Harun Farocki

Harun Farocki

Gegen Krieg (Against War)

Curated by Antje Ehmann

November 18, 2022 – January 28, 2023

Harun Farocki

Harun Farocki

Who is in charge?

Instituto Moreira Salles, Sao Paulo, Brazil

September 17, 2019 – January 5, 2020

Harun Farocki

Harun Farocki

Harun Farocki: What ought To Be Done? Work & Life

National Museum of Modern and Contemporary Art Seoul, Seoul, South Korea

October 27, 2018 – April 7, 2019

Harun Farocki

Harun Farocki

Harun Farocki – Counter Music

Haus der Kunst, Munich, Germany

March 10 – May 28, 2017

Harun Farocki

Harun Farocki

Harun Farocki und die Musik

September 16 – December 21, 2017

Harun Farocki

Harun Farocki

Kohlfurter Strasse 41/43, 10999 Berlin

November 17 – December 21, 2012

Harun Farocki

Gegen-Musik - Aufstellung - Zur Bauweise des Films bei Griffith

Zimmerstrasse 88–89, 10117 Berlin

March 3 – April 18, 2009

Publications:

Harun Farocki

Diagrams

Verlag der Buchhandlung Walther König, Köln

2014

ISBN: 978-3-86335-459-6

CV

Solo exhibitions

  • 2024

  • 2023

  • 2022

  • 2020

  • 2019

  • 2018

  • 2017

  • 2016

  • 2015

    • Metaphor and Politics – The Tehran Retrospective of Harun Farocki, Ag Galerie, Sazmanab Gallery, Tehran, Iran
    • Harun Farocki (1944-2014), Neue Sächsische Galerie, Chemnitz, Germany
    • Labour in a Single Shot, Haus der Kulturen der Welt, Berlin, Germany
    • Harun Farocki – Zbynek Baladrán, Center for Contemporary Art FUTURA, Prague, Czech Republic

  • 2014

  • 2013

  • 2012

    • Harun Farocki, Galerie Barbara Weiss, Berlin, Germany
    • HARUN FAROCKI BETWEEN EYE AND HAND, Samos Young Artist Festival, Pythagorion, Samos, Greece
    • Harun Farocki – Ein neues Produkt, Haus der Photographie/Deichtorhallen, Hamburg, Germany
    • Harun Farocki first time in Warsaw, Centre for Contemporary Art, Warsaw, Poland
    • 7 days – Harun Farocki, Point Center fort he Arts, Nicosia and Kunstnernes Hus, Oslo, Norway

  • 2011

    • How we Move, SALT Beyoğlu, Istanbul, Turkey
    • Harun Farocki – Images of War (at a Distance), The Museum of Modern Art, New York, USA
    • Harun Farocki – Comparison via a Third, Center for Contemporary Arts Glasgow, Glasgow, United Kingdom
    • Harun Farocki – What a distance, Galerie Thaddaeus Ropac, Salzburg, Austria
    • Harun Farocki – A Cruz e a Prata, Lumiar Cité, Lisbon, Portugal
    • Harun Farocki – Tres Duplas Projeccoes, Galeria Palàcio Galveias, Lisbon, Portugal
    • War at a Distance, Gertrude Contemporary, Melbourne, Australia
    • Harun Farocki, TR 1 Gallery, Tampere, Finland
    • Harun Farocki – Image Works, Beirut Art Center, Beirut, Lebanon

  • 2010

    • Harun Farocki – Weiche Montagen/Soft Montages, Kunsthaus Bregenz, Bregenz, Austria
    • Harun Farocki – Umgießen, Osram Art Projects, Munich, Germany
    • Harun Farocki – Filme, Villa Schöningen, Potsdam, Germany

  • 2009

    • Harun Farocki – Ausstellung und Filmprogramm, Museum Ludwig, Cologne, Germany
    • Harun Farocki, Raven Row, London, United Kingdom
    • Harun Farocki – 22 Films 1968–2009, Tate Modern, London, United Kingdom
    • H.F./ R.G. Harun Farocki/ Rodney Graham, Jeu de Paume, Paris, France
    • Gegen-Musik – Aufstellung – Zur Bauweise des Films bei Griffith, Galerie Barbara Weiss, Berlin, Germany
    • Counter Music & On Construction of Griffith’s films, Galerie Thaddaeus Ropac, Paris, France
    • Three Early Films, Cubitt Gallery, London, United Kingdom

  • 2008

    • Deep Play, Fußballfilmfestival 11 mm, Berlin, Germany
    • Deep Play, The Greene Naftaly Gallery, New York, USA

  • 2007

    • On construction of Griffith’s Films – Counter-Music, ångels barcelona, Barcelona, Spain
    • Deep play – Comparison via a Thied, Interface, Eye/Machine 1, 2, 3, Museet for samtidskonst, Oslo, Norway
    • Interface, Eye/Machine 3, Counter-Music, Workers Leaving the Factory in Eleven Decades, Dubbing, Inextinguishable Fire, Museet Leonard & Bina Ellen Art Gallery, Montréal, Canada
    • Auge/Machine 1-3, Counter-Music, On Construction of Griffith’s Films, Galerie Thaddaeus Ropac, Salzburg, Österreich
    • Auge/Machine 1-3, Counter-Music, Vergleich über ein Drittes, MUMOK Museum Moderner Kunst, Wien, Österreich

  • 2006

    • Counter Music, The Greene Naftaly Gallery, New York, USA
    • Counter Music – Videograms of the Revolution, Index, The Swedish Contemporary Art Foundation, Stockholm, Schweden

  • 2004

    • Auge/Machine 1-3, Städtische Galerie Karlsruhe, ZKM, Karlsruhe, Germany
    • Auge/Machine 2, Etablissement D’en Face Projects, Brussels, Belgium

  • 2003

    • I thought I was Seeing Convicts, AGO, Art Gallery of Ontario, Toronto, Canada
    • Auge/Machine 3, ICA, Institute of Contemporary Arts, London, United Kingdom

  • 2002

    • Auge, Machine, Interface – I thought I was Seeing Convicts, The Greene Naftaly Gallery, New York, USA
    • Auge, Machine, Interface – I thought I was Seeing Convicts, Goethe Institut Paris, Paris, France

  • 2001

    • Harun Farocki – Filme, Videos, Installationen, Filmclub Münster und Westfälischer Kunstverein, Münster, Germany
    • Spuren der Inszenierung – Nicht löschbares Feuer, Künstlerhaus Stuttgart, Stuttgart, Germany

Group exhibitions

  • 2024

    • Far Beyond the Walls, curated by Frances Melhop, Nevada State Prison, Carson City, Nevada
    • Histories of a Common Thread, curated by Ulrika Lublin, Alida Ivanov, Skanstull Metro Station, Stockholm, Sweden
    • Espacio Video, curated by Juan Guardiola, Fundación Díaz-Caneja, Palencia, Spain
    • Spielen heißt verändern! Die Sammlungen, curated by Jürgen Tabor, Museum der Moderne, Salzburg, Austria
    • Die Schönheit der Dinge: Stilleben von 1900 bis heute, curated by Marike Klaaßen, Kunsthalle Emden, Germany
    • Ways of Seeing, Biennale for Visual and Sonic Media, Düsseldorf, Germany
    • 24 / 7, Kunsthaus Graz, Austria Images at Work, Casino Luxembourg, Luxembourg
    • 30 Lives, Museum of Contemporary Arts and Design, Manila, Philippines

  • 2023

  • 2022

  • 2021

  • 2020

    • Schnittstellen, Sprengel Museum, Hannover, Germany
    • Life Captured Still, Galerie Thaddaeus Ropac, London, United Kingdom
    • Poröse Stadt – Grenzgänge des Urbanen, Kunstraum Kreuzberg/Bethanien, Berlin, Germany

  • 2019

    • Theater of Operations. The Gulf Wars 1991-2011, MoMa PS1, New York, USA
    • Der Montierte Mensch, Museum Folkwang, Essen, Germany
    • Framing. Medien Macht Bilder, Kallmann-Museum, Ismaning, Germany
    • RE: WORKING LABOR, Sullivan Galleries, Chicago, USA
    • Playmode, MAAT - Fundacao EDP, Lisbon, Portugal
    • Weil ich nun mal hier lebe, MMK, Frankfurt am Main, Germany

  • 2018

    • Post Institutional Stress Disorder, Kunsthal Aarhus, Aarhus, Denmark
    • Konstruktion der Welt: Kunst und Ökonomie – 1919-1939 und 2008-2018, Kunsthalle Mannheim, Mannheim, Germany
    • Artificial Paradise?: Immersion in Raum und Zeit, Halle für Kunst & Medien, Graz, Austria
    • No War No Vietnam, Kunstverein Tiergarten, Berlin, Germany
    • Virtual Insanity, Kunsthalle Mainz, Mainz, Germany
    • Other Mechanisms, Secession, Vienna, Austria
    • Triennale der Photographie. Control | No Control, Hamburger Kunsthalle, Hamburg, Germany

  • 2017

    • Harun Farocki, Christian Petzold – Retrospectives, Centre Pompidou, Paris, France

  • 2016

    • What People Do For Money, Manifesta 11, Zurich, Switzerland
    • THE NEW HUMAN, Moderna Museet, Stockholm, Sweden

  • 2015

    • The Problem of God, K21 Ständehaus, Düsseldorf, Germany
    • All the World’s Futures, 56th Biennale di Venezia, Venice, Italy
    • 1989, Galerie Barbara Weiss, Berlin, Germany

  • 2014

    • Systeme und Subjekte, Museum der Moderne, Salzburg, Austria
    • steirischer herbst 2014, The Militant Image, Camera Austria, Graz, Austria
    • Visibility Machines – Harun Farocki and Trevor Paglen, University of Maryland Baltimore County (UMBC) Center for Art, Design and Visual Culture, Baltimore, USA
    • Zeichen gegen den Krieg, Lehmbruck Museum, Duisburg, Germany
    • Visibility Machines – Harun Farocki and Trevor Paglen, Akademie der Künste, Berlin, Germany
    • Visibility Machines – Harun Farocki and Trevor Paglen, Gallery 400, Chicago, USA
    • Kunst/Geschichten, Museum der Moderne, Salzburg, Austria
    • Worlding, Queens Museum of Art, New York, USA
    • The Disasters of the War, Musée du Louvre-Lens, Lens, France
    • Playtime, Städtische Galerie im Lenbachhaus und Kunstbau München, Munich, Germany
    • art and pain, International Red Cross and Red Crescent Museum, Geneva, Switzerland
    • Was wir zeigen wollen, Heidelberger Kunstverein, Heidelberg, Germany
    • Antje Ehmann und Harun Farocki – Labour in a Single Shot., Museo Universitario Arte Contemporáneo, Centro de Cultura Digital, Mexico City, Mexico
    • Ways of Seeing, Spectacle Theater, New York, USA

  • 2013

    • Time & Motion – Redefining Working Life, FACT – Foundation for Art and Creative Technology, London and Liverpool, United Kingdom
    • 93, Centro Galego de Arte Contemporánea, Santiago de Compostela, Spain
    • Im Bilde, Duisburger Filmwoche37 das festival des deutschsprachigen dokumentarfilms, Duisburg, Germany
    • War and Trauma, Museum Dr. Guislain, Gent, Belgium
    • International Film Festival, the whole world fits in Lisbon, Doclisboa, Lisbon, Portugal
    • Visibility Machines: Harun Farocki and Trevor Paglen, Center for Art, Design and Visual Culture, Baltimore, USA
    • Minimal Resistance. Between late modernism and globalization: artistic practices during the 80s and 90s, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain
    • In form eypress and admirable (sometimes lying, sometimes not), Goldsmiths College of Art, London, United Kingdom
    • Berliner Schule, International Film Festival, Rio de Janeiro, Brazil
    • Dream Factory, MoMA PS1, New York, USA
    • Salon der Angst, Kunsthalle Wien, Vienna, Austria
    • Sacred, Minneapolis Institute of Arts, Minneapolis, USA
    • Leisure, Discipline and Punishment, Biennial of Moving Image, Mecheln, Belgium
    • Leben mit Pop. Eine Reproduktion des kapitalistischen Realismus, Kunsthalle Düsseldorf, Dusseldorf, Germany
    • Reality is not enough (Media Forum of the Moscow International Film Festi-val), Moscow Museum of Modern Art, Moscow, Russia
    • Artificial Nature, Théatre de l´Avant-Seine, Colombes
    • The Encyclopedic Palace, 55th Biennale, Brazilian Pavillon, Venice, Italy
    • Le pont, Musée d`Art Contemporain, Marseille, France
    • Vues d'en haut (Views from above), Centre Pompidou, Metz, France
    • Design Beyond Production, Rethinking the human being in manufacturing, Z33 - huis voor actuele kunst, Hasselt, Belgium
    • Artificial Nature, Lille 3000 – Le Printemps à Saint-Sauveur, Lille, France
    • Mapping Time, Kunsthalle Dominikanerkirche, Osnabrück, Germany
    • Irregular – Economies of Deviation, Neue Gesellschaft für Bildende Kunst, Berlin, Germany
    • Kunst- und Arbeitswelt, Städtische Galerie, Waldkraiburg, Germany
    • Dokumentarfilmwoche, Hamburg, Germany
    • At your service, Museum Arbeitswelt, Steyr, Austria
    • Cinema du Réel, Centre Pompidou, Paris, France
    • Film and Talk: Harun Farocki, Modern Museet, Stockholm, Sweden
    • The Image Factory, SBC Gallery of Contemporary Art, Montréal, Canada
    • FilmWeltWirtschaft, Filmmuseum, Munich, Germany
    • ONLY HERE. Works by contemporary artists from the collection oft he Federal Republic of Germany. Acquisitions 2007–2011, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn, Germany

  • 2012

    • Art/Work and the Invisible Hand, Museum Of Fine Art, Laura Lee Blanton Gallery, Houston, USA
    • time(less) signs, Künstlerhaus, Vienna, Austria
    • I’m (also) an Alien!, HoH Art, Milan, Italy
    • EntreVues Festival du Film, Cinéma Pathe, Belfort, France
    • Blown Up: Gaming and War, Montreal Arts Interculturels, Montréal, Canada
    • L’image témoin: l’après-coup du réel, Jeau de Paume, Paris, France
    • Acts of Voicing, Württembergischer Kunstverein Stuttgart, Stuttgart, Germany
    • Festival des deutschsprachigen Dokumentarfilms 36, Duisburger Filmwoche, Duisburg, Germany
    • Nedfall presents, Kunsthalle, Filmmuseum, Bergen, Norway
    • Sammlung Design und Spiegel-Kantine, Denkraum Ressourcen/Nachhaltigkeit, Thema „Bauen“ unter den Aspekten von „Secondary Use“, Museum für Kunst und Gewerbe, Hamburg, Germany
    • Cinema of Urgency, Walker Art Center, Minneapolis, USA
    • Doubles Économies, Centre de la Photographie, Geneva, Switzerland
    • Schichtwechsel, Nordstern Videokunstzentrum, Gelsenkirchen, Germany
    • Games People Play, Centre for Contemporary Art and the Natural World, Exeter, United Kingdom
    • 3rd Taiwan International Video Art Exhibition 2012, Melancholy in Progress, Hong-Gah Museum, Taipei, Taiwan
    • Labyrinth, Centre Pompidou-Metz, Metz, France
    • Intoleranz/Normalität, Kunstverein, Graz, Austria
    • OUT-OF-______, Galerie Dohyang Lee, Paris, France
    • Taipei Biennial 2012, Taipei Fine Arts Museum, Taipei, Taiwan
    • A partir de Mañana, todo (From tomorrow on, everything), Museo Universitatio Arte Contemporáneo, Centro de Cultura Digital, Mexico City, Mexico
    • Poetas en Tiempos de Escasez, Museo de Arte del Banco de la República, Bogotá, Colombia
    • L’homme de Vitruve (Vitruvian Man), Centre d’art contemporain d’Ivry – le Crédac, Ivry-sur-Seine, France
    • Cinemania: Harun Farocki and Holly Zausner, Herbert F. Johnson Museum of Art, Ithaca, USA
    • The World is Not Fair – The Great World’s Fair 2012, Tempelhof Park, Berlin, Germany
    • Making History, MMK Museum für Moderne Kunst, Frankfurt am Main, Germany
    • Image Counter Image, Haus der Kunst, Munich, Germany
    • Ciudad Total, Institut Valencià d’Art Modern, Valencià, Spain
    • CoB#2, The History of Art in the Age…, Celebration of the Body, Museum of Copies, Musée des Moulages, Lyon, France
    • The Lucifer Effect, DOX Centre for Contemporary Art, Prague, Czech Republic
    • Remote Control, Institute of Contemporary Arts The Mall, London, United Kingdom
    • Collecting Collections and Concepts, European Capital of Culture, Factory Hall, Guimarães, Portugal
    • Poetas en Tiempos de Escasez, ICPNA, Lima, Peru
    • transmediale 2012, festival for art and digital culture berlin, Haus der Kulturen der Welt, Berlin, Germany
    • Raskrsce: Izmedju intimnosti i spektakla, The Cultural Centre of Belgrad, The Art Gallery, Belgrad, Serbia
    • Sichtbarkeit und Sichtbarmachung, Institut für Künste und Medien, Potsdam, Germany
    • Auf die Plätze, Die Sportausstellung des Deutschen Hygiene Museums, Dresden, Germany

  • 2011

    • Evento 2011, Strange and Close, Musée d’Art Contemporain CAPC, Bordeaux, France
    • Atlas. How to Carry the World on one’s Back?, Deichtorhallen, Hamburg, Germany
    • Topographies de la Guerre, Le Bal, Paris, France
    • September 11, MoMa PS1, New York, USA
    • Labyrinth, Centre Pompidou-Metz, Metz, France
    • Rollenbilder. Rollenspiele, Museum der Moderne, Salzburg, Austria
    • Massa MoCA Massachusetts Museum of Contemporary Art, North Adams, USA
    • Changes, Halle 14, Leipziger Baumwollspinnerei, Leipzig, Germany
    • Auf die Plätze, Die Sportausstellung des Deutschen Hygiene Museums, Dresden, Germany
    • Serious Games. Krieg – Medien – Kunst, Mathildenhöhe, Darmstadt, Germany
    • Paranoia, EXIT VIA Gare Saint-Sauveur, Créteil, Maubeuge and Lille, France
    • Tampere Film Festival, Tampere, Finland
    • 29th Bienal de São Paulo Touring Program, Museu de Arte Moderna Rio de Janeiro, Rio de Janeiro, Brazil
    • Principio Potosi, Museo National, La Paz, Bolivia
    • Yebisu International Festival for Art & Alternative Visions 2011, Tokyo Metropolitan Museum of Photography, Tokyo, Japan
    • My War, Agnes Etherington Art Centre, Kingston, Canada

  • 2010

    • Platform Seoul 2010, Artsonje Center, Seoul, South Korea
    • Gwangju Biennale 2010, Gwangju, South Korea
    • Hinter der Vierten Wand: Fiktive Leben – Gelebte Fiktionen, Generali Foundation, Vienna, Austria
    • Exposed – Voyeurism, Surveillance and the Camera, Tate Modern, London, United Kingdom
    • Unmistakable Sentences. The Collection Revisited, Ludwig Museum, Museum of Contemporary Art, Budapest, Hungary
    • Starter, ARTER, Istanbul, Turkey
    • R_EVOLUTION?, arttransponder, Berlin, Germany
    • The Art of Speculation, Kunstverein Wolfsburg, Wolfsburg, Germany
    • Hard Targets, Wexner Center for the Arts, Columbus, Ohio, USA
    • SENT BY MAIL, Galerie Barbara Weiss, Berlin, Germany

  • 2009

    • OWEN LAND. How can you believe anything he says?!, KW Institute for Contemporary Art, Berlin, Germany
    • Islands+Ghettos, NGKB Neue Gesellschaft für Bildende Kunst, Berlin, Germany
    • Small Moments of Fantastic Things, Antje Wachs Galerie Berlin, Berlin, Germany
    • H.Signals in the Dark: Art in the Shadow of War, Models Arts and Niland Gallery, Sligo, Ireland

  • 2008

    • Whatever happened to the Sex in Scandinavia?, Office for Contemporary Art Norway, Oslo, Norway
    • Museum of Art, Los Angeles, USA
    • Belluard Bollwerk International, Zurich, Switzerland
    • Máchinas y Almas, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain
    • Gib mich die Kirsche, Stadt Karlsruhe, HfG, ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe, Karlsruhe, Germany
    • Tekfestival Opificio Planet, Rome, Italy
    • After the Light Moving Images Displayed at Night, Radialsystem, Berlin, Germany
    • The Cinema Effect: Illusion, Reality and the Moving Image Part I: Dreams, de Arte, Hirshhorn Museum and Sculpture Garden, Washington D.C., USA
    • Active Fever: Uses of the Document in Contemporary Art, ICP International Center for Photography; New York, USA
    • Under Pain of Death, Austrian Cultural Forum, New York, USA
    • Re-enactments, DHC/ART Foundation for Contemporary Art, Montréal, Canada
    • Artefact, Kunstencentrum STUK, Leuven, Netherlands
    • Signals in the Dark, Art in the Shadow of War, Blackwood Gallery, Mississauga, Canada
    • (MAMCS), Museé d’Art Moderne Contemporain, Strasbourg, Alsace, France
    • Mimétisme, Extra City – Center for Contemporary Art, Antwerp, Belgium
    • MACBA im Frankfurter Kunstverein, Frankfurt am Main, German
    • Deep Play, Northern Gallery for Contemporary Art, Sunderland, United Kingdom
    • Glück – welches Glück?, Deutsches Hygiene Museum, Dresden, Germany

  • 2007

    • Eye/Machine, Starmach Gallery, Krakow, Poland
    • Filmische Weisheiten, Heidelberger Kunstverein, Heidelberg, Germany
    • Czechpoint – International Exhibition and Festival of Political Art, Gallery of Arts, Zilina, Slovakia
    • Dada East, Färgfabriken Center for Contemporary Art and Architecture, Stockholm, Sweden
    • See us Act, Lund Konsthall, Lund, Sweden
    • Intocable (el ideal de la transparencia), Patio Herreriano, Museo de Arte Contempoáneo Espanol, Valladolid, Spain
    • New Economy, Artists Space, New York, USA
    • What is to be done? Der Prozess, Prague Biennale 3, Prague, Czech Republic
    • In the Poem about Love you dont Write the Word Love, Midway Contemporary Art, Minneapolis, USA
    • The California Files – Re-Viewing Side Effects of Cultural Memory, CCA Wattis Institute of Contemporary Arts, San Francisco, USA
    • The California Files – Re-Viewing Side Effects of Cultural Memory, CCA Wattis Institute of Contemporary Arts, San Francisco, USA
    • Bloomberg Space, London Prison, London, United Kingdom
    • We love Cinem, Center for Curatorial Studies at Bard College CCS Galleries, Annandele-on-Hudson, USA
    • For a special Place: Documents and Works from the General Foundation Collection, Austrian Cultural Forum, New York, USA
    • Documenta 12, Kassel, Germany
    • Location: Georgien, Tbilisi History Museum Karvasla, Georgia
    • Superhuman Vision, ICA Boston, Boston, USA
    • BIACS 2, Museum Fundatión Bienal International de Arte Contemporáneo, de Sevilla, Sevilla, Spain

  • 2006

    • Kino wie noch nie, Generali Foundation, Vienna, Austria
    • In the Poem about Love you don’t Write the Word Love, Artist Space New York, USA
    • Work (Arbeit), Lewis Glucksman Gallery, Cork, United Kingdom
    • The expanded Eye. Sehen – entgrenzt und verflüssigt, Kunsthaus Zürich, Zurich, Switzerland
    • This Land is my Land, NGBK, Neue Gesellschaft für Bildende Kunst, Berlin; Kunsthalle Nürnberg, Nuremberg, Germany
    • Dada East?, Cabaret Voltaire Dadahaus, Zurich, Switzerland
    • Clinic. A Pathology of Gesture, Haus 1 Hebbel am Ufer, Berlin, Germany
    • 40jahrevideokunst.de Digitales Erbe; Die 60er: update06; Revision.zkm; Revision.ddr, Kunstsammlung im Ständehaus Düsseldorf, Kunsthalle Bremen, Lehmbachhaus München, ZKM Karlsruhe, Museum der Bildenden Künste, Leipzig, Germany
    • Every Day… another artist/work/show, Salzburger Kunstverein, Salzburg, Austria
    • Stile der Stadt – Internationales Videokunstforum, Glaspassage des ehemaligen Forum Altona, Hamburg, Germany
    • Photo-Traffic, Centre pour l’image contemporaine Saint-Gervais, Geneva, Switzerland
    • Perific 7., Perific Biennial, Iasi, Romania
    • Equal and Less Equal, Museum on the Seam. Socio-political Museum in Israel, Jerusalem, Israel
    • Nowhere Europe – Trans: it. Moving Culture Through Europe, National Museum of Contemporary Art (MNAC), Bucharest, Romania
    • Pixels of Reality. What do you know, What do you see?, Public Space with a roof, Amsterdam, Netherlands
    • No.12 Exces, Z 33, Hasselt, Belgium
    • Eine Frage (nach) der Geste, Hochschule für Grafik und Buchkunst, Leipzig, Germany
    • Untouchable (The Transparency Ideal), Centre National d‘Art Contemporaine, Villa Arson, Nice, France
    • Forum expanded, Kunstwerke Berlin, Berlin, Germany
    • Sichtbarkeiten_Zwischen Fakten und Fiktionen, Edith-Ruß-Haus für Medienkunst, Oldenburg, Germany

  • 2005

    • Balance and Power-Performance and Surveillance in Video Art, Krannert Art Museum, Waltham, USA
    • Screening War- Zur Repräsentation von Krieg in der Videokunst, ZKM Karlsruhe, Karlsruhe, Germany
    • Making Things Public-Atmosphären der Demokratie, ZKM Karlsruhe Zurich, Switzerland
    • Panoticom – The Architecture and Theatre of Theatre of Prisons, Zacheta – National Gallery of Art, Warsaw, Poland
    • On Patrol, De Appel, Centre for Contemporary Art Amsterdam, Amsterdam, Netherlands
    • How do we wan’t to be governed? (Figur and Ground), Miami Art Center (MAC), Miami, USA
    • Einstein Spaces. 9 Kunstprojekte Berlin, ARD Hauptstadtstudio, Berlin, Germany
    • Zur Vorstellung ders Terror. Die RAF, Kunstwerke Berlin, Germany
    • European Media Art Festival, Osnabrück. Document, Kunsthalle Dominikanerkirche, Osnabrück, Germany
    • Occupying Space. Wasting Time. The Generali Collection, Haus der Kunst, Munich/Galerie Kloviecevi dvori, Zagreb/Witte de With, Rotterdam, Netherlands
    • Art Video Lounge, Art Basel and Miami Beach, Miami, USA
    • On Difference #1-Lokale Kontexte-Hybride Räume, Württembergischer Kunstverein, Stuttgart, Germany
    • Biennale de l’Image en Mouvement, Centre pour l’image contemporaine Saint-Gervais, Geneva, Switzerland
    • Disobedience-Ziviler Ungehorsam, Kunstraum Kreuzberg/Bethanien, PLAY Gallery, Berlin, Germany
    • Projekt Migration, Kölnischer Kunstverein, Cologne, Germany
    • Arbeit*, Galerie am Taxispalais, Innsbruck, Austria
    • 4 and 4: curators choice New York/Berlin Anselm Franke shows Harun Farocki + Matthew Buckingham, Galerie Müller Dechiara, Berlin, Germany

  • 2004

    • Privatisierungen. Zeitgenössische Kunst aus Osteuropa, KW Institute for Contemporary Art Kunstwerke Berlin e.V., Berlin, Germany
    • Open House. Kunst und Öffentlichkeit/Art and the Public Sphere, O.K. Centrum für Gegenwartskunst Oberösterreich, Linz, Austria
    • Fly Utopia! Ausstellung transmediale.04, Haus der Kulturen der Welt, Berlin, Germany
    • Documentary „Fictions“, Fundation „la Caixa“, Barcelona, Spain
    • Shock and Awe-Kriegsbilder zwischen Dokumentation und Ideologie, Edith Ruß-Haus für Medienkunst, Oldenburg, Germany
    • Guck Mal, Was Du kaufst! Eine Mitmacherausstellung für Kleine und Große, FEZ-Berlin, Berlin, Germany
    • models+frames 8: Überlebensstrategien für Untrainierte, Kunst und Medienzentrum Adlershof, Berlin, Germany
    • Die Zehn Gebote, Deutsches Hygiene Museum, Dresden, Germany
    • INwardOUTward, FLACC, Casino Modern Waterschei, Genk, Belgium
    • La Ville qui Fait Signes, Le Fresnoy, Studio national des arts contemporains, Lille, France
    • American Idol, The Greene Naftali Gallery, New York, USA
    • Die Regierung, MACBA, Museu d’Art Contemporaire de Barcelona, Barcelona, Spain
    • Re: location. Shake – ID Troubles-Lüneburg, Halle für Kunst Lüneburg e.V., Lüneburg, Germany
    • Zellen: Bin gesund. Denke an Dich. Alles Liebe, Galerie für Landschaftskunst, Hamburg, Germany

  • 2003

    • Fate of Alien Modes, Secession, Vienna, Austria
    • The first ICP Triennial of Photography and Video, International Center of Photography, New York, USA
    • Video Installation Exhibition, Galreia Zé dos Bois, Lisbon, Portugal
    • Monitoring, KulturBahnhof Kassel, Germany
    • M_ARS-Kunst und Krieg, Neue Galerie Graz, Graz, Austria
    • Schrägspur, Rebuild #3, Slant Track: Videoinstallation aus der Sammlung, Hamburger Kunsthalle, Hamburg, Germany
    • Sammlung. Werke von Dan Graham, Sanja Ivekovié, Hans Haacke, Friedl Kubelka und Harun Farocki, Generali Foundation, Vienna, Austria

  • 2002

    • Cardinales, Marco, Museo de Arte Contemporánes de Vigo, Vigo, Spain
    • Anxious Omniscience: Surveillance and Contemporary Cultural Practice, Princeton University Museum, Princeton, USA
    • Erkennen und Verfolgen, Oktagon Dresden, Dresden, Germany
    • Art & Economy, Deichtorhallen Hamburg, Hamburg, Germany
    • New Heimat, Frankfurter Kunstverein, Frankfurt am Main, Germany
    • Still Live, I thought I was Seeing Convicts, SMAK, Stedelijk Museum voor Actuele Kunst, Gent, Netherlands

  • 2000

    • Dinge, die wir nicht verstehen, Generali Foundation, Vienna, Austria
    • Media City Seoul 2000, Öffentlicher Raum, Seoul, South Korea
    • Galeria, Centro Cultural Belem, Lisbon, Portugal
    • Gouvernmentalität, Expo 2000, Hanover, Germany
    • L’etat des choses (1), KunstWerke Berlin, Germany

  • 1998

    • Joris Ivens – Chris Marker – Harun Faroki., Steirischer Herbst, Graz, Austria

  • 1997

    • Documenta X, Kassel, Germany

  • 1996

    • Face á l’historie, Centre Georges Pompidou, Paris, France

  • 1995

    • Le monde aprés la fotogaphie, Musée d’art Villeneiuve d’Ascq., Lille, France
CV of Harun Farocki for download