet, Grand Palais, Bern, Switzerland
    • Proxemities, La Box, Bourges, France
    • Signals: How Video Transformed the World, Museum of Modern Art, New York, USA
  • 2022

    • Bluff, Lovaas Projects, Munich, Germany
    • Holding Pattern, Kunstnernes Hus, Oslo, Norway
    • A matter of time, àngels Barcelona, Barcelona, Spain
    • Vom Stilleben zum Food Porn, Museum für Brot und Kunst, Ulm, Germany
    • Inventur - Ist im Keller noch Museum?, Kunstmuseum Bochum, Bochum, Germany
    • Kunst und Krieg. Von Goya bis Richter, Kunstmuseum Winterthur, Winterthur, Switzerland
    • When Faith Moves Mountains, PinchukArtCentre, Kyiv, Ukraine
    • grenzgänerinnen, Kunstverein Schattendorf, Schattendorf, Germany
    • Fiftteenth-Anniversary Exhibition on Gaming and Art, Julia Stoschek Collection, Düsseldorf, Germany
    • Potosí Prinzip Archiv, Galerie der Stadt Schwaz, Schwaz, Austria
    • Emplotment, Ludwig Museum, Budapest, Hungary
    • Body & Cosmos: The Art of Living Together, Xie Zilong Photography Museum, Changsha City, China
    • Retail Apocalypse, Canadian Center for Architecture (CCA), Montreal, Canada
    • Potosí-Prinzip. Archive, Akademie der Künste der Welt, Cologne, Germany
    • Feedback #6: Marshall McLuhan and the Arts, Fonderie Darling, Montreal, Canada
  • 2021

    • Writing the History of the Future, Gwangju Art Museum, Gwangju, South Korea
    • Le tour de jour en quatre-vingts mondes, CAPC, Bordeaux, France
    • Chennai Photo Biennale, Chennai, India
    • Les Flammes. L'art vivant de la céramique, Museum of Modern Art, Paris, France
    • ReVisión: Art in the Americas, Denver Art Museum, Denver, USA
    • Monitor: Surveillance, Data and the New Panoptic, ICA Maine College of Art, Portland, USA
    • New Order, Museum im Kulturspeicher Würzburg, Würzburg, Germany
    • oder kann das weg? Fallstudien zur Nachwende, neue gesellschaft für bildende kunst NGBK, Berlin, Germany
    • draw love build - l'architettura di sauerbruch hutton, M9 - museo del '900, Mestre-Venice, Italy
    • Offener Prozess, Stadtmuseum Jena, Jena, Germany
    • Life, Death, Love and Justice, Tranzit, Bratislava, Slovakia
    • Baltic Triennal, Contemporary Art Center Vilnius, Vilnius, Lithuania
    • Observing Power, Estonian Museum of Architecture, Tallinn, Estonia
    • Piktogramme, Lebenszeichen, Emojis: Die Gesellschaft der Zeichen, Städtische Museen Freiburg, Freiburg, Germany
    • The End of the Fucking Work, Galerie im Turm, Berlin, Germany
    • Video Games: Play Without End, Tabakalera, San Sebastian, Spain
    • Dos Anos de Vacaciones, TEA Tenerife Espacio de las Artes, Tenerife, Spain
    • Anything Goes? Berliner Architekturen der 1980er Jahre, Berlinische Galerie, Berlin, Germany
  • 2020

    • The Society of Individuals, Museum of Contemporary Art Busan, Busan, Korea
    • The Physiognomy of Power, Museum der Moderne Salzburg, Salzburg, Austria
    • In aller Munde. Von Pieter Bruegel bis Cindy Sherman, Kunstmuseum Wolfsburg, Wolfsburg, Germany
    • If a Turtle Could Talk, Overt: Militarization as Ideology, Art Museum of Toronto, Toronto, Canada
    • Me, Family, MUDAM. Musée d'Art Moderne Grand Duc Jean, Luxembourg City, Luxembourg
    • Labour in a Single Shot. 15 Cities, HELLERAU - Europäisches Zentrum der Künste, Dresden, Germany
    • Schnittstellen. Aus der Sammlung Niedersächsische Sparkassenstiftung, Sprengel Museum Hannover, Hannover, Germany
    • Beyond the Pain, Galerie der Stadt Sindelfingen, Sindelfingen, Germany
    • Nach dem Beaufsichtigen der Maschinen, LVR-Industriemuseum, Engelskirchen, Germany
    • Piktogramme, Lebenszeichen, Emojis. Die Gesellschaft der Zeichen, Leopold-Hoesch-Museum Düren, Düren, Germany
    • New Ways of World, Arc en reve - centre d'architecture, Bordeaux, France
    • Crepuscolo, Bastione Sangallo Loreto, Loreto, Italy
    • El gesto como resistencia. Acción y repuesta, TEA Tenerife Espacio de las Artes, Tenerife, Spain
    • Feedback #5: Marshall McLuhan, Fonderie Darling, Montreal, Canada
    • Höhenrausch 2020 - Wie im Paradies, OÖ Kulturquartier, Linz, Austria
    • Overview Fact, Cursor Gallery, Prague, Czech Republic
    • Language for Sale, Edith Russ Haus für Medienkunst, Oldenburg, Germany
    • The Supermarket of Images, Jeu de Paume, Paris, France
    • The many voices of les indiennes, HEAD Genève, Geneva, Switzerland
    • Time Machine: Cinematic Temporalities, Palazzo del Governante, Parma, Italy
  • 2019

    • Video Games, CCCB, Barcelona, Spain
    • Common Knowledge, 26th Biennial of Design, Ljubljana, Slovenia
    • Every Single Day, Galerie UM, Prague, Czech Republic
    • Theater of Operations: The Gulf Wars 1991-2011, MoMA PS1, New York, USA
    • Stasis / Taking a Stance, Thessaloniki Biennale of Contemporary Art, Thessaloniki, Greece
    • Factories, Machines and the Poet's Words, 798 Art District, Beijing, China
    • Ästhethik des Widerstands, Darmstädter Sezession, Darmstadt, Germany
    • Infancy and History, OCAT Institut Beijing, Beijing, China
    • Observations, West Bund Museum, Gallery 1, Shanghai, China
    • Sarah Schumann. Die zerstörte japanische Botschaft, Künstlerhaus Göttingen, Göttingen, Germany
    • Serious Games, HOW Art Museum, Shanghai, China
    • Artistic Intelligence, Kunstverein Hannover, Hannover, Germany
    • Fuzzy Dark Spot. Videokunst aus Hamburg, Deichtorhallen. Sammlung Falckenberg, Hamburg, Germany
    • In this world, we, Hessel Museum of Art and CCS Bard Galleries, Annandale-On-Hudson, USA
    • The Village, Carriage trade, New York, USA
    • The Wall and other Stories, Total Museum of Contemporary Art, Seoul, South Korea
    • Das Wesentliche an der Arbeit ist unsichtbar, Museum Arbeitswelt Steyr, Steyr, Austria
    • Im Visier. Die Schusswaffe in Kunst und Design, Forum Schlossplatz, Aarau, Switzerland
    • Welcome to Jerusalem, Jüdisches Museum, Berlin, Germany
    • New Order: Art and Technology in the Twenty-First Century, MoMA. Museum of Modern Art, New York, USA
    • Feedback #4 (Detroit). MARSHALL MCLUHAN AND THE ARTS, West, The Hague, The Netherlands
    • Truth that Lies, Impakt. Center for Media Culture, Utrecht, The Netherlands
    • Zwischen Stahlträger und White Cube. 101 Jahre Farbrik, ALTEFABRIK, Rapperswill-Jona, Switzerland
    • Case study: 1989, IVAM, Valencia, Spain
    • L'attente (Waiting), Galerie de'l UQAM, Montreal, Canada
    • Games and Politics, ISELP, Brussels, Belgium
  • 2018

    • In a Gamescape: Landscape, Reality, Storytelling and Identity in Video Games, NTT InterCommunication Center, Tokyo, Japan
    • Weil ich nun mal hier lebe, Museum für Moderne Kunst Frankurt am Main, Frankfurt am Main, Germany
    • Phantoms of Perception, Kunstverein in Hamburg, Hamburg, Germany
    • 6th. Taiwan International Video Art Exbhition, Taipei City, Taiwan
    • Picture Industry, Luma Arles, Arles, France
    • Die Konstruktion der Welt (Kunst und Ökonomie), Kunsthalle Mannheim, Mannheim, Germany
    • 2018 - Are you satisfied?, Stadtgalerie Kiel, Kiel, Germany
    • Wer war 1968?, LENTOS Kunstmuseum Linz, Linz, Austria
    • Die Landschaft der Technik, Kunsthalle Emden, Emden, Germany
    • Artificial Paradise? Immersion in Raum und Zeit, Künstlerhaus Graz, Graz, Austria
    • Der Wert der Freiheit, Belvedere, Vienna, Austria
    • Stillleben. Eigensinn der Dinge, Kunst Haus Vienna, Vienna, Austria
    • Play, Stadt-Museum Aarau, Aarau, Switzerland
    • Trans-Justice: Para-Colonial@Technology, MOCA, Tapei, Taiwan
    • Virtual Insanity, Kunsthalle Mainz, Mainz, Germany
    • Kunst in Bewegung. 100 Meisterwerke mit und durch Medien. Ein operationaler Kanon, ZKM Karlsruhe, Karlsruhe, Germany
    • Other Mechanisms, Secession, Vienna, Austria
    • Das Runde und das Eckige. Fußball in der Kunst, Lindenau-Museum Altenburg, Altenburg, Germany
    • Triennale der Photografie. Control | No Control, Hamburger Kunsthalle, Hamburg, Germany
    • Ein gemachter Mensch. Künstlerische Fragen an Identitäten, Kallmann-Museum, Ismaning, Germany
    • Studio Eine Phantstik, Shedhalle Zürich, Zurich, Switzerland
    • General Rehearsal. A show in three acts, MMOMA, Moscow, Russia
    • The Habitat of Time, Casula Powerhouse, Syndney, Australia
    • Eastern Sugar, Kunsthalle Bratislava, Bratislava, Slovakia
    • Glaube, Liebe, Hoffnung, Kunsthaus Graz, Graz, Austria
    • On Struggling to Remain Present When You Want to Dissapear, OCAT, Shanghai, China
    • Hello World. Revision einer Sammlung, Hamburger Bahnhof, Berlin, Germany
    • Post Institutional Stress Disorder (PISD), Kunsthal Aarhus, Aarhus, Denmark
    • Faithless Pictures, National Gallery Oslo, Oslo, Norway
    • Reflections for the Future, Museum of Contemporary Art Zagreb, Zagreb, Croatia
  • 2017

    • Please Come Back. The World as a prison?, IVAM. Institut Valencia d'Art Modern, Valencia, Spain
    • Remastered - Die Kunst der Aneignung, Kunsthalle Krems, Krems, Austria
    • Newwar. It's Just a Game?, Bandjoun Station Art Center, Bandjoun, Camerun
    • Between Declarations and Dreams: Art of Southeast Asia since the 19th Century, Southest Asia Gallery in National Gallery Singapore, Singapore, Singapore
    • Akademie, Kunsthalle Düsseldorf, Düsseldorf, Germany
    • Manipulate The World. Connecting Öyvind Fahlström, Moderna Museet, Stockholm, Sweden
    • Open Codes. Living in Digital Worlds, ZKM. Zentrum für Medienkunst, Karlsruhe, Germany
    • Mechanism, The Wattis Institut, San Francisco, USA
    • Biennale für aktuelle Fotografie - Farwell Photography, Heidelberger Kunstverein, Heidelberg, Germany
    • Im Spielrausch. Von Königinnen, Pixelmonstern und Drachentötern, MAK Kunst und Design. Museum für Angewandte Kunst Cologne, Cologne, Germany
    • Picture Industry, Hessel Museum of Art, Annandale-on-Hudson, NY, USA
    • Before the Event / After the Fact: Contemporary Perspectives on War, Yale University Art Gallery, New Haven, USA
    • How Will We Work?, AIL. Angewandte Innovation Laboratory, Vienna, Austria
    • Slow Violence: Tracing the Anthropocene History, Kunsthal Charlottenborg, Copenhagen, Denmark
    • After the Fact, Lenbachhaus, Munich, Germany
    • Images in Conflict, Galerie für Fotografie, Hannover, Germany
    • Weapon of Choice, John Jay College Gallery, New York, USA
    • The Data Battlefield, Fotomusuem Antwerp, Antwerp, Belgium
    • Bodenlos: Vilém Flusser and the Arts, Gallery of Arts, University of Prague, Prague, Czech Republic
    • Out of Office. Büro-Kunst oder das Büro im Museum, Museum für konkrete Kunst, Ingolstadt, Germany
    • Undead Cinema, Nam June Paik Center, Gyeonggi-gu, South Korea
    • Life World, Fondazione Sandretto Rebaudengo, Turino, Italy
    • Please Come Back. The World as a Prison?, MAXXI. Museo Nazionale Delle Arti Del XXI Secolo, Rome, Italy
    • Art in the Age of Internet, 1989 to Today, ICA, Boston, USA
    • Work in Motion. The video camera's eye on social and economic behavior, Fondazione Mast, Bologna, Italy
    • 1966-2016, Greene Naftali Gallery, New York, USA
  • 2016

    • Afterwork, ILHAM, Kuala Lumpur, Malaysia
    • Learning Laboratories, BAK, basis voor actuele Kunst, Utrecht, The Netherlands
    • Ficciones y territorios. Arte para pensar la nueva razón del mundo, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain
    • Räume schaffen, Museum der Moderne - Rupertinum, Salzburg, Austria
    • Kunst in Europa 1945-1968. Der Kontinent, den die EU nicht kennt., ZKM. Zentrum für Medienkunst, Karlsruhe, Germany
    • Design and Violence, Science Gallery and MoMA, Dublin, Ireland
    • In Search of the Presence, EMMA, Espoo Museum of Modern Art, Tapiola, Finland
    • Grenzenlos grausam? Bilder der Gewalt in der Antiken Welt, Sklupturhalle Basel, Basel, Switzerland
    • Das Kapital: Schuld - Territorium - Utopie, Hamburger Bahnhof, Berlin, Germany
    • Manifesta 11. What People Do For Money: Some Joint Ventures, Stichting Foundation, Zurich, Switzerland
    • Camera(auto)controle, Centre de la Photographie, Geneva, Switzerland
    • Lo inconmensurable. Una idea de Europa, Centrocentro, Madrid, Spain
    • El mundo fue plano. Ahora es redondo, El Museo de Arte de Zapopan (MAZ), Zapopan, Mexico
    • Riddle of the Burial Grounds, Extra City, Kunsthal, Antwerp, Belgium
    • A Sense of History, Nordsternzentrum, Gelsenkirchen, Germany
    • After Work, Para Site, Hongkong, China
    • Nervöse Systeme | Nervous Systems, Haus der Kulturen der Welt Berlin, Berlin, Germany
    • THE NEW HUMAN. Knock, Knock, Is Anyone Home?, Moderna Museet, Malmö, Sweden
    • Hacking Habitat - Art of Control, Old prison building, Utrecht, The Netherlands
    • TELE-Gen - Die Sprache des Fernsehens im Spiegel der Kunst 1963-2005, Kunstmuseum Liechtenstein, Vaduz, Liechtenstein
    • Electronic Superhighway (2016-1966), Whitechapel Gallery, London, Great Britain
    • To See Without Being Seen: The Contemporary Art of Drone Warfare, Mildred Lane Kemper Art Museum, St. Louis, USA
    • How to build a universe that doesn't fall apart two days later, La Maison Populaire, Montreuil, France
  • 2015

    • Wie leben? Zukunftsbilder von Malewitsch bis Fujimoto, Wilhelm Hack Museum, Ludwigshafen, Germany
    • "Bitte berühren!", Museum für Gestaltung - Schaudepot, Zurich, Switzerland
    • The World Was Flat, UMEA Bildmuseet, Umea, Sweden
    • Regarding Spectatorship: Revolt and the Distant Observer, Künstlerhaus Bethanien, Berlin, Germany
    • Anatomy of the Automaton, La Panacée, Montpellier, France
    • Office Space. The Modern Worklplace Disrupted, Yerba Buena Center for the Arts, San Francisco, USA
    • After 1965: Art in a Time of Social Unrest, Neuberger Museum, New York, USA
    • Screencity. Moving Image Festival, Pedersgata, Stavanger, Norway
    • Back to the Abyss. Art and Genocide, Belfort Museum, Belfort, France
    • After 1965: Art in Time of Social Unrest, Neuberger Museum, New York, USA
    • Technologism, MUMA. Monash University Museum of Art, Caulfield, Australia
    • TELE-Gen - Die Sprache des Fernsehens im Spiegel der Kunst 1963-2005, Kunstmuseum, Bonn, Germany
    • Kyiv Biennale, Mystetskyi Arsenal, Kyiv, Ukraine
    • Animierte Wunderwelten, Museum für Gestaltung - Schaudepot, Zurich, Switzerland
    • Von Bildern. Strategien der Aneignung, Museum für Gegenwartskunst. Kunstmuseum Basel, Basel, Switzerland
    • From Within the Giant's Belly, Museum of Contemporary Art, Rijeka, Croatia
    • Bodenlos/Groundless. Vilém Flusser and the arts, ZKM, Karlsruhe, Germany
    • Human. Machine. Material. In Between World and Sensorium, Vilnius Contemporary Art Centre, Vilnius, Lithunia
    • Memory Burns / La mémoire brul, OCAT Institute, Beijing, China
    • The Day Will Come. When Photography Revises, Kunstverein Hamburg, Hamburg, Germany
    • Under the Clouds. From Paranoia to the digital Sublime, Serralves Museum, Porto, Portugal
    • Gazed Images, Contemporary Art Center (CAC), Vilnius, Lithunania
    • Toys Redux, Migros Museum für Gegenwartskunst, Zurich, Switzerland
    • All the World's Futures, 56. Venice Biennale, Venice, Italy
    • Whose Subject am I?, Kunstverein für die Rheinlande und Westfalen, Düsseldorf, Germany
    • Overtime: The Art of Work, Albright-Knox Art Gallery, Buffalo, USA
    • Parasophia, Kyoto Municipal Museum of Art, Kyoto, Japan
    • Invisible Violence, Salzburger Kunstverein, Salzburg, Austria
    • Spieltrieb, Goethe Institut, Prague, Czech Republic
    • Rights of Nature. Art and Ecology in the Americas, Nottingham Contemporary, Nottingham, UK
    • 1989, Galerie Barbara Weiss, Berlin, Germany
  • 2014

    • 1/3 Water 1/3 Land, Kochi Muziris Biennale, Kerala, India
    • Shenzhen Independent Animation Biennale, Taipei, Taiwan
    • Flaherty, Finnish Academy of Fine Arts Taideylioposto, Helsinki, Finland
    • Multiverse, 21st Century Mingsheng Art Museum, Shanghai, China
    • CanaLacan, Villa Arson, Nice, France
    • The Personal Effects of Kim Dotcom, Adam Art Gallery, Lighthouse cinema, Wellington, New Zealand
    • Social Factory, 10th Shanghai Biennale, Shanghai, China
    • surveillance et controle - positions d'artistes, Goethe-Institut, Paris, France
    • Creative Time Summit, Kulturhuset, Stockholm, Sweden
    • Modes of Democracy, Dox. Centre for Contemporary Art, Prague, Czech Republic
    • After Image. Rapresentazioni del conflitto, Civica Matt, Museo die arte, Trento, Italy
    • Salonul de Proiecte, MNAC Anexa, Bucharest, Romania
    • La guerra che verrá non é la prima, Museum of Modern and Contemporary Art of Trento and Rovereto, Rovereto, Italy
    • Portable Reality, Museum Tinguely, Basel, Switzerland
    • Carte Blanche, The Museum of Modern Art, New York, USA
    • Allegory of the Cave Painting, Extra City Kunsthal, Antwerpen, Belgium
    • Visibility Machines: Harun Farocki and Trevor Paglen, Akademie der Künste, Berlin, Germany
    • Zeichen gegen den Krieg, Lehmbruck Museum, Duisburg, Germany
    • On Return and What Remains, Artspace Visual Arts Center, Sydney, Australia
    • Art-Histories, Museum der Moderne - Rupertinum, Salzburg, Austria
    • A Paradise Built in Hell, Kunstverein Hamburg, Hamburg, Germany
    • Worlding, Queens Museum of Art, New York, USA
    • Living with Pop. A Reproduction of Capitalist Realism, Artists Space, New York, USA
    • Animation in Context: Screening and Discussion, Centre for Contemporary Arts, Glasgow, Great Britain
    • IK-00, Architecture Biennale, Venice, Italy
    • Berlin Documentary Forum, Haus der Kulturen der Welt, Berlin, Germany
    • The Disasters of the War, Museé du Louvre-Lens, Lens, France
    • Der helle Wahnsinn. das Leben jenseits der Norm, Vögele Kultur Zentrum, Pfäffikon, Switzerland
    • Invisible Violence, Museum of Contemporary Art, Belgrade, Serbia
    • European Media Art Festival. We The Enemy, Kunsthalle, Osnabrück, Germany
    • A your service: Art and Labour, Technical Museum, Zagreb, Croatia
    • Playtime, Kunstbau Lenbachhaus, München, Germany
    • SHOW AND TELL - Architekturgeschichte(n) aus der Sammlung, Architekturmuseum der TU München in der Pinakothek der Moderne, Munich, Germany
    • Was wir zeigen wollen, Kunstverein Heidelberg, Heidelberg, Germany
    • New Ghost Stories, Palais de Tokyo, Paris, France
    • ZONA MACO, Banamex Centre, Mexico City, Mexico
  • 2013

    • Time & Motion - Redefining Working Life, FACT - Foundation for Art and Creative Technology, London / Liverpool, United Kingdom
    • Par les temps qui courent, Le Gand Café for Contemporary Art, Saint-Nazaire, France
    • Visibility Machines: Harun Farocki and Trevor Paglen, Center for Art, Design and Visual Culture, Baltimore, USA
    • Minimal Resistance. Between late modernism and globalization, Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain
    • Afriteture - Building Social Change, Architekturmuseum der TU München in der Pinakothek der Moderne, Munich, Germany
    • Salon der Angst, Kunsthalle Wien, Vienna, Austria
    • Reality is not enough, Moscow Museum of Modern Art, Moscow, Russia
    • Artificial Nature, Théatre de l'Avant-Seine, Colombes, France
    • The Encyclopedic Palace, 55th Venice Biennale, Venice, Italy
    • Le pont, Musée d'Art Contemporaine, Marseille, France
    • Vues d'en haut (Views from above), Centre Pompidou, Metz, France
    • Artificial Nature, Lille 3000 Le Printemps à Saint-Sauveur, Lille, France
    • Artificil Nature, EXIT Festival - Maison des Arts de Créteil, Paris, France
    • At your Service / Stets zu Diensten, Museum Arbeitswelt, Steyr, Austria
    • Artificial Nature, VIA Festival, Le Manège, Mons - Maubeuge, France
    • AV Festival: Stone, Northern Gallery of Contemporary Art, Newcastle, Great Britain
    • The Image Factory, SBC Gallery of Contemporary Art, Montréal, Canada
    • ONLY HERE. Works by contemporary artists from the collection of the Federal Republic of Germany, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn, Germany
  • 2012

    • Art/Work and the Invisible Hand, Museum of Fine Art, Laura Lee Blanton Gallery, Houston, USA
    • time(less) signs, Künstlerhaus, Vienna, Austria
    • Touch, Center for Contemporary Art FUTURA, Prague, Czech Republic
    • Sammlung Design und Spiegel-Kantine, Museum für Kunst und Gewerbe, Hamburg, Germany
    • Schichtwechsel, Nordstern Videokunstzentrum Sammlung Goetz / Neuer Berliner Kunstverein, Gelsenkirchen, Germany
    • 3rd Taiwan International Video Art Exhibition 2012, Hong-Gah Museum, Taipei, Taiwan
    • Taipei Biennial 2012, Taipei Fine Arts Museum, Taipei, China
    • Intoleranz/Normalität, Kunstverein, Graz, Austria
    • OUT-OF, Galerie Dohyang Lee, Paris, France
    • A partir de mañana, todo (From tomorrow on, everything), Museo Universitario Arte Contemporáneo, Mexico City, Mexico
    • Poetas en Tiempos de Escasez, Museo de Arte del Banco de la República, Bogotá, Columbia
    • L'homme de Vitruve (Vitruvian Man), Centre d'art contemporain d'Ivry-le Crédac, Ivry-sur-Seine, France
    • Cinemania: Harun Farocki and Holly Zausner, Herbert F. Johnson Museum of Art, Ithaca - NY, USA
    • Europäische Sommer-Universität Ravensbrück, Mahn- und Gedenkstätte Ravensbrück, Ravensbrück, Germany
    • 4th International Sinop Biennial, Historical Prison, Sinop, Turkey
    • Zu viel Panzer - zu wenig Hirn, Zeughaus, Augsburg, Germany
    • Above Your Head, Below Their Feet, International New Media Festival, Seoul, Korea
    • Beautiful Game, City Art Gallery, Ljubljana, Slovenia
    • Image Counter Image, Haus der Kunst, Munich, Germany
    • Número tres, de la casa a la fábrica, La Virreina Centre de la Imatge, Barcelona, Spain
    • SCREEN FROM BARCELONA/LOOP Fair, Hotel Catalonia Ramblas, Barcelona, Spain
    • Poetas en Tiempos de Escasez, Museo Caraffa, Córdoba, Argentinia
    • Ciudad Total, Valencià d'Art Modern, Valencià, Spain
    • all the right pictures, Galerie Stadtpark, Krems, Austria
    • The Penzance Convention - Extraction, Exchange Gallery, Penzance, Great Britain
    • Ändere dich, Situation!, Galerie der Stadt, Palais Enzenberg, Schwaz, Austria
    • CoB#2, The History of Art in the Age..., Celebration of the Body, Museum of Copies, Musée des Moulages, Lyon, France
    • Found Footage, EYE Film Institute, Amsterdam, Netherlands
    • Remote Control, Institute of Contemporary Arts, London, UK
    • Der Goldene Käfig - The Golden Cage, KunstBüroBerlin, Berlin, Germany
    • Unheimliche Reisen - Archiv trifft Gegenwart, Dienstgebäude, Zürich, Switzerland
    • At your Service / Stets zu Diensten, Technisches Museum, Vienna, Austria
    • Collecting Collections and Concepts, European Capital of Culture, Factory Hall, Guimarães, Portugal
    • Poetas en Tiempos de Escasez, ICPNA, Lima, Peru
    • Raskrsce: Izmedju intimnosti i spektakla, The Cultural Centre of Belgrade, Belgrade, Serbia
    • OUT-OF, Michael Benevento Gallery, Los Angeles, USA
  • 2011

    • Poetas en Tiempos de Escasez, SUBTE, Montevideo, Uruguay
    • Blown Up, InterAccess Electronic Media Arts Centre, Toronto, Canada
    • Space Invaders, Nikolaj Copenhagen Contemporary Art Center, Copenhagen, Danmark
    • Changes, ACC Galerie Weimar e.V., Weimar, Germany
    • this morning, I attentively observed the destruction of the world, then I went back to work, Le Quartier, Quimper, France
    • An Image, Kaleidoscope Galleria Buenos Aires, Milano, Italy
    • An Image, Center of Contemporary Art Sergey Kuryokhin, St. Petersburg, Russia
    • Meteor 2011, BIT Teatergarasien, Bergen, Norway
    • The Lucifer Effect, DOX Centre for Contemporary Art, Prague, Czech Republic
    • Evento 2011, Strange and Close, Musée d'Art Contemporain CAPC, Bordeaux, France
    • Para Doxa, heterodoxies of the event, Galerie Villa des Tourelles, Nanterre, France
    • Atlas. How to Carry the World on one's Back?, Deichtorhallen, Hamburg, Germany
    • Mass Distractions and Cultural Decay, Mason Gross Galleries, New Brunswick, USA
    • Topographies de la Guerre, Le Bal, Paris, France
    • How we Move, SALT Beyoglu, Istanbul, Turkey
    • September 11, Museum of Modern Art / PS1, New York, USA
    • Changes, Auf AEG, Nuremberg, Germany
    • Labyrinth, Centre Pompidou-Metz, Metz, France
    • Schweine & Weltall: Krieg, Spiel, Simulation, Künstlerhaus FRISE, Hamburg, Germany
    • For the Record: Searching for Objectivity in Global Conflict, Montserrat College of Art, Beverly, USA
    • Disobey at all Costs, Museo de Arte Carrillo Gil, Mexico City, Mexico
    • Rollenbilder. Rollenspiele, Museum der Moderne, Salzburg, Austria
    • Case Histories, Alex Zachary Gallery, New York, USA
    • Intersection, Santarcangelo Festival, Santarcangelo di Romagna, Italy
    • Rhythmic Exercise, Galeria BWA SOKOL, Nowy Sacz, Poland
    • Intersection, Prague Quadrennial of Performance Design and Space, Prague, Czech Republic
    • Watch Me Move, Barbican Art Gallery, London, Great Britain
    • Expanded Cinema, MediaArtLab, Moscow, Russia
    • Too late, too little (and how) to fail gracefully, KunstFort Asperen, Acquoy, Netherlands
    • Are you Ready for TV?, Centro Galego de Arte Contemporanea, Santiago de Compostela, Spain
    • Foreclosed. Between Crisis and Possibility, Whitney Museum of American Art, New York, USA
    • Loop Fair, Àngels, Barcelona, Spain
    • Atlas. How to Carry the World on one's Back?, Zentrum für Kunst und Medientechnologie, Museum für Neue Kunst, Karlsruhe, Germany
    • Changes, Halle 14, Leipziger Baumwollspinnerei, Leipzig, Germany
    • Auf die Plätze, Deutsches Hygiene-Museum, Dresden, Germany
    • Paranoïa, Gare St. Sauveur, Lille, France
    • Aschenmünder, Haus der Kunst, Munich, Germany
    • Paranoïa, VIA, Maubeuge, France
    • 1979, La Virreina, Centre de la Imatge, Barcelona, Spain
    • EXIT - Paranoïa, Maison des Arts de Créteil, Créteil, France
    • Principio Potosí, Museo Nacional de Arte, La Paz, Bolivia
    • Yebisu International Festival for Art & Alternative Visions 2011, Tokyo Metropolitan Museum of Photography, Tokyo, Japan
    • Témoins/Faux Témoins, Ecole Superieure des Beaux-Arts, Angers, France
    • My War, Agnes Etherington Art Centre, Kingston, Canada
  • 2010

    • Nude Visions, WestLicht. Schauplatz für Fotografie, Vienna, Austria
    • Web Biennale 2010, Public Sphere for the 21st Century Art Movement, Alternative Space LOOP, Mapo Gu, South Korea
    • Are you Ready for TV?, Museu d'Art Contemporani de Barcelona, Barcelona, Spain
    • Hints to Workmen, Northern Gallery for Contemporary Art, Sunderland, UK
    • Exposed: Voyeurism, Surveillance, and the Camera Since 1870, San Francisco Museum of Modern Art, San Francisco, USA
    • The Image in Question. War - Media - Art, Carpenter Center for Visual Arts, Cambridge, USA
    • Hra Na Náhodu / The Art of Urban Intervention. A Game of Chance, Emil Filla Gallery, Usti nad Labem, Czech Republic
    • the night pleases us..., October Salon, Belgrad, Serbia
    • The Potosí Principle: How shall we sing the Lord's song in a strange land, Haus der Kulturen der Welt, Berlin, Germany
    • Game Show, Surrey Art Gallery, Surrey, United Kingdom
    • Das Un-Zuhause der Bilder, Steirischer Herbst, Graz, Austria
    • A Place Out of History, Museo Tamayo Arte Contemporáneo México, Mexico City, Mexico
    • Shockworkers of the Mobile Image, Industrial Ural Biennal, Yekaterinburg, Russian Federation
    • Maninbo 10000 Lives, Gwangju Museum of Art, Gwangju, South Korea
    • Nude Visions, Museum für Bildende Künste, Leipzig, Germany
    • Workers Leaving the Workplace, MuzeumSztuki, Lodz, Poland
    • Antiphotojournalism, LaVirreina, Barcelona, Spain
    • My War. Partizipation in Kriegszeiten, Edith-Russ-Haus für Medienkunst, Oldenburg, Germany
    • Hinter der Vierten Wand. Fiktive Leben - Gelebte Fiktionen, Generali Foundation, Vienna, Austria
    • Musac en Facyl, 6th. Festival de las Artes de Castilla y Lèon, Casa de las Conchas, Léon, Spain
    • Exposed: Voyerism, Surveillance and the Camera, Tate Modern, London, UK
    • Starter, Arter-Space for Art, Istambul, Turkey
    • Post-Office, Artspace, Auckland, New Zealand
    • The Potosí Principle: How shall we sing the Lord's song in a strange land, Museo Reina Sofia, Madrid, Spain
    • Remote Viewing. Loop Barcelona, Ars Santa Mónica, Barcelona, Spain
    • Kick Off, Nikolaj. Copenhagen Contemporary Art Center, Copenhagen, Danmark
    • Transitland. Videoart from Central and Eastern Europe 1989-2009, Reina Sofia, Madrid, Spain
    • My War. Participation in an Age of Conflict, FACT, Liverpool, United Kingdom
    • Changing Channels. Kunst und Fernsehen 1963-1987, MUMOK Vienna, Vienna, Austria
    • 7th. International Biennial of Photography and Visual Art: Le Théatre de L'Autorité, Hangar, BP, Liège, Belgium
    • A History of Irritated Material, Raven Row, London, UK
    • The Art of Speculation, Kunstverein Wolfsburg, Wolfsburg, Germany
    • Augenschmauss. Vom Essen im Stilleben, Bank Austria. Kunstforum, Vienna, Austria
    • Auto-Kino!, Temporäre Kunsthalle Berlin, Berlin, Germany
    • Nude Visions. 150 Jahre Körperbilder in der Fotografie, MKG, Hamburg, Germany
    • ANIMISM, Museum van Hedendaagse Kunst, Antwerpen, Belgium
  • 2009

    • Kunst und Kalter Krieg. Deutsche Positionen 1945 - 1989, Germanisches Nationalmuseum, Nuremberg, Germany
    • Una Fábrica, und Máchina, un Cuerpo... Arqueologia y Memoria de los Espacios Industriales, Centre d'Art la Panera, Lérida, Spain
    • Bilderschlachten, European Media Art Festival, Osnabrück, Germany
    • Just in the dark, The Road to Contemporary Art, Rom, Italy
    • Die Große Unschuld, Kunsthalle Bielefeld, Bielefeld, Germany
    • Signals in the Dark; Art in Shadow of War, Model Arts and Niland Gallery, Sligo, Ireland
    • Islands + Ghettos, NGBK, Berlin, Germany
    • Dada East? Romanian Context of Dadaizm, Musée des Beaux-Arts de Tourcoing, Tourcoing, France
    • Jeux de massacre, Grand Hornu MAC, Hornu, Belgium
    • Cronostasi Seconda parte (1985-2008), Galleria Civica d’Arte Moderna e Contemporanea, Turin, Italy
    • Die Politik der Umverteilung, Magazin 4, Bregenzer Kunstverein, Begrenz, Austria
    • Vacuum Noise, Trafo House of Contemporary Art, Budapest, Ungary
    • Art of Two Germany / Cold War Cultures, Los Anges County Museum of Art, Los Anges, USA
  • 2008

    • À chacun ses étrangers?, Palais de la porte doreé, Paris, France
    • Remakes, Centro de Cultura Antiguo Instituto, Gijon, Spain
    • What happened to Sex in Scandinavia?, OCA. Office for Contemporary Art, Oslo, Norway
    • Disobedience – An ongoing video archive, Riga Art Space. City Exibition Hall, Riga, Lithunia
    • The impossible Prison, Galleries of Justice, Nottingham, Great Britain
    • Between the Images. Imaginable Experiences for Future Memories, IASPIS, Stockholm, Sweden
    • Mediation Biennale Posen / Corporeal – Technoreal, Biennale Poznan, Posen, Poland
    • The Greenroom: Reconsidering the Documentary and Contemporary Art, CCS Bard Hessel Museum, Annandale-on-Hudson, USA
    • 40jahrevideokunst. Video art in Germany from 1963 to 2004, Museo Villa Croce, Genua, Italy
    • Worlds on Video, Centro di cultura contemporanea a palazzo strozzi, Florence, Italy
    • Revolutions 1968, Zacheta National Gallery, Warsaw, Poland
    • 7th Shanghai Biennale. Translocalmotion, Shanghai Art Museum, Shanghai, China
    • Manifesta 7, Trentino-Alto Adige, Trento, Italy
    • Máchinas y Almas – Arte digital y nuevos medios, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain
    • Gib mich die Kirsche, Stadt Karlsruhe, HfG, ZKM, Karlsruhe, Germany
    • Dada East? Romanian Contexts of Dadaism, Zacheta National Gallery, Warsaw, Poland
    • Tekfestival Opificio, Rome, Italy
    • High Risk Citizen, Art in General, New York, USA
    • artefact, Kunstencentrum STUK, Leuven, Belgium
    • After the Light: Moving Images Displayed at Night, Radialsystem, Berlin, Germany
    • Glück - welches Glück?, Deutsches Hygiene Museum, Dresden, Germany
    • Islands + Ghettos, Heidelberger Kunstverein, Heidelberg, Germany
    • Re-enactments, DHC/ART Foundation for Contemporary Art, Montreal, QC, Canada
    • Dans la nuit, des images, Grand Palais, Paris, France
    • The Cinema Effect: Illusion, Reality and the Moving Image Part I: Dreams, Hirshhorn Museum and Sculpture Garden, Washington, USA
    • 40 years of Video Art in Germany, Sofia Art Gallery, Sofia, Czech Republic
    • 40jahrevideokunst, Musée d'Art Moderne Contemporain (MAMCS), Strasbourg, France
    • Mimétisme, Extra City – Center for Contemporary Art, Antwerpen, Netherland
    • Under Pain of Death, Austrian Cultural Forum, New York, USA
    • Archive Fever: Uses of the Document in Contemporary Art, ICP International Center for Photography, New York, USA
    • Signals in the Dark. Art in the Shadow of War, Blackwood Gallery, Mississauga, Canada
    • voiceoverhead, SMART Project Space, Amsterdam, Netherland
  • 2007

    • Filmische Wahrheiten, Heidelberger Kunstverein, Heidelberg, Germany
    • Czechpoint – International Exhibition and Festival of Political Art, Gallery of Arts, Zilina, Slowakia
    • MACBA im Frankfurter Kunstverein, Frankfurter Kunstverein, Frankfurt, Germany
    • Dada East? The Romanians of Cabaret Voltaire, Färgfabriken – Center for Contemporary Art and Architecture, Stockholm, Sweden
    • See us Act, Lund Konsthall, Lund, Sweden
    • Intocable (el ideal de la transparencia), Patio Herreriano. Museo de Arte Contemporáneo Espanol, Valladolid, Spain
    • documenta 12, Kassel, Germany
    • New Economy, Artists Space, New York, USA
    • What is to be done? Der Prozess, Prague Biennale 3, Prague, Czech Republic
    • In the Poem about Love you don’t Write the Word Love, Midway Contemporary Art, Minneapolis, USA
    • Eye / Machine, Starmach Gallery, Krakow, Poland
    • The California Files – Re-Viewing Side Effects of Cultural Memory, CCA Wattis Institute of Contemporary Arts, San Francisco, USA
    • Prison, Bloomberg Space, London, Great Britain
    • For a Special Place: Documents and Works form the Generali Foundation Collection, Austrian Cultural Forum, New York, USA
    • Re-Screening Program, Site Gallery. Centre for Contemporary Arts, Sheffield, Great Britain
  • 2006

    • Superhuman Vision, ICA, Boston, USA
    • Eine Frage (nach) der Geste, Hochschule für Grafik und Buchkunst, Leipzig, Germany
    • In The Poem About Love You Don't Write the Word Love, Artist Space, New York, USA
    • Clinic. A Pathology of Gesture, Hau 1. Hebbel am Ufer, Berlin, Germany
    • BIACS 2, Fundación Bienal Internacional de Arte Contemporáneo de Sevilla, Sevilla, Spain
    • Every Day… another artist / work / show, Salzburger Kunstverein, Salzburg, Austria
    • Dada East?, Cabaret Voltaire Dadahaus, Zurich, Switzerland
    • Equal and Less Equal, Museum on the Seam. Socio-political Museum in Israel, Jerusalem, Israel
    • Untouchable (The Transparency Ideal), Centre National d'Art Contemporaine, Villa Arson, Nizza, France
    • The expanded Eye. Sehen – entgrenzt und verflüssigt, Kunsthaus Zurich, Zurich, Switzerland
    • This Land is my Land, Kunsthalle Nürnberg, Nürnberg, Germany
    • work (Arbeit*), Lewis Glucksman Gallery, Cork, Ireland
    • Periferic 7, Periferic Biennial, Iasi, Romania
    • Stile der Stadt – Internationales Videokunstforum, Glaspassage des ehemaligen Forum Altona, Hamburg, Germany
    • Pixels of Reality. What do you Know, What do you See?, Public Space with a Roof, Amsterdam, Netherland
    • 40jahrevideokunst.de. Digitales Erbe, Kunstsammlung im Ständehaus Düsseldorf, Düsseldorf, Germany
    • NowHere Europe – Trans: it. Moving Culture Through Europe, National Museum of Contemporary Art (MNAC), Bucharest, Romania
    • No. 12 Exces, Z 33, Hasselt, Belgium
    • Forum expanded, Kunstwerke, Berlin, Germany
    • Sichtbarkeiten_Zwischen Fakten und Fiktionen, Edith-Ruß-Haus für Medienkunst, Oldenburg, Germany
    • Cinema like never before, Generali Foundation, Vienna, Austria
  • 2005

    • How do we wan't to be governed? (Figur and Ground), Miami Art Central (MAC), Miami, USA
    • Biennale de l'Image en Mouvement, Centre pour l'image contemporaine Saint-Gervais, Genève, Switzerland
    • Screening War – Zur Repräsentation von Krieg in der Videokunst, ZKM, Karlsruhe, Karlsruhe, Germany
    • Projekt Migration „Roadmap to Europe“, Kölnischer Kunstverein, Cologne, Germany
    • INwardOUTward, FLACC. Casino Modern Waterschei, Gent, Belgium
    • Einstein Spaces. 9 Kunstprojekte in Berlin, Potsdam und Caputh, ARD Haupstadtstudio, Berlin, Germany
    • Occupying Space. Wasting Time. The Generali Collection, Haus der Kunst, Munic, Germany
    • Panopticon – The Architecture and Theatre of Prisons, Zacheta – National Gallery of Art, Warsaw, Poland
    • Art Video Lounge, Art Basel, Basel, Switzerland
    • Arbeit*, Galerie am Taxispalais, Innsbruck, Austria
    • On Difference # 1 – Lokale Kontexte – Hybride Räume, Württembergischer Kunstverein, Stuttgart, Germany
    • European Media Art Festival, Document, Kunsthalle Dominikanerkirche, Osnabrück, Germany
    • Making Things Public – Atmosphären der Demokratie, ZKM, Karlsruhe, Karlsruhe, Germany
    • Zur Vorstellung des Terror. Die RAF., Kunstwerke, Berlin, Germany
    • On Patrol, De Appel, Centre for Contemporary Art, Amsterdam, Netherland
    • Disobedience – Ziviler Ungehorsam, Kunstraum Kreuzberg / Bethanien, PLAY Gallery, Berlin, Germany
  • 2004

    • Zellen: Bin gesund. Denke an Dich. Alles Liebe, Galerie für Landschaftskunst, Hamburg, Germany
    • Carnegie International 2004-2005, Carnegie Museum of Art, Pittsburgh, USA
    • La Ville qui Fait Signes, Le Fresnoy. Studio national des arts contemporains, Lille, France
    • Die Regierung, MACBA. Museu d'Art Contemporaine, Barcelona, Spain
    • Paradoxes: The embodied city. Stills from a Revolution, Fundacao Calouste Gulbenkian, Lissabon, Portugal
    • Die Zehn Gebote, Deutsches Hygiene-Museum, Dresden, Germany
    • Guck Mal, Was du Kaufst! Eine Mitmachausstellung für Kleine und Große, FEZ-Berlin, Berlin, Germany
    • Privatisierungen. Zeitgenössische Kunst aus Osteuropa, Kunst-Werke, Berlin, Germany
    • Re: location. Shake – ID Troubles-Lüneburg, Halle für Kunst Lüneburg, Lüneburg, Germany
    • Open House. Kunst und Öffentlichkeit / Art and the Public Sphere, O.K Centrum für Gegenwartskunst Oberösterreich, Linz, Austria
    • Documentary ‚Fictions', Fundación "la Caixa", Barcelona, Spain
    • Shock and Awe – Kriegsbilder zwischen Dokumentation and Ideologie, Edith-Ruß-Haus für Medienkunst, Oldenburg, Germany
    • 4 and 4: curators choice New York / Berlin, Gallerie Müller Dechiara, Berlin, Germany
    • Fly Utopia! Ausstellung transmediale. 04, Haus der Kulturen der Welt, Berlin, Germany
  • 2003

    • Monitoring, KulturBahnhof, Kassel, Germany
    • models + frames 8: Überlebensstrategien für Untrainierte, Kunst und Medienzentrum Adlershof, Berlin, Germany
    • The First ICP Triennial of Photography and Video, International Center of Photography, New York, USA
    • Sammlung. Werke von Dan Graham, Sanja Ivekovié..., Generali Foundation, Vienna, Austria
    • Video Installation Exhibition, Galeria Zé dos Bois, Lisbon, Portugal
    • Fate of Alien Modes, Secession, Vienna, Austria
    • M_ARS - Kunst und Krieg, Neue Galerie, Graz, Austria
  • 2002

    • site-seeing. disneyfizierung der städte?, K/haus, Vienna, Austria
    • Cardinales, Marco, Museo de Arte Contemporánea de Vigo, Vigo, Spain
    • Geschichte(n), Salzburger Kunstverein, Salzburg, Austria
    • What? A tale in free images. 12 video-installations, Brugge 2002, Cultural Capital of Europe, Brugge, Belgium
    • Schrägspur. Rebuild #3, Slant Track, Hamburger Kunsthalle, Hamburg, Germany
    • Open_Source_Art_Hack, New Museum of Contemporary Art, New York, USA
    • Fragiles Correspondances, Le Plateau. Fond's regional d'art contemporain d' Ile-de-France, Paris, France
    • Art & Economy, Deichtorhallen Hamburg, Hamburg, Germamy
    • Side the other Side, The Carnegie Art Center, Buffalo, USA
    • Other than Film, TENT. Centrum Beeldende Kunst, Rotterdam, Netherland
    • Anxious Omniscience: Surveillance and Contemporary Cultural Practice, Princeton University Art Museum, Princeton, USA
  • 2001

    • Futuresonic, Cornerhouse, Manchester, Great Britain
    • Exploiting Cinema / Cinema without Walls, Museum Boijmans de Beuningen, Rotterdam, Netherland
    • 54th Carnegie International, Carnegie Museum of Art, Pittsburgh, USA
    • Televisionen. Kunst Sieht Fern, Kunsthalle Wien, Vienna, Austria
    • CTRL SPACE: Rhetorik der Überwachung von Bentham bis Big Brother, ZKM, Karlsruhe, Germany
    • Mia san mia, Generali Foundation, Vienna, Austria
    • new ideas – old tricks, HMKV Hartware MedienKunstVerein, Dortmund, Germany
    • Les annees pop. Cinema and politique: 1956 – 1970, Centre Pompidou, Paris, France
  • 2000

    • L'état des choses (1), Kunst-Werke, Berlin, Germany
    • Media City Seoul 2000, Öffentlicher Raum, Seoul, South Korea
    • Gouvernementalität, Expo 2000, Hannover, Germany
    • Dinge, die wir nicht verstehen, Generali Foundation, Vienna, Austria
  • 1998

    • Joris Ivens – Chris Marker – Harun Faroki., Steirischer Herbst, Graz, Austria
  • 1997

    • documenta 10, Kassel, Germany
  • 1996

    • Face á l’historie, Centre Georges Pompidou, Paris, France
  • 1995

    • Le monde aprés la fotogaphie, Musée d’art Villeneiuve d’Ascq., Lille, France