Harun Farocki
Harun Farocki
Gegen Krieg (Against War)
Curated by Antje Ehmann
November 18, 2022 – January 28, 2023
Harun Farocki
Who is in charge?
Instituto Moreira Salles, Sao Paulo, Brazil
September 17, 2019 – January 5, 2020
Harun Farocki
Harun Farocki: What ought To Be Done? Work & Life
National Museum of Modern and Contemporary Art Seoul, Seoul, South Korea
October 27, 2018 – April 7, 2019
Harun Farocki
Harun Farocki – Counter Music
Haus der Kunst, Munich, Germany
March 10 – May 28, 2017
Harun Farocki
Harun Farocki und die Musik
September 16 – December 21, 2017
Harun Farocki
Kohlfurter Strasse 41/43, 10999 Berlin
November 17 – December 21, 2012
Harun Farocki
Gegen-Musik - Aufstellung - Zur Bauweise des Films bei Griffith
Zimmerstrasse 88–89, 10117 Berlin
March 3 – April 18, 2009
Publications:
Harun Farocki
Working on the Sight-Lines
Amsterdam University Press
2020
ISBN: 978-9053566350
Harun Farocki
Diagrams
Verlag der Buchhandlung Walther König, Köln
2014
ISBN: 978-3-86335-459-6
Harun Farocki
Weiche Montagen - Soft Montages
Yilmaz Dziewior
2011
ISBN: 978-3-86560-818-5
CV
Solo exhibitions
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2026
- Parallel I–IV, Trautwein Herleth, Berlin, Germany
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2025
- Harun Farocki. Parallel I–IV, Goethe Institut Bangkok, Bangkok, Thailand
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2024
- Harun Farocki. Inextinguishable Fire, Greene Naftali Gallery, New York, USA
- Harun Farocki: In Comparison, Tate Liverpool + RIBA North, Liverpool, UK
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2023
- Harun Farocki. Consider Labour, Cooper Gallery, University of Dundee, Dundee, UK
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2022
- Against War, Galerie Barbara Weiss, Berlin, Germany
- As You See. The works of Harun Farocki, Art Quarter Budapest, Hungary
- Harun Farocki. Against War, Forum Stadtpark / Steirischer Herbst, Graz, Austria
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2021
- Harun Farocki, Mildred Lane Kemper Art Museum, St. Louis, USA
- Harun Farocki: Shaping of our Present, A Promise of Kneropy, Bratislava, Slovakia
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2020
- Reality Would Have To Begin, Art Encounters Foundation, Timișoara, Romania
- Harun Farocki & Hito Steyerl. Life Captured Still, Galerie Thaddaeus Ropac, London, UK
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2019
- Who is in charge?, Instituto Moreira Salles, São Paulo, Brazil
- Parallel I–IV, Cache Space, Beijing, China
- Harun Farocki: Über die Entgrenzung der Arbeit, Goethe Institut Bukarest, Bukarest, Romania
- Who is in charge?, Instituto Moreira Salles, Rio de Janeiro, Brazil
- PARALLEL I–IV, Kreuzberg Pavillon, Berlin, Germany
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2018
- Harun Farocki: What ought To Be Done? Work & Life, National Museum of Modern and Contemporary Art Seoul, Seoul, South Korea
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2017
- Empathie - Harun Farocki, Friche la Belle de Mai, Marseille, France
- Harun Farocki: Images contre elles-mêmes, Centre Pompidou, Paris, France
- Harun Farocki. Parallel I - IV, MAMAC. Musée D'Art Modern, Nice, France
- Harun Farocki und die Musik, Galerie Barbara Weiss, Berlin, Germany
- Das filmische Gesamtwerk Harun Farockis, Kino Arsenal, Berlin, Germany
- Harun Farocki – Mit anderen Mitteln – By Other Means, n.b.k. Neuer Berliner Kunstverein, Berlin, Germany
- Labour in a Single Shot, Contemporary Art Centre, Vilnius, Lithunia
- Harun Farocki – Counter Music, Haus der Kunst, Munich, Germany
- Harun Farocki Schreenshot, Galerie Art & Essai, Université Rennes II, Rennes, France
- Harun Farocki. "Deep Play", The Grand Café and LIVE, Ville de Saint-Nazaire, France
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2016
- Harun Farocki. Parallel I-IV, Fondazione Sandretto Re Rebaudengo, Torino, Italy
- Harun Farocki: Something else becomes Visible, Zarya. Zentrum für zeitgenössische Kunst, Nowisibirsk, Russia
- Harun Farocki, Antje Ehmann Arbeitsverhältnisse, aut. architektur und tirol, Innsbruck, Austria
- Harun Farocki – Empathy, Fundacío Antoni Tapìes, Barcelona, Spain
- Harun Farocki. Programming the Visible, Paco Das Artes, São Paulo, Brazil
- Harun Farocki. What's at stake, IVAM. Institut Valencia d'Art Modern, Valencia, Spain
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2015
- Metaphor and Politics – The Tehran Retrospective of Harun Farocki, Ag Galerie, Sazmanab Gallery, Tehran, Iran
- Harun Farocki. Videoarbeiten, Kunstverein Schwäbisch Hall e.V., Galerie am Markt, Germany
- Harun Farocki. (1944-2014), Neue Sächsische Gallerie Chemnitz, Germany
- Harun Farocki – Zbynek Baladrán, Center for Contemporary Art FUTURA, Prague, Czech Republic
- Labour in a Single Shot, Haus der Kulturen der Welt, Berlin, Germany
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2014
- Harun Farocki – Politics and Second Nature, Instituto Ling, Porto Alegre, Brazil
- Harun Farocki. 4 films from 1967 - 1997. An Homage, àngels barcelona, Spain
- Harun Farocki, Verein für zeitgenössische Kunst, Leipzig, Germany
- Harun Farocki – Serious Games I-IV, Ryerson Image Centre, Toronto, Canada
- Parallel, Greene Naftali Gallery, New York, USA
- HARUN FAROCKI: Cinema that Expands, Cine Cultura, Cine UFG – Samambaia Campus, Marietta Telles Cultural Centre MIS - Exposition Room, Goiania, Brazil
- Harun Farocki, Kunstverein Schwäbisch Hall, Schwäbisch Hall, Germany
- Harun Farocki, ángels, Barcelona, Spain
- Before Your Eyes: Filme von Harun Farocki im Kunstraum, Kunstraum, Munich, Germany
- Harun Farocki – Vision/Production/Opression., Museo Universitario Arte Contemporáneo, Centro de Cultura Digital, Mexico City, Mexico
- Harun Farocki – Ernste Spiele, Nationalgalerie im Hamburger Bahnhof – Museum für Gegenwart, Berlin, Germany
- Harun Farocki – Parallele, Galerie Thaddaeus Ropac, Paris, France
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2013
- Harun Farocki. Against What? Against Whom?, Ergostasio Fine Arts School, Athens, Greece
- Harun Farocki – Side by Side,Argos – Centre for Art and Media, Brussels, Belgium
- Spielregeln, Edith-Ruß-Haus für Medienkunst, Oldenburg, Germany
- Harun Farocki – Workers Leaving the Factory, Malmö Konstmuseum, Malmö, Sweden
- Instalaciones y filmes, Fundación PROA, Buenos Aires, Argentina
- Harun Farocki – Imagination At Work, Tel Aviv Museum of Art, Tel Aviv, Israel
- Labor in One Shot – Harun Farocki, Museum of Art, Tel Aviv, Israel
- Blown Up – Gaming and War,Gallery 101, Ottawa, Canada
-
2012
- 7 days – Harun Farocki, Point Center fort he Arts, Nicosia and Kunstnernes Hus, Oslo, Norway
- On the desperate and long-neglected need for small events, Lanchester Gallery Projects, Coventry, UK
- Harun Farocki, Galerie Barbara Weiss, Berlin, Germany
- HARUN FAROCKI BETWEEN EYE AND HAND, Samos Young Artist Festival, Pythagorion, Samos, Greece
- Harun Farocki – Ein neues Produkt, Haus der Photographie/Deichtorhallen, Hamburg, Germany
- Harun Farocki first time in Warsaw, Centre for Contemporary Art, Warsaw, Poland
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2011
- Harun Farocki – A Cruz e a Prata, Lumiar Cité, Lisbon, Portugal
- Harun Farocki – Tres Duplas Projeccoes, Galeria Palàcio Galveias, Lisbon, Portugal
- War at a Distance, Gertrude Contemporary, Melbourne, Australia
- Harun Farocki: Soft Montages, The Model, Sligo, Ireland
- Harun Farocki – Images of War (at a Distance), The Museum of Modern Art, New York, USA
- Harun Farocki, TR 1 Gallery, Tampere, Finland
- Harun Farocki – Comparison via a Third, Center for Contemporary Arts Glasgow, Glasgow, UK
- Harun Farocki – Image Works, Beirut Art Center, Beirut, Lebanon
- Harun Farocki – What at a distance, Galerie Thaddaeus Ropac, Salzburg, Austria
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2010
- Harun Farocki – Weiche Montagen/Soft Montages, Kunsthaus Bregenz, Bregenz, Austria
- Harun Farocki. Workers Leaving the Factory in Eleven Decades, Contact Gallery, Toronto, Canada
- Harun Farocki. Deep Play, Johannesburg Art Gallery, Johannesburg, South Africa
- Harun Farocki. Re-Pouring, Seven Screens, Osram Art Projects, Munich, Germany
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2009
- Harun Farocki. Against What? Against Whom?, Raven Row, London, UK
- Harun Farocki – Ausstellung und Filmprogramm, Museum Ludwig, Cologne, Germany
- Counter Music & On Construction of Griffith’s films, Galerie Thaddaeus Ropac, Paris, France
- Harun Farocki, Tranzit, Prague, Czech Republic
- Harun Farocki, STUK Kunstencentrum, Leuven, Belgium
- H.F./ R.G. Harun Farocki/ Rodney Graham, Jeu de Paume, Paris, France
- Harun Farocki. Nicht Ohne Risiko, Sprengel Museum, Blue Box, Hannover, Germany
- Gegen-Musik – Aufstellung – Zur Bauweise des Films bei Griffith, Galerie Barbara Weiss, Berlin, Germany
- Three Early Films, Cubitt Gallery, London, UK
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2008
- One image does not take the place of the previous one, Agnes Etherington Art Centre, Kingston, Canada
- Harun Farocki. Deep Play, Fußballfilmfestival 11mm Babylon, Berlin, Germany
- Harun Farocki: Deep Play, Northern Gallery for Contemporary Art, Sunderland, UK
- Harun Farocki: Deep Play, Greene Naftali Gallery, New York, USA
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2007
- On construction of Griffith’s Films – Counter-Music, àngels barcelona, Barcelona, Spain
- Harun Farocki. "One Image doesn't take the place of the previous one", Leonard & Bina Ellen Art Gallery, Montréal, Canada
- Fußball: Football. Harun Farocki, The Museum of Contemporary Art / Museet for samtidskunst, Oslo, Norwey
- Harun Farocki, Galerie Thaddaeus Ropac, Salzburg, Austria
- Nebeneinander, MUMOK. Museum Moderner Kunst, Vienna, Austria
-
2006
- Counter Music, Greene Naftali Gallery, New York, USA
-
2005
- Harun Farocki, Index. The Swedish Contemporary Art Foundation, Stockholm, Sweden
-
2004
- Harun Farocki. "Auge/Maschine I - III", Städtische Galerie Karlsruhe, ZKM, Karlsruhe, Germany
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2003
- Harun Farocki – Retrospective and Installations, Centre pour l'image contemporaraine Sant-Gervais, Genève, Switzerland
- Harun Farocki - Eye / Machine, ICA. Institute of Contemporary Arts, London, UK
- Présence actuelle: Harun Farocki, AGO. Art Gallery of Ontario, Toronto, Canada
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2002
- Harun Farocki. Eye / Machine, Greene Naftali Gallery, New York, USA
- Harun Farocki. Vernissage de l'installation vidéo, Goethe Institut Paris, Paris, France
- Erkennen und Verfolgen. Filme, Videos and Installations von Harun Farocki, Oktagon Dresden, Dresden, Germany
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2001
- New Heimat, Frankfurter Kunstverein, Frankfurt, Germany
- Spuren der Inszenierung – Nicht löschbares Feuer, Künstlerhaus Stuttgart, Stuttgart, Germany
- Harun Farocki – Filme, Videos, Installationen, Filmclub Münster und Westfälischer Kunstverein, Münster, Germany
- Harun Farocki – Ich glaubte Gefangene zu sehen, SMAK. Stedelijk Museum voor Actuele Kunst, Gent, Belgium
Group exhibitions
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2025
- News from the New Future, Fondazione Sandretto Re Rebaudengo, Turin, Italy
- 8 hours of work, Wattis Institut for Contemporary Art, San Francisco, USA
- The 8th Intermedia Festival, TANK, Shanghai, China
- Work in Progress, Dom Museum Vienna, Vienna, Austria
- Sarah Schumann. Gemälde und Collagen aus den Jahren 1954 bis 1982, Meyer Riegger, Berlin, Germany
- Open Storage. A Prologue, Garage Museum of Contemporary Art, Moscow, Russia
- For Children. Art Stories since 1968, Haus der Kunst, Munich, Germany
- The Stammering Circle, Jam Factory Art Center, Lviv, Ukraine
- En El Aire Conmovido, CCCB, Centre de Cultural Contemporània de Barcelona, Spain
- Somos todos Capitães - 50 anos em Liberdade, Braga 25 Portuguese Capital of Culture, Braga, Portugal
- The World through IA, Jeu de Paume, Paris, France
- Holding Pattern, HMKV Hardware Medien KunstVerein e.V., Dortmund, Germany
- Shelf Life, Trautwein Herleth, Berlin, Germany
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2024
- draw love build // sauerbruch hutton tracing modernities, Akademie der Künste, Berlin, Germany
- On Television, Carriage Trade, New York, USA
- Ins Dunkle Schwimmen - Abgründe des kreativen Imperativs, Kunstsammlung der Universität für angewandte Kunst, Vienna, Austria
- Offener Prozess, Kunsthaus Dresden, Dresden, Germany
- Brickwork, Tate Liverpool, Liverpool, UK
- Histories of a Common Thread, Skanstull Metro Station, Stockholm, Sweden
- Far Beyond the Walls, Nevada State Prison, Carson City, USA
- Die Schönheit der Dinge. Stilleben von 1900 bis heute, Kunsthalle Emden, Emden, Germany
- Ways of Seeing, Medienbiennale Düsseldorf photo+, Düsseldorf, Germany
- "24/7", Kunsthaus Graz, Graz, Austria
- Spielen heißt verändern! Die Sammlungen, Museum der Moderne, Salzburg, Austria
- Images at Work, Casino Luxemburg, Luxemburg City, Luxemburg
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2023
- Tropical. Stories from Southeast Asia and Latin America, National Gallery of Singapore, Singapore
- Was anderes machen (The home and the movie), Silent Green Culture Quartier, Berlin, Germany
- Remember Europe / Borders and Barriers - Tresholds and Distances, Salonul de Projecte / Goethe Institut, Bucharest, Romania
- Potosi Principle Archive, Institut for Studies on Latin American Art, New York, USA
- History Tales. Fact and Fiction in History Painting, Akademie der Bildenden Künste, Vienna, Austria
- Ways of Unseeing, Lundskonsthall, Lund, Sweden
- Are you Working Now?, National Taiwan Museum of Fine Arts, Taichung, Taiwan
- Rompecabezas, BIENAL SUR. MUNTREF. Centre of Contemporary Art, Buenos Aires, Argentina
- Worldbuilding. Jeu vidéo et Art à l'ère digitale, Centre Pompidou-Metz, Metz, France
- Who we Are. Reflexions on the Country of Immigration, Bundeskunsthalle, Bonn, Germany
- The New Survivors, Three Shadows Photography Art Center, Beijing, China
- Planned City, Simian, Copenhagen, Denmark
- Game Society, National Museum of Modern Art, Seoul, South Korea
- Borders and Barriers - Thresholds and Separations, Gabés Cinema Fen, "El Kazma", Gabés, Tunisia
- Workwear: How to wear Utopia, Het Nieuwe Instituut, Rotterdam, The Netherlands
- Bitter Sweet, Grand Palais, Bern, Switzerland
- Proxemities, La Box, Bourges, France
- Signals: How Video Transformed the World, Museum of Modern Art, New York, USA
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2022
- Bluff, Lovaas Projects, Munich, Germany
- Holding Pattern, Kunstnernes Hus, Oslo, Norway
- A matter of time, àngels Barcelona, Barcelona, Spain
- Vom Stilleben zum Food Porn, Museum für Brot und Kunst, Ulm, Germany
- Inventur - Ist im Keller noch Museum?, Kunstmuseum Bochum, Bochum, Germany
- Kunst und Krieg. Von Goya bis Richter, Kunstmuseum Winterthur, Winterthur, Switzerland
- When Faith Moves Mountains, PinchukArtCentre, Kyiv, Ukraine
- grenzgänerinnen, Kunstverein Schattendorf, Schattendorf, Germany
- Fiftteenth-Anniversary Exhibition on Gaming and Art, Julia Stoschek Collection, Düsseldorf, Germany
- Potosí Prinzip Archiv, Galerie der Stadt Schwaz, Schwaz, Austria
- Emplotment, Ludwig Museum, Budapest, Hungary
- Body & Cosmos: The Art of Living Together, Xie Zilong Photography Museum, Changsha City, China
- Retail Apocalypse, Canadian Center for Architecture (CCA), Montreal, Canada
- Potosí-Prinzip. Archive, Akademie der Künste der Welt, Cologne, Germany
- Feedback #6: Marshall McLuhan and the Arts, Fonderie Darling, Montreal, Canada
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2021
- Writing the History of the Future, Gwangju Art Museum, Gwangju, South Korea
- Le tour de jour en quatre-vingts mondes, CAPC, Bordeaux, France
- Chennai Photo Biennale, Chennai, India
- Les Flammes. L'art vivant de la céramique, Museum of Modern Art, Paris, France
- ReVisión: Art in the Americas, Denver Art Museum, Denver, USA
- Monitor: Surveillance, Data and the New Panoptic, ICA Maine College of Art, Portland, USA
- New Order, Museum im Kulturspeicher Würzburg, Würzburg, Germany
- oder kann das weg? Fallstudien zur Nachwende, neue gesellschaft für bildende kunst NGBK, Berlin, Germany
- draw love build - l'architettura di sauerbruch hutton, M9 - museo del '900, Mestre-Venice, Italy
- Offener Prozess, Stadtmuseum Jena, Jena, Germany
- Life, Death, Love and Justice, Tranzit, Bratislava, Slovakia
- Baltic Triennal, Contemporary Art Center Vilnius, Vilnius, Lithuania
- Observing Power, Estonian Museum of Architecture, Tallinn, Estonia
- Piktogramme, Lebenszeichen, Emojis: Die Gesellschaft der Zeichen, Städtische Museen Freiburg, Freiburg, Germany
- The End of the Fucking Work, Galerie im Turm, Berlin, Germany
- Video Games: Play Without End, Tabakalera, San Sebastian, Spain
- Dos Anos de Vacaciones, TEA Tenerife Espacio de las Artes, Tenerife, Spain
- Anything Goes? Berliner Architekturen der 1980er Jahre, Berlinische Galerie, Berlin, Germany
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2020
- The Society of Individuals, Museum of Contemporary Art Busan, Busan, Korea
- The Physiognomy of Power, Museum der Moderne Salzburg, Salzburg, Austria
- In aller Munde. Von Pieter Bruegel bis Cindy Sherman, Kunstmuseum Wolfsburg, Wolfsburg, Germany
- If a Turtle Could Talk, Overt: Militarization as Ideology, Art Museum of Toronto, Toronto, Canada
- Me, Family, MUDAM. Musée d'Art Moderne Grand Duc Jean, Luxembourg City, Luxembourg
- Labour in a Single Shot. 15 Cities, HELLERAU - Europäisches Zentrum der Künste, Dresden, Germany
- Schnittstellen. Aus der Sammlung Niedersächsische Sparkassenstiftung, Sprengel Museum Hannover, Hannover, Germany
- Beyond the Pain, Galerie der Stadt Sindelfingen, Sindelfingen, Germany
- Nach dem Beaufsichtigen der Maschinen, LVR-Industriemuseum, Engelskirchen, Germany
- Piktogramme, Lebenszeichen, Emojis. Die Gesellschaft der Zeichen, Leopold-Hoesch-Museum Düren, Düren, Germany
- New Ways of World, Arc en reve - centre d'architecture, Bordeaux, France
- Crepuscolo, Bastione Sangallo Loreto, Loreto, Italy
- El gesto como resistencia. Acción y repuesta, TEA Tenerife Espacio de las Artes, Tenerife, Spain
- Feedback #5: Marshall McLuhan, Fonderie Darling, Montreal, Canada
- Höhenrausch 2020 - Wie im Paradies, OÖ Kulturquartier, Linz, Austria
- Overview Fact, Cursor Gallery, Prague, Czech Republic
- Language for Sale, Edith Russ Haus für Medienkunst, Oldenburg, Germany
- The Supermarket of Images, Jeu de Paume, Paris, France
- The many voices of les indiennes, HEAD Genève, Geneva, Switzerland
- Time Machine: Cinematic Temporalities, Palazzo del Governante, Parma, Italy
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2019
- Video Games, CCCB, Barcelona, Spain
- Common Knowledge, 26th Biennial of Design, Ljubljana, Slovenia
- Every Single Day, Galerie UM, Prague, Czech Republic
- Theater of Operations: The Gulf Wars 1991-2011, MoMA PS1, New York, USA
- Stasis / Taking a Stance, Thessaloniki Biennale of Contemporary Art, Thessaloniki, Greece
- Factories, Machines and the Poet's Words, 798 Art District, Beijing, China
- Ästhethik des Widerstands, Darmstädter Sezession, Darmstadt, Germany
- Infancy and History, OCAT Institut Beijing, Beijing, China
- Observations, West Bund Museum, Gallery 1, Shanghai, China
- Sarah Schumann. Die zerstörte japanische Botschaft, Künstlerhaus Göttingen, Göttingen, Germany
- Serious Games, HOW Art Museum, Shanghai, China
- Artistic Intelligence, Kunstverein Hannover, Hannover, Germany
- Fuzzy Dark Spot. Videokunst aus Hamburg, Deichtorhallen. Sammlung Falckenberg, Hamburg, Germany
- In this world, we, Hessel Museum of Art and CCS Bard Galleries, Annandale-On-Hudson, USA
- The Village, Carriage trade, New York, USA
- The Wall and other Stories, Total Museum of Contemporary Art, Seoul, South Korea
- Das Wesentliche an der Arbeit ist unsichtbar, Museum Arbeitswelt Steyr, Steyr, Austria
- Im Visier. Die Schusswaffe in Kunst und Design, Forum Schlossplatz, Aarau, Switzerland
- Welcome to Jerusalem, Jüdisches Museum, Berlin, Germany
- New Order: Art and Technology in the Twenty-First Century, MoMA. Museum of Modern Art, New York, USA
- Feedback #4 (Detroit). MARSHALL MCLUHAN AND THE ARTS, West, The Hague, The Netherlands
- Truth that Lies, Impakt. Center for Media Culture, Utrecht, The Netherlands
- Zwischen Stahlträger und White Cube. 101 Jahre Farbrik, ALTEFABRIK, Rapperswill-Jona, Switzerland
- Case study: 1989, IVAM, Valencia, Spain
- L'attente (Waiting), Galerie de'l UQAM, Montreal, Canada
- Games and Politics, ISELP, Brussels, Belgium
-
2018
- In a Gamescape: Landscape, Reality, Storytelling and Identity in Video Games, NTT InterCommunication Center, Tokyo, Japan
- Weil ich nun mal hier lebe, Museum für Moderne Kunst Frankurt am Main, Frankfurt am Main, Germany
- Phantoms of Perception, Kunstverein in Hamburg, Hamburg, Germany
- 6th. Taiwan International Video Art Exbhition, Taipei City, Taiwan
- Picture Industry, Luma Arles, Arles, France
- Die Konstruktion der Welt (Kunst und Ökonomie), Kunsthalle Mannheim, Mannheim, Germany
- 2018 - Are you satisfied?, Stadtgalerie Kiel, Kiel, Germany
- Wer war 1968?, LENTOS Kunstmuseum Linz, Linz, Austria
- Die Landschaft der Technik, Kunsthalle Emden, Emden, Germany
- Artificial Paradise? Immersion in Raum und Zeit, Künstlerhaus Graz, Graz, Austria
- Der Wert der Freiheit, Belvedere, Vienna, Austria
- Stillleben. Eigensinn der Dinge, Kunst Haus Vienna, Vienna, Austria
- Play, Stadt-Museum Aarau, Aarau, Switzerland
- Trans-Justice: Para-Colonial@Technology, MOCA, Tapei, Taiwan
- Virtual Insanity, Kunsthalle Mainz, Mainz, Germany
- Kunst in Bewegung. 100 Meisterwerke mit und durch Medien. Ein operationaler Kanon, ZKM Karlsruhe, Karlsruhe, Germany
- Other Mechanisms, Secession, Vienna, Austria
- Das Runde und das Eckige. Fußball in der Kunst, Lindenau-Museum Altenburg, Altenburg, Germany
- Triennale der Photografie. Control | No Control, Hamburger Kunsthalle, Hamburg, Germany
- Ein gemachter Mensch. Künstlerische Fragen an Identitäten, Kallmann-Museum, Ismaning, Germany
- Studio Eine Phantstik, Shedhalle Zürich, Zurich, Switzerland
- General Rehearsal. A show in three acts, MMOMA, Moscow, Russia
- The Habitat of Time, Casula Powerhouse, Syndney, Australia
- Eastern Sugar, Kunsthalle Bratislava, Bratislava, Slovakia
- Glaube, Liebe, Hoffnung, Kunsthaus Graz, Graz, Austria
- On Struggling to Remain Present When You Want to Dissapear, OCAT, Shanghai, China
- Hello World. Revision einer Sammlung, Hamburger Bahnhof, Berlin, Germany
- Post Institutional Stress Disorder (PISD), Kunsthal Aarhus, Aarhus, Denmark
- Faithless Pictures, National Gallery Oslo, Oslo, Norway
- Reflections for the Future, Museum of Contemporary Art Zagreb, Zagreb, Croatia
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2017
- Please Come Back. The World as a prison?, IVAM. Institut Valencia d'Art Modern, Valencia, Spain
- Remastered - Die Kunst der Aneignung, Kunsthalle Krems, Krems, Austria
- Newwar. It's Just a Game?, Bandjoun Station Art Center, Bandjoun, Camerun
- Between Declarations and Dreams: Art of Southeast Asia since the 19th Century, Southest Asia Gallery in National Gallery Singapore, Singapore, Singapore
- Akademie, Kunsthalle Düsseldorf, Düsseldorf, Germany
- Manipulate The World. Connecting Öyvind Fahlström, Moderna Museet, Stockholm, Sweden
- Open Codes. Living in Digital Worlds, ZKM. Zentrum für Medienkunst, Karlsruhe, Germany
- Mechanism, The Wattis Institut, San Francisco, USA
- Biennale für aktuelle Fotografie - Farwell Photography, Heidelberger Kunstverein, Heidelberg, Germany
- Im Spielrausch. Von Königinnen, Pixelmonstern und Drachentötern, MAK Kunst und Design. Museum für Angewandte Kunst Cologne, Cologne, Germany
- Picture Industry, Hessel Museum of Art, Annandale-on-Hudson, NY, USA
- Before the Event / After the Fact: Contemporary Perspectives on War, Yale University Art Gallery, New Haven, USA
- How Will We Work?, AIL. Angewandte Innovation Laboratory, Vienna, Austria
- Slow Violence: Tracing the Anthropocene History, Kunsthal Charlottenborg, Copenhagen, Denmark
- After the Fact, Lenbachhaus, Munich, Germany
- Images in Conflict, Galerie für Fotografie, Hannover, Germany
- Weapon of Choice, John Jay College Gallery, New York, USA
- The Data Battlefield, Fotomusuem Antwerp, Antwerp, Belgium
- Bodenlos: Vilém Flusser and the Arts, Gallery of Arts, University of Prague, Prague, Czech Republic
- Out of Office. Büro-Kunst oder das Büro im Museum, Museum für konkrete Kunst, Ingolstadt, Germany
- Undead Cinema, Nam June Paik Center, Gyeonggi-gu, South Korea
- Life World, Fondazione Sandretto Rebaudengo, Turino, Italy
- Please Come Back. The World as a Prison?, MAXXI. Museo Nazionale Delle Arti Del XXI Secolo, Rome, Italy
- Art in the Age of Internet, 1989 to Today, ICA, Boston, USA
- Work in Motion. The video camera's eye on social and economic behavior, Fondazione Mast, Bologna, Italy
- 1966-2016, Greene Naftali Gallery, New York, USA
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2016
- Afterwork, ILHAM, Kuala Lumpur, Malaysia
- Learning Laboratories, BAK, basis voor actuele Kunst, Utrecht, The Netherlands
- Ficciones y territorios. Arte para pensar la nueva razón del mundo, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain
- Räume schaffen, Museum der Moderne - Rupertinum, Salzburg, Austria
- Kunst in Europa 1945-1968. Der Kontinent, den die EU nicht kennt., ZKM. Zentrum für Medienkunst, Karlsruhe, Germany
- Design and Violence, Science Gallery and MoMA, Dublin, Ireland
- In Search of the Presence, EMMA, Espoo Museum of Modern Art, Tapiola, Finland
- Grenzenlos grausam? Bilder der Gewalt in der Antiken Welt, Sklupturhalle Basel, Basel, Switzerland
- Das Kapital: Schuld - Territorium - Utopie, Hamburger Bahnhof, Berlin, Germany
- Manifesta 11. What People Do For Money: Some Joint Ventures, Stichting Foundation, Zurich, Switzerland
- Camera(auto)controle, Centre de la Photographie, Geneva, Switzerland
- Lo inconmensurable. Una idea de Europa, Centrocentro, Madrid, Spain
- El mundo fue plano. Ahora es redondo, El Museo de Arte de Zapopan (MAZ), Zapopan, Mexico
- Riddle of the Burial Grounds, Extra City, Kunsthal, Antwerp, Belgium
- A Sense of History, Nordsternzentrum, Gelsenkirchen, Germany
- After Work, Para Site, Hongkong, China
- Nervöse Systeme | Nervous Systems, Haus der Kulturen der Welt Berlin, Berlin, Germany
- THE NEW HUMAN. Knock, Knock, Is Anyone Home?, Moderna Museet, Malmö, Sweden
- Hacking Habitat - Art of Control, Old prison building, Utrecht, The Netherlands
- TELE-Gen - Die Sprache des Fernsehens im Spiegel der Kunst 1963-2005, Kunstmuseum Liechtenstein, Vaduz, Liechtenstein
- Electronic Superhighway (2016-1966), Whitechapel Gallery, London, Great Britain
- To See Without Being Seen: The Contemporary Art of Drone Warfare, Mildred Lane Kemper Art Museum, St. Louis, USA
- How to build a universe that doesn't fall apart two days later, La Maison Populaire, Montreuil, France
-
2015
- Wie leben? Zukunftsbilder von Malewitsch bis Fujimoto, Wilhelm Hack Museum, Ludwigshafen, Germany
- "Bitte berühren!", Museum für Gestaltung - Schaudepot, Zurich, Switzerland
- The World Was Flat, UMEA Bildmuseet, Umea, Sweden
- Regarding Spectatorship: Revolt and the Distant Observer, Künstlerhaus Bethanien, Berlin, Germany
- Anatomy of the Automaton, La Panacée, Montpellier, France
- Office Space. The Modern Worklplace Disrupted, Yerba Buena Center for the Arts, San Francisco, USA
- After 1965: Art in a Time of Social Unrest, Neuberger Museum, New York, USA
- Screencity. Moving Image Festival, Pedersgata, Stavanger, Norway
- Back to the Abyss. Art and Genocide, Belfort Museum, Belfort, France
- After 1965: Art in Time of Social Unrest, Neuberger Museum, New York, USA
- Technologism, MUMA. Monash University Museum of Art, Caulfield, Australia
- TELE-Gen - Die Sprache des Fernsehens im Spiegel der Kunst 1963-2005, Kunstmuseum, Bonn, Germany
- Kyiv Biennale, Mystetskyi Arsenal, Kyiv, Ukraine
- Animierte Wunderwelten, Museum für Gestaltung - Schaudepot, Zurich, Switzerland
- Von Bildern. Strategien der Aneignung, Museum für Gegenwartskunst. Kunstmuseum Basel, Basel, Switzerland
- From Within the Giant's Belly, Museum of Contemporary Art, Rijeka, Croatia
- Bodenlos/Groundless. Vilém Flusser and the arts, ZKM, Karlsruhe, Germany
- Human. Machine. Material. In Between World and Sensorium, Vilnius Contemporary Art Centre, Vilnius, Lithunia
- Memory Burns / La mémoire brul, OCAT Institute, Beijing, China
- The Day Will Come. When Photography Revises, Kunstverein Hamburg, Hamburg, Germany
- Under the Clouds. From Paranoia to the digital Sublime, Serralves Museum, Porto, Portugal
- Gazed Images, Contemporary Art Center (CAC), Vilnius, Lithunania
- Toys Redux, Migros Museum für Gegenwartskunst, Zurich, Switzerland
- All the World's Futures, 56. Venice Biennale, Venice, Italy
- Whose Subject am I?, Kunstverein für die Rheinlande und Westfalen, Düsseldorf, Germany
- Overtime: The Art of Work, Albright-Knox Art Gallery, Buffalo, USA
- Parasophia, Kyoto Municipal Museum of Art, Kyoto, Japan
- Invisible Violence, Salzburger Kunstverein, Salzburg, Austria
- Spieltrieb, Goethe Institut, Prague, Czech Republic
- Rights of Nature. Art and Ecology in the Americas, Nottingham Contemporary, Nottingham, UK
- 1989, Galerie Barbara Weiss, Berlin, Germany
-
2014
- 1/3 Water 1/3 Land, Kochi Muziris Biennale, Kerala, India
- Shenzhen Independent Animation Biennale, Taipei, Taiwan
- Flaherty, Finnish Academy of Fine Arts Taideylioposto, Helsinki, Finland
- Multiverse, 21st Century Mingsheng Art Museum, Shanghai, China
- CanaLacan, Villa Arson, Nice, France
- The Personal Effects of Kim Dotcom, Adam Art Gallery, Lighthouse cinema, Wellington, New Zealand
- Social Factory, 10th Shanghai Biennale, Shanghai, China
- surveillance et controle - positions d'artistes, Goethe-Institut, Paris, France
- Creative Time Summit, Kulturhuset, Stockholm, Sweden
- Modes of Democracy, Dox. Centre for Contemporary Art, Prague, Czech Republic
- After Image. Rapresentazioni del conflitto, Civica Matt, Museo die arte, Trento, Italy
- Salonul de Proiecte, MNAC Anexa, Bucharest, Romania
- La guerra che verrá non é la prima, Museum of Modern and Contemporary Art of Trento and Rovereto, Rovereto, Italy
- Portable Reality, Museum Tinguely, Basel, Switzerland
- Carte Blanche, The Museum of Modern Art, New York, USA
- Allegory of the Cave Painting, Extra City Kunsthal, Antwerpen, Belgium
- Visibility Machines: Harun Farocki and Trevor Paglen, Akademie der Künste, Berlin, Germany
- Zeichen gegen den Krieg, Lehmbruck Museum, Duisburg, Germany
- On Return and What Remains, Artspace Visual Arts Center, Sydney, Australia
- Art-Histories, Museum der Moderne - Rupertinum, Salzburg, Austria
- A Paradise Built in Hell, Kunstverein Hamburg, Hamburg, Germany
- Worlding, Queens Museum of Art, New York, USA
- Living with Pop. A Reproduction of Capitalist Realism, Artists Space, New York, USA
- Animation in Context: Screening and Discussion, Centre for Contemporary Arts, Glasgow, Great Britain
- IK-00, Architecture Biennale, Venice, Italy
- Berlin Documentary Forum, Haus der Kulturen der Welt, Berlin, Germany
- The Disasters of the War, Museé du Louvre-Lens, Lens, France
- Der helle Wahnsinn. das Leben jenseits der Norm, Vögele Kultur Zentrum, Pfäffikon, Switzerland
- Invisible Violence, Museum of Contemporary Art, Belgrade, Serbia
- European Media Art Festival. We The Enemy, Kunsthalle, Osnabrück, Germany
- A your service: Art and Labour, Technical Museum, Zagreb, Croatia
- Playtime, Kunstbau Lenbachhaus, München, Germany
- SHOW AND TELL - Architekturgeschichte(n) aus der Sammlung, Architekturmuseum der TU München in der Pinakothek der Moderne, Munich, Germany
- Was wir zeigen wollen, Kunstverein Heidelberg, Heidelberg, Germany
- New Ghost Stories, Palais de Tokyo, Paris, France
- ZONA MACO, Banamex Centre, Mexico City, Mexico
-
2013
- Time & Motion - Redefining Working Life, FACT - Foundation for Art and Creative Technology, London / Liverpool, United Kingdom
- Par les temps qui courent, Le Gand Café for Contemporary Art, Saint-Nazaire, France
- Visibility Machines: Harun Farocki and Trevor Paglen, Center for Art, Design and Visual Culture, Baltimore, USA
- Minimal Resistance. Between late modernism and globalization, Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain
- Afriteture - Building Social Change, Architekturmuseum der TU München in der Pinakothek der Moderne, Munich, Germany
- Salon der Angst, Kunsthalle Wien, Vienna, Austria
- Reality is not enough, Moscow Museum of Modern Art, Moscow, Russia
- Artificial Nature, Théatre de l'Avant-Seine, Colombes, France
- The Encyclopedic Palace, 55th Venice Biennale, Venice, Italy
- Le pont, Musée d'Art Contemporaine, Marseille, France
- Vues d'en haut (Views from above), Centre Pompidou, Metz, France
- Artificial Nature, Lille 3000 Le Printemps à Saint-Sauveur, Lille, France
- Artificil Nature, EXIT Festival - Maison des Arts de Créteil, Paris, France
- At your Service / Stets zu Diensten, Museum Arbeitswelt, Steyr, Austria
- Artificial Nature, VIA Festival, Le Manège, Mons - Maubeuge, France
- AV Festival: Stone, Northern Gallery of Contemporary Art, Newcastle, Great Britain
- The Image Factory, SBC Gallery of Contemporary Art, Montréal, Canada
- ONLY HERE. Works by contemporary artists from the collection of the Federal Republic of Germany, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn, Germany
-
2012
- Art/Work and the Invisible Hand, Museum of Fine Art, Laura Lee Blanton Gallery, Houston, USA
- time(less) signs, Künstlerhaus, Vienna, Austria
- Touch, Center for Contemporary Art FUTURA, Prague, Czech Republic
- Sammlung Design und Spiegel-Kantine, Museum für Kunst und Gewerbe, Hamburg, Germany
- Schichtwechsel, Nordstern Videokunstzentrum Sammlung Goetz / Neuer Berliner Kunstverein, Gelsenkirchen, Germany
- 3rd Taiwan International Video Art Exhibition 2012, Hong-Gah Museum, Taipei, Taiwan
- Taipei Biennial 2012, Taipei Fine Arts Museum, Taipei, China
- Intoleranz/Normalität, Kunstverein, Graz, Austria
- OUT-OF, Galerie Dohyang Lee, Paris, France
- A partir de mañana, todo (From tomorrow on, everything), Museo Universitario Arte Contemporáneo, Mexico City, Mexico
- Poetas en Tiempos de Escasez, Museo de Arte del Banco de la República, Bogotá, Columbia
- L'homme de Vitruve (Vitruvian Man), Centre d'art contemporain d'Ivry-le Crédac, Ivry-sur-Seine, France
- Cinemania: Harun Farocki and Holly Zausner, Herbert F. Johnson Museum of Art, Ithaca - NY, USA
- Europäische Sommer-Universität Ravensbrück, Mahn- und Gedenkstätte Ravensbrück, Ravensbrück, Germany
- 4th International Sinop Biennial, Historical Prison, Sinop, Turkey
- Zu viel Panzer - zu wenig Hirn, Zeughaus, Augsburg, Germany
- Above Your Head, Below Their Feet, International New Media Festival, Seoul, Korea
- Beautiful Game, City Art Gallery, Ljubljana, Slovenia
- Image Counter Image, Haus der Kunst, Munich, Germany
- Número tres, de la casa a la fábrica, La Virreina Centre de la Imatge, Barcelona, Spain
- SCREEN FROM BARCELONA/LOOP Fair, Hotel Catalonia Ramblas, Barcelona, Spain
- Poetas en Tiempos de Escasez, Museo Caraffa, Córdoba, Argentinia
- Ciudad Total, Valencià d'Art Modern, Valencià, Spain
- all the right pictures, Galerie Stadtpark, Krems, Austria
- The Penzance Convention - Extraction, Exchange Gallery, Penzance, Great Britain
- Ändere dich, Situation!, Galerie der Stadt, Palais Enzenberg, Schwaz, Austria
- CoB#2, The History of Art in the Age..., Celebration of the Body, Museum of Copies, Musée des Moulages, Lyon, France
- Found Footage, EYE Film Institute, Amsterdam, Netherlands
- Remote Control, Institute of Contemporary Arts, London, UK
- Der Goldene Käfig - The Golden Cage, KunstBüroBerlin, Berlin, Germany
- Unheimliche Reisen - Archiv trifft Gegenwart, Dienstgebäude, Zürich, Switzerland
- At your Service / Stets zu Diensten, Technisches Museum, Vienna, Austria
- Collecting Collections and Concepts, European Capital of Culture, Factory Hall, Guimarães, Portugal
- Poetas en Tiempos de Escasez, ICPNA, Lima, Peru
- Raskrsce: Izmedju intimnosti i spektakla, The Cultural Centre of Belgrade, Belgrade, Serbia
- OUT-OF, Michael Benevento Gallery, Los Angeles, USA
-
2011
- Poetas en Tiempos de Escasez, SUBTE, Montevideo, Uruguay
- Blown Up, InterAccess Electronic Media Arts Centre, Toronto, Canada
- Space Invaders, Nikolaj Copenhagen Contemporary Art Center, Copenhagen, Danmark
- Changes, ACC Galerie Weimar e.V., Weimar, Germany
- this morning, I attentively observed the destruction of the world, then I went back to work, Le Quartier, Quimper, France
- An Image, Kaleidoscope Galleria Buenos Aires, Milano, Italy
- An Image, Center of Contemporary Art Sergey Kuryokhin, St. Petersburg, Russia
- Meteor 2011, BIT Teatergarasien, Bergen, Norway
- The Lucifer Effect, DOX Centre for Contemporary Art, Prague, Czech Republic
- Evento 2011, Strange and Close, Musée d'Art Contemporain CAPC, Bordeaux, France
- Para Doxa, heterodoxies of the event, Galerie Villa des Tourelles, Nanterre, France
- Atlas. How to Carry the World on one's Back?, Deichtorhallen, Hamburg, Germany
- Mass Distractions and Cultural Decay, Mason Gross Galleries, New Brunswick, USA
- Topographies de la Guerre, Le Bal, Paris, France
- How we Move, SALT Beyoglu, Istanbul, Turkey
- September 11, Museum of Modern Art / PS1, New York, USA
- Changes, Auf AEG, Nuremberg, Germany
- Labyrinth, Centre Pompidou-Metz, Metz, France
- Schweine & Weltall: Krieg, Spiel, Simulation, Künstlerhaus FRISE, Hamburg, Germany
- For the Record: Searching for Objectivity in Global Conflict, Montserrat College of Art, Beverly, USA
- Disobey at all Costs, Museo de Arte Carrillo Gil, Mexico City, Mexico
- Rollenbilder. Rollenspiele, Museum der Moderne, Salzburg, Austria
- Case Histories, Alex Zachary Gallery, New York, USA
- Intersection, Santarcangelo Festival, Santarcangelo di Romagna, Italy
- Rhythmic Exercise, Galeria BWA SOKOL, Nowy Sacz, Poland
- Intersection, Prague Quadrennial of Performance Design and Space, Prague, Czech Republic
- Watch Me Move, Barbican Art Gallery, London, Great Britain
- Expanded Cinema, MediaArtLab, Moscow, Russia
- Too late, too little (and how) to fail gracefully, KunstFort Asperen, Acquoy, Netherlands
- Are you Ready for TV?, Centro Galego de Arte Contemporanea, Santiago de Compostela, Spain
- Foreclosed. Between Crisis and Possibility, Whitney Museum of American Art, New York, USA
- Loop Fair, Àngels, Barcelona, Spain
- Atlas. How to Carry the World on one's Back?, Zentrum für Kunst und Medientechnologie, Museum für Neue Kunst, Karlsruhe, Germany
- Changes, Halle 14, Leipziger Baumwollspinnerei, Leipzig, Germany
- Auf die Plätze, Deutsches Hygiene-Museum, Dresden, Germany
- Paranoïa, Gare St. Sauveur, Lille, France
- Aschenmünder, Haus der Kunst, Munich, Germany
- Paranoïa, VIA, Maubeuge, France
- 1979, La Virreina, Centre de la Imatge, Barcelona, Spain
- EXIT - Paranoïa, Maison des Arts de Créteil, Créteil, France
- Principio Potosí, Museo Nacional de Arte, La Paz, Bolivia
- Yebisu International Festival for Art & Alternative Visions 2011, Tokyo Metropolitan Museum of Photography, Tokyo, Japan
- Témoins/Faux Témoins, Ecole Superieure des Beaux-Arts, Angers, France
- My War, Agnes Etherington Art Centre, Kingston, Canada
-
2010
- Nude Visions, WestLicht. Schauplatz für Fotografie, Vienna, Austria
- Web Biennale 2010, Public Sphere for the 21st Century Art Movement, Alternative Space LOOP, Mapo Gu, South Korea
- Are you Ready for TV?, Museu d'Art Contemporani de Barcelona, Barcelona, Spain
- Hints to Workmen, Northern Gallery for Contemporary Art, Sunderland, UK
- Exposed: Voyeurism, Surveillance, and the Camera Since 1870, San Francisco Museum of Modern Art, San Francisco, USA
- The Image in Question. War - Media - Art, Carpenter Center for Visual Arts, Cambridge, USA
- Hra Na Náhodu / The Art of Urban Intervention. A Game of Chance, Emil Filla Gallery, Usti nad Labem, Czech Republic
- the night pleases us..., October Salon, Belgrad, Serbia
- The Potosí Principle: How shall we sing the Lord's song in a strange land, Haus der Kulturen der Welt, Berlin, Germany
- Game Show, Surrey Art Gallery, Surrey, United Kingdom
- Das Un-Zuhause der Bilder, Steirischer Herbst, Graz, Austria
- A Place Out of History, Museo Tamayo Arte Contemporáneo México, Mexico City, Mexico
- Shockworkers of the Mobile Image, Industrial Ural Biennal, Yekaterinburg, Russian Federation
- Maninbo 10000 Lives, Gwangju Museum of Art, Gwangju, South Korea
- Nude Visions, Museum für Bildende Künste, Leipzig, Germany
- Workers Leaving the Workplace, MuzeumSztuki, Lodz, Poland
- Antiphotojournalism, LaVirreina, Barcelona, Spain
- My War. Partizipation in Kriegszeiten, Edith-Russ-Haus für Medienkunst, Oldenburg, Germany
- Hinter der Vierten Wand. Fiktive Leben - Gelebte Fiktionen, Generali Foundation, Vienna, Austria
- Musac en Facyl, 6th. Festival de las Artes de Castilla y Lèon, Casa de las Conchas, Léon, Spain
- Exposed: Voyerism, Surveillance and the Camera, Tate Modern, London, UK
- Starter, Arter-Space for Art, Istambul, Turkey
- Post-Office, Artspace, Auckland, New Zealand
- The Potosí Principle: How shall we sing the Lord's song in a strange land, Museo Reina Sofia, Madrid, Spain
- Remote Viewing. Loop Barcelona, Ars Santa Mónica, Barcelona, Spain
- Kick Off, Nikolaj. Copenhagen Contemporary Art Center, Copenhagen, Danmark
- Transitland. Videoart from Central and Eastern Europe 1989-2009, Reina Sofia, Madrid, Spain
- My War. Participation in an Age of Conflict, FACT, Liverpool, United Kingdom
- Changing Channels. Kunst und Fernsehen 1963-1987, MUMOK Vienna, Vienna, Austria
- 7th. International Biennial of Photography and Visual Art: Le Théatre de L'Autorité, Hangar, BP, Liège, Belgium
- A History of Irritated Material, Raven Row, London, UK
- The Art of Speculation, Kunstverein Wolfsburg, Wolfsburg, Germany
- Augenschmauss. Vom Essen im Stilleben, Bank Austria. Kunstforum, Vienna, Austria
- Auto-Kino!, Temporäre Kunsthalle Berlin, Berlin, Germany
- Nude Visions. 150 Jahre Körperbilder in der Fotografie, MKG, Hamburg, Germany
- ANIMISM, Museum van Hedendaagse Kunst, Antwerpen, Belgium
-
2009
- Kunst und Kalter Krieg. Deutsche Positionen 1945 - 1989, Germanisches Nationalmuseum, Nuremberg, Germany
- Una Fábrica, und Máchina, un Cuerpo... Arqueologia y Memoria de los Espacios Industriales, Centre d'Art la Panera, Lérida, Spain
- Bilderschlachten, European Media Art Festival, Osnabrück, Germany
- Just in the dark, The Road to Contemporary Art, Rom, Italy
- Die Große Unschuld, Kunsthalle Bielefeld, Bielefeld, Germany
- Signals in the Dark; Art in Shadow of War, Model Arts and Niland Gallery, Sligo, Ireland
- Islands + Ghettos, NGBK, Berlin, Germany
- Dada East? Romanian Context of Dadaizm, Musée des Beaux-Arts de Tourcoing, Tourcoing, France
- Jeux de massacre, Grand Hornu MAC, Hornu, Belgium
- Cronostasi Seconda parte (1985-2008), Galleria Civica d’Arte Moderna e Contemporanea, Turin, Italy
- Die Politik der Umverteilung, Magazin 4, Bregenzer Kunstverein, Begrenz, Austria
- Vacuum Noise, Trafo House of Contemporary Art, Budapest, Ungary
- Art of Two Germany / Cold War Cultures, Los Anges County Museum of Art, Los Anges, USA
-
2008
- À chacun ses étrangers?, Palais de la porte doreé, Paris, France
- Remakes, Centro de Cultura Antiguo Instituto, Gijon, Spain
- What happened to Sex in Scandinavia?, OCA. Office for Contemporary Art, Oslo, Norway
- Disobedience – An ongoing video archive, Riga Art Space. City Exibition Hall, Riga, Lithunia
- The impossible Prison, Galleries of Justice, Nottingham, Great Britain
- Between the Images. Imaginable Experiences for Future Memories, IASPIS, Stockholm, Sweden
- Mediation Biennale Posen / Corporeal – Technoreal, Biennale Poznan, Posen, Poland
- The Greenroom: Reconsidering the Documentary and Contemporary Art, CCS Bard Hessel Museum, Annandale-on-Hudson, USA
- 40jahrevideokunst. Video art in Germany from 1963 to 2004, Museo Villa Croce, Genua, Italy
- Worlds on Video, Centro di cultura contemporanea a palazzo strozzi, Florence, Italy
- Revolutions 1968, Zacheta National Gallery, Warsaw, Poland
- 7th Shanghai Biennale. Translocalmotion, Shanghai Art Museum, Shanghai, China
- Manifesta 7, Trentino-Alto Adige, Trento, Italy
- Máchinas y Almas – Arte digital y nuevos medios, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain
- Gib mich die Kirsche, Stadt Karlsruhe, HfG, ZKM, Karlsruhe, Germany
- Dada East? Romanian Contexts of Dadaism, Zacheta National Gallery, Warsaw, Poland
- Tekfestival Opificio, Rome, Italy
- High Risk Citizen, Art in General, New York, USA
- artefact, Kunstencentrum STUK, Leuven, Belgium
- After the Light: Moving Images Displayed at Night, Radialsystem, Berlin, Germany
- Glück - welches Glück?, Deutsches Hygiene Museum, Dresden, Germany
- Islands + Ghettos, Heidelberger Kunstverein, Heidelberg, Germany
- Re-enactments, DHC/ART Foundation for Contemporary Art, Montreal, QC, Canada
- Dans la nuit, des images, Grand Palais, Paris, France
- The Cinema Effect: Illusion, Reality and the Moving Image Part I: Dreams, Hirshhorn Museum and Sculpture Garden, Washington, USA
- 40 years of Video Art in Germany, Sofia Art Gallery, Sofia, Czech Republic
- 40jahrevideokunst, Musée d'Art Moderne Contemporain (MAMCS), Strasbourg, France
- Mimétisme, Extra City – Center for Contemporary Art, Antwerpen, Netherland
- Under Pain of Death, Austrian Cultural Forum, New York, USA
- Archive Fever: Uses of the Document in Contemporary Art, ICP International Center for Photography, New York, USA
- Signals in the Dark. Art in the Shadow of War, Blackwood Gallery, Mississauga, Canada
- voiceoverhead, SMART Project Space, Amsterdam, Netherland
-
2007
- Filmische Wahrheiten, Heidelberger Kunstverein, Heidelberg, Germany
- Czechpoint – International Exhibition and Festival of Political Art, Gallery of Arts, Zilina, Slowakia
- MACBA im Frankfurter Kunstverein, Frankfurter Kunstverein, Frankfurt, Germany
- Dada East? The Romanians of Cabaret Voltaire, Färgfabriken – Center for Contemporary Art and Architecture, Stockholm, Sweden
- See us Act, Lund Konsthall, Lund, Sweden
- Intocable (el ideal de la transparencia), Patio Herreriano. Museo de Arte Contemporáneo Espanol, Valladolid, Spain
- documenta 12, Kassel, Germany
- New Economy, Artists Space, New York, USA
- What is to be done? Der Prozess, Prague Biennale 3, Prague, Czech Republic
- In the Poem about Love you don’t Write the Word Love, Midway Contemporary Art, Minneapolis, USA
- Eye / Machine, Starmach Gallery, Krakow, Poland
- The California Files – Re-Viewing Side Effects of Cultural Memory, CCA Wattis Institute of Contemporary Arts, San Francisco, USA
- Prison, Bloomberg Space, London, Great Britain
- For a Special Place: Documents and Works form the Generali Foundation Collection, Austrian Cultural Forum, New York, USA
- Re-Screening Program, Site Gallery. Centre for Contemporary Arts, Sheffield, Great Britain
-
2006
- Superhuman Vision, ICA, Boston, USA
- Eine Frage (nach) der Geste, Hochschule für Grafik und Buchkunst, Leipzig, Germany
- In The Poem About Love You Don't Write the Word Love, Artist Space, New York, USA
- Clinic. A Pathology of Gesture, Hau 1. Hebbel am Ufer, Berlin, Germany
- BIACS 2, Fundación Bienal Internacional de Arte Contemporáneo de Sevilla, Sevilla, Spain
- Every Day… another artist / work / show, Salzburger Kunstverein, Salzburg, Austria
- Dada East?, Cabaret Voltaire Dadahaus, Zurich, Switzerland
- Equal and Less Equal, Museum on the Seam. Socio-political Museum in Israel, Jerusalem, Israel
- Untouchable (The Transparency Ideal), Centre National d'Art Contemporaine, Villa Arson, Nizza, France
- The expanded Eye. Sehen – entgrenzt und verflüssigt, Kunsthaus Zurich, Zurich, Switzerland
- This Land is my Land, Kunsthalle Nürnberg, Nürnberg, Germany
- work (Arbeit*), Lewis Glucksman Gallery, Cork, Ireland
- Periferic 7, Periferic Biennial, Iasi, Romania
- Stile der Stadt – Internationales Videokunstforum, Glaspassage des ehemaligen Forum Altona, Hamburg, Germany
- Pixels of Reality. What do you Know, What do you See?, Public Space with a Roof, Amsterdam, Netherland
- 40jahrevideokunst.de. Digitales Erbe, Kunstsammlung im Ständehaus Düsseldorf, Düsseldorf, Germany
- NowHere Europe – Trans: it. Moving Culture Through Europe, National Museum of Contemporary Art (MNAC), Bucharest, Romania
- No. 12 Exces, Z 33, Hasselt, Belgium
- Forum expanded, Kunstwerke, Berlin, Germany
- Sichtbarkeiten_Zwischen Fakten und Fiktionen, Edith-Ruß-Haus für Medienkunst, Oldenburg, Germany
- Cinema like never before, Generali Foundation, Vienna, Austria
-
2005
- How do we wan't to be governed? (Figur and Ground), Miami Art Central (MAC), Miami, USA
- Biennale de l'Image en Mouvement, Centre pour l'image contemporaine Saint-Gervais, Genève, Switzerland
- Screening War – Zur Repräsentation von Krieg in der Videokunst, ZKM, Karlsruhe, Karlsruhe, Germany
- Projekt Migration „Roadmap to Europe“, Kölnischer Kunstverein, Cologne, Germany
- INwardOUTward, FLACC. Casino Modern Waterschei, Gent, Belgium
- Einstein Spaces. 9 Kunstprojekte in Berlin, Potsdam und Caputh, ARD Haupstadtstudio, Berlin, Germany
- Occupying Space. Wasting Time. The Generali Collection, Haus der Kunst, Munic, Germany
- Panopticon – The Architecture and Theatre of Prisons, Zacheta – National Gallery of Art, Warsaw, Poland
- Art Video Lounge, Art Basel, Basel, Switzerland
- Arbeit*, Galerie am Taxispalais, Innsbruck, Austria
- On Difference # 1 – Lokale Kontexte – Hybride Räume, Württembergischer Kunstverein, Stuttgart, Germany
- European Media Art Festival, Document, Kunsthalle Dominikanerkirche, Osnabrück, Germany
- Making Things Public – Atmosphären der Demokratie, ZKM, Karlsruhe, Karlsruhe, Germany
- Zur Vorstellung des Terror. Die RAF., Kunstwerke, Berlin, Germany
- On Patrol, De Appel, Centre for Contemporary Art, Amsterdam, Netherland
- Disobedience – Ziviler Ungehorsam, Kunstraum Kreuzberg / Bethanien, PLAY Gallery, Berlin, Germany
-
2004
- Zellen: Bin gesund. Denke an Dich. Alles Liebe, Galerie für Landschaftskunst, Hamburg, Germany
- Carnegie International 2004-2005, Carnegie Museum of Art, Pittsburgh, USA
- La Ville qui Fait Signes, Le Fresnoy. Studio national des arts contemporains, Lille, France
- Die Regierung, MACBA. Museu d'Art Contemporaine, Barcelona, Spain
- Paradoxes: The embodied city. Stills from a Revolution, Fundacao Calouste Gulbenkian, Lissabon, Portugal
- Die Zehn Gebote, Deutsches Hygiene-Museum, Dresden, Germany
- Guck Mal, Was du Kaufst! Eine Mitmachausstellung für Kleine und Große, FEZ-Berlin, Berlin, Germany
- Privatisierungen. Zeitgenössische Kunst aus Osteuropa, Kunst-Werke, Berlin, Germany
- Re: location. Shake – ID Troubles-Lüneburg, Halle für Kunst Lüneburg, Lüneburg, Germany
- Open House. Kunst und Öffentlichkeit / Art and the Public Sphere, O.K Centrum für Gegenwartskunst Oberösterreich, Linz, Austria
- Documentary ‚Fictions', Fundación "la Caixa", Barcelona, Spain
- Shock and Awe – Kriegsbilder zwischen Dokumentation and Ideologie, Edith-Ruß-Haus für Medienkunst, Oldenburg, Germany
- 4 and 4: curators choice New York / Berlin, Gallerie Müller Dechiara, Berlin, Germany
- Fly Utopia! Ausstellung transmediale. 04, Haus der Kulturen der Welt, Berlin, Germany
-
2003
- Monitoring, KulturBahnhof, Kassel, Germany
- models + frames 8: Überlebensstrategien für Untrainierte, Kunst und Medienzentrum Adlershof, Berlin, Germany
- The First ICP Triennial of Photography and Video, International Center of Photography, New York, USA
- Sammlung. Werke von Dan Graham, Sanja Ivekovié..., Generali Foundation, Vienna, Austria
- Video Installation Exhibition, Galeria Zé dos Bois, Lisbon, Portugal
- Fate of Alien Modes, Secession, Vienna, Austria
- M_ARS - Kunst und Krieg, Neue Galerie, Graz, Austria
-
2002
- site-seeing. disneyfizierung der städte?, K/haus, Vienna, Austria
- Cardinales, Marco, Museo de Arte Contemporánea de Vigo, Vigo, Spain
- Geschichte(n), Salzburger Kunstverein, Salzburg, Austria
- What? A tale in free images. 12 video-installations, Brugge 2002, Cultural Capital of Europe, Brugge, Belgium
- Schrägspur. Rebuild #3, Slant Track, Hamburger Kunsthalle, Hamburg, Germany
- Open_Source_Art_Hack, New Museum of Contemporary Art, New York, USA
- Fragiles Correspondances, Le Plateau. Fond's regional d'art contemporain d' Ile-de-France, Paris, France
- Art & Economy, Deichtorhallen Hamburg, Hamburg, Germamy
- Side the other Side, The Carnegie Art Center, Buffalo, USA
- Other than Film, TENT. Centrum Beeldende Kunst, Rotterdam, Netherland
- Anxious Omniscience: Surveillance and Contemporary Cultural Practice, Princeton University Art Museum, Princeton, USA
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2001
- Futuresonic, Cornerhouse, Manchester, Great Britain
- Exploiting Cinema / Cinema without Walls, Museum Boijmans de Beuningen, Rotterdam, Netherland
- 54th Carnegie International, Carnegie Museum of Art, Pittsburgh, USA
- Televisionen. Kunst Sieht Fern, Kunsthalle Wien, Vienna, Austria
- CTRL SPACE: Rhetorik der Überwachung von Bentham bis Big Brother, ZKM, Karlsruhe, Germany
- Mia san mia, Generali Foundation, Vienna, Austria
- new ideas – old tricks, HMKV Hartware MedienKunstVerein, Dortmund, Germany
- Les annees pop. Cinema and politique: 1956 – 1970, Centre Pompidou, Paris, France
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2000
- L'état des choses (1), Kunst-Werke, Berlin, Germany
- Media City Seoul 2000, Öffentlicher Raum, Seoul, South Korea
- Gouvernementalität, Expo 2000, Hannover, Germany
- Dinge, die wir nicht verstehen, Generali Foundation, Vienna, Austria
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1998
- Joris Ivens – Chris Marker – Harun Faroki., Steirischer Herbst, Graz, Austria
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1997
- documenta 10, Kassel, Germany
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1996
- Face á l’historie, Centre Georges Pompidou, Paris, France
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1995
- Le monde aprés la fotogaphie, Musée d’art Villeneiuve d’Ascq., Lille, France